Symphony on the Prairie

Monday, July 19, 2010 by Paul Berns
Paul BernsHi Everyone:

Wow, it has been a long long time since I wrote.  But, I have enjoyed reading so many of our guest bloggers contributions these last few weeks.

Thought I would suggest how to enjoy an evening out of doors listening to the music of one of the 17 full time orchestras in 'the land'. 

First you show up to Marsh Symphony on the Prairie!!   Of course, you can go through our box office or Marsh and get tickets (possibly a nifty 'table') in advance.   Bring a blanket or portable chairs and a cooler.  Within this cooler we often see:  grape pop, orange pop, cream soda, oops I forgot wine from Napa Valley (been there) Brown County (been there) France (aw nuts, have not been there).  
Food at Prairie
Food, such as: artichoke dip (California), salsa (Mexico), every type of food you can imagine.  Eat, drink and listen.....relaxing is a great thing to do.  Relax and leave the music playing to us.  Actually I often see professional musicians from throughout the state in our Conner Prairie audience.

Symphony on the Prairie
I see people in their 90's and 'good' little ones with their parents.  Plenty of room and plenty of sky.  And plenty of stars (in the sky).

Symphony on the Prairie

Please do check our schedule out on our world class website and I , and 87 of my closest friends, will look forward to seeing you.

Here is another 'list of ten':  how about instruments you might see and hear on stage:

1.  Contra bassoon - big and sounds really low
2.  Anvil
3.  Indian flute
4.  Alto sax
5.  Piccolo
6.  Orchestra chimes - sound like church bells
7.  Wagner tuba
8.  Piccolo timpani
9.  Alto flute
10.E flat clarinet

To name only a few...................................

Best to All!!

PAUL BERNS 

It really is...Your Season, Your Way!

Tuesday, June 29, 2010 by Jessica Di Santo

Mark Newman
Mark Newman is the ISO's Vice President of Marketing and Communications. I've turned my blog over to him so that he can remind you about the ISO's user-friendly Your Season~Your Way flexible subscription packaging. 

 The Indianapolis Symphony Orchestra is changing . . . evolving more accurately.  Much of the impetus for this evolution has been you—our patrons, fans and friends—and your changing lifestyle.  For some time, we’ve known that a traditional fixed subscription package didn’t fit everyone.  In response to that, we created Your Season~Your Way, a flexible alternative that allows you to create your own personalized concert package to fit your music preferences, schedule and wallet.

Your Season~Your Way suits all kinds of people with all sorts of lifestyles.  Here are a few examples:

Eclectics - If you’re the kind of music lover who enjoys both the ISO’s Classical and Pops series, then Your Season ~ Your Way is for you.  It lets you mix and match from both series as well as our new line-up of casual Classical programs, Symphonic Hits.  Imagine bundling Joshua Bell, Andre Watts, Beethoven’s 9th Symphony, the music of Paul McCartney and Cirque de la Symphonie in one concert series!  It doesn’t get much more eclectic than that.

Snowbirds - Say you spend part of your winter down south and can no longer make all the concerts in your traditional fixed package.  You should consider Your Season~Your Way as an option.  It allows you to fit ISO concerts into your busy travel schedule.

Power Brokers – Are you used to power lunches and power meetings?  How about a power concert series?  Your Season~Your Way is your ticket to the most inspiring music the ISO has to offer.

Workaholics - Maybe your work schedule is such that you only have select Fridays or Saturdays available for play.  Your Season~Your Way allows you to pick the concert dates that fit best with your hectic calendar. 

Penny Pinchers - Perhaps you just don’t want to make as big a financial commitment as a traditional fixed package typically requires.  The beauty of Your Season~Your Way is that you can pick as few as five concerts or as many as you like.  Regardless of how many concerts you choose, the one constant is that you’ll always save with Your Season~Your Way

To get a full taste of what we have in store for next season, I invite you to visit our website. I also invite you to go to our website to sign up for Your Season~Your Way.  Or, you might consider calling one of our Customer Care Representatives at 317.639.4300.  They’ll help you construct the perfect package. 

One thing we know for sure at the ISO is that life is better with music, and we feel we do a pretty good job of creating it.  I hope you’ll consider joining us next season at the Hilbert Circle Theatre!  What would be your perfect concert package?  Feel free to comment!
 

A Day at the "Strings and Jazzy Things" Camp

Tuesday, June 15, 2010 by Carol Baker

A Day at the "Strings and Jazzy Things" Camp
Regina Henderson, ISO Learning Community/MYO Intern
Valparaiso Univerity '11
 
 

 

 


On Tuesday June 8th, I had the wonderful opportunity to observe the annual summer music camp called “Strings and Jazzy Things.” After creating quite a journey for myself on my way to Broad Ripple High School, I wasn’t sure what I should be expecting and had no idea where I was going once I walked into the school. However, I finally found the registration area and set off on a mission to find Betty Perry who was in the midst of a rehearsal with a large group of young musicians. At first, I didn’t know what to expect coming out of such a variety of students, but hearing them rehearse was refreshing. I was excited to learn that it was only their 2nd day rehearsing and they sounded so great!

 

After the morning rehearsal, Betty gave me the run down of everything going on that day and introduced me to several of the volunteers and teachers donating their time to such a wonderful cause. She also introduced me to a few MYO members and told me the awesome news about MYO getting invited to participate in a Berklee music camp next summer! After that, we found our way to a master class of how to perform jazz music. Dr. Monika Hertzig, led a large group of kids in a workshop demonstrating what jazz music is. After running through the “blues” scale and going over some basic jazz rhythms, it was time to do some solos! There were a few kids brave enough to volunteer while others were convinced to do one. It was fun to watch how these young musicians let their creativity and energy flow into these wonderful solos.   After the jazz workshop, it was time to watch the pros do their thing and play some of their original pieces. The short concert was a nice break in the day and very enjoyable to listen to.

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Once the jazz workshop was over, it was time to grab some lunch and then break off into sectionals. I went around to the violin and viola sectionals to observe and take some pictures. This is when trumpeter, Mike Buselli came in to give the younger kids a master class on improvisation while the older ones were having sectionals. It was interesting to hear his story about why he plays the trumpet and how he conveys his emotions through his instrument. After that, there were several kids geared up and ready to volunteer their improvisatory skills and prove that they could express emotions through their playing. 

After a few exercises with triads and the “blues” scale, it was time to put their freshly learned skills to the test! Mr. Buselli was able to get a few volunteers to join him in front of everyone else and improve an emotion on their instruments while the class had to guess what emotion they were trying to convey. They did this with a couple more groups as well and all of the kids who volunteered were quite impressive! After the improv class, it was time for me to head out. I was so happy to know that summer music programs in Indianapolis like "Strings and Jazzy Things" still exist today and it is evident that these kids are learning so much from it!

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what the heck was I playing last night and La Scala

Tuesday, May 4, 2010 by Paul Berns
 
Paul BernsHi All:

Got an email from Rita Steinberg's husband - Rita is a key member of our terrific Development Department. Larry wanted to know what I was "bowing" during the concert last weekend.

I was using a cello bow on crotales (antique cymbals) - they are tiny metal disks and pitched just like 2 octaves on a piano.  They are hard to play because, though mounted on a metal rod, they can spin.  I guess you need to be a percussionist to understand that part of the difficulty.

Friday and Saturday's concerts were wonderful - variety and a world-class young cellist and conductor.  Our audiences went crazy with enthusiasm and they were of ALL ages!!!

Members of the orchestra exceeded all expectations. The ISO's Principal Guest Concertmaster Alexander Kerr is nothing short of world class.  You will never hear a better orchestral solo anywhere in the world (guaranteed).  Of course, if Zach was in town, his performance would have been equally as good.  Solos by Karen Moratz (Principal Flute), John Wetherill (Principal Bassoon), Marvin (we call him Chappy) Perry on trumpet, Blake Schlabach (trombone - his solo filled the hall with sound), Craig Hetrick (great snare drum chops), Diane Evans (our harp angel), Roger Roe (Acting Principal Oboe), David Bellman (Principal Clarinet), Rob Danforth (Principal Horn) and one must praise Perry Scott (Acting Principal Cello) for his wonderful solos.

What does the ISO and La Scala opera house in Italy have in common???  The percussionist I replaced (had studied with my teacher, Vic Firth) Mike Quinn went from Indianapolis to perform in the Munich Symphony and then to co-principal timpani in the La Scala orchestra - one of the great orchestras and opera houses of the world. 

The orchestra is getting excited to hear Jim Beckel's new composition for our 5 member french horn section. Preview it here!




And Donna (on a personal note) is getting excited about the Michael Jackson tribute at Marsh Symphony on the Prairie this summer.  Reserve your tables now!!!!!!

Here is a "List of 10"  as requested by our Vice President and General Manager Tom Ramsey at a recent orchestra meeting (this will be a surprise for Tom):

10 things Tom knows, probably, everything about.

1.  Heating and Air conditioning units in a large concert hall
2.  Acoustics in a concert hall
3.  Stage platforms (risers)
4.  Timpani heads - calf
5.  Managing annual reviews
6.  Reading financial spreadsheets - that sounds like fun
7.  Renting office space
8.  Hiring staff & conductors
9.  Mechanics of every instrument in the orchestra - makes and technical issues
10.The shell at Symphony on the Prairie

Also, 10 more cities the ISO has performed.

1.  Little Rock, Arkansas (I do not think President Clinton attended)
2.  Numerous locations on Long Island 
3.  Winona, Minnesota
4.  La Crosse, Wisconsin
5.  Utica, N.Y.
6.  Barcelona, Spain
7.  Birmingham, England - (the former princ. percussionist of the ISO plays there)
8.  Geneva, Switzerland (talk about a beautiful lake)
9.  Goshen, Indiana
10. Ft. Wayne, Indiana


bye for now - if you have questions just ask!!!

Paul

From Spirit Squad to Live Entertainment

Friday, April 9, 2010 by Jessica Di Santo

DJ SpilsburyDaniel Spilsbury ("DJ") works as an intern in the marketing & communications department at the ISO. DJ just finished following the Butler University basketball team on their journey to the championship game.  Why? DJ is a proud member of the pep band!  Here's his story.

Of all the things I could brag about, the one I enjoy the most is the fact I got paid to go every step of the way along the NCAA tournament with the Butler basketball team.  For four years I’ve supported Butler basketball as a member of the pep band.  The whirlwind excitement swept us all up as we made our journey from San Jose to Salt Lake City to our very home Indianapolis.

On the outset of the tournament the band and cheerleaders provided a large support system for the team.  Being a couple of thousand miles from home and being from a small school tends to do that.  Our music and cheers always energized the crowd that was cheering for us, in a way that music played over the PA never seemed to do.  I also think our support may have provided a small comfort for the team, a small section always cheering for them even in the toughest of times.

As the team progressed the number of Butler fans grew and the team gained a certain noticeable fame.  Our jobs quickly turned from spirit squad to live entertainment.  We kept cheering, but the focus of our music changed from “support the team” to “keep the audience entertained while the game was on pause.”  

When the Final Four games rolled around this became very important.  We’d made it pretty far, but the teams we faced were tough.  People were on the edge of their seats during most of the game.  And when the time outs were called it was nerve wracking.  The pep band broke a lot of the tension with some real fun tunes like “Crazy Little Thing Called Love.”  We also gave fans heart with the “Butler War Song” and the R-U-a bulldog chant.

I think the fans would not be able to completely enjoy any game without some form of music on their side.  PA music just lacks the life and excitement of a live band.  It can’t choose songs to play based on how either team is doing.  It can’t bring a crowd to cheer for their team.  But as a band, we can support the team, the fans, and represent Butler as a whole.  And we would not be anywhere without the basketball team or the Butler Way.

Go Dawgs!


An Open Mind is a Valuable Asset

Monday, March 15, 2010 by Candi Berry
When someone finds out I work for the Indianapolis Symphony, the first question is always "Do you play an instrument?" I usually smile and say "Yes, a calculator."  

I've been a member of the Finance staff for nearly three years and enjoy being a part of the organization.  I've always believed in the power and importance music can have in people's lives.  It has been a part of my daily life for as long as I remember.  It's the first thing I want to hear when I wake up, I listen all day at work, exercise to it and of course it's a must for any car ride, no matter how long. It moves me, connects me to my soul and serves as a link to past memories and experiences. I didn't have much exposure to classical music though, until I started working for the ISO.  The majority of my music knowledge ranges from the late 70's to present day. 

Two assets that have served me well are having an open mind and a willingness to learn.  I plan to use both of these as I delve into educating myself about classical music.  I enjoy learning the background of a piece I'm going to hear performed. I find if I do some quick research, I can ascertain the composer's mindset when it was written. For instance, prior to hearing our performance of Faure's Requiem, I discovered the composer lost both of his parents within two years. Experiencing the death of a parent myself, I felt an insight and connection to the music. Before attending the Troika concert (Tchaikovsky, Rachmaninoff and Prokofiev), I learned that two of the three selections were composed surrounding a war theme.  That night I also heard a piece from one of my favorite movies called "Somewhere in Time." I now know it by its correct name, Rhapsody on a Theme of Paganini by Rachmaninoff.

Opening myself to new ideas has contributed to my personal growth immensely. The new approach to Happy Hour programming is very appealing to me.  I'm extremely excited for next week's show featurning the music of Brahms and John Mayer.  I was elated to learn Steve Hackman is including "The Heart of Life" in the Mayer selection from his Continuum CD.  I was introduced to this CD by someone I love deeply and immediately connected to the lyrics and melodies. It was almost a soundtrack to what I was going through in my life at the time. I appreciated Scott Harrison's recent blog about similiarities between Brahms and Mayer, it was very entertaining.

I look forward to sharing my insights into this Classical journey of mine. 

Community Connections

Tuesday, March 2, 2010 by Brian Smith
One advantage of living in the age of the internet is the rapid spread of information from every corner of the world to your living room whenever you want it.  As a result many people in our industry find themselves reading more about what goes on in the orchestra world to keep current with the latest trends and news.  So this weekend, coffee in hand, I made my way to the computer to do just that, when I came across two articles that struck me for very different reasons.

The first was an article describing the Baltimore Symphony's newest venture, "Rusty Musicians with the BSO".  Basically this program allows amateurs to join members of the orchestra and music director Marin Alsop on stage for a rehearsal and performance.  Anyone who is over the age of 25 and can play an orchestral instrument can participate.  Apparently the good people of Baltimore found this to be a great idea, as over 400 people signed up!  It seems that even in a time of financial difficulty for most orchestras in this country, Baltimore has found a new way to connect with their community and created a moral boost for the organization, not to mention a new revenue stream.

On the other hand, the second article, written in a much more sombre tone, detailed some of the woes facing the Philadelphia Orchestra.  Like many orchestras, Philadelphia is fighting an uphill battle financially, but to me that wasn't the disappointing part of the story.  According to the story's author, there is a seemingly growing number of loyal patrons feeling disconnected from the great orchestra,  which is routinely classified a member of the "Big 5" (along with the ensembles of Chicago, Cleveland, New York, and Boston).  One is led to believe from the article that a lack of communication from the orchestra, along with logistical issues such as ticket prices and parking concerns, has created unwanted friction between the orchestra and it's fan base.  This seems to be an issue which needs to be addressed quickly, for the sake of all concerned.

Here at the Indianapolis Symphony we want to continually develop and foster our relationship with our city.  To that end we hope that along with attending concerts, you will take advantage of some of the offstage programs we have in place.  Two such programs are the "Sound Off", a pre-concert question and answer session, and "Reverb", a post-concert meet and greet event with the ISO musicians.  Both events are associated with all of our Symphonic Hits series concerts and are designed to give concert goers a chance to get to know more about the people and projects of the ISO.  Another option are the "First Mondays at the ISO" gatherings, hosted by ISO cellist Geoff Lapin.  As the name implies, the meetings take place the first monday of each month and cover a wide range of musical subjects, often featuring special guests to discuss the topic of the day.  

Another great way to connect with the orchestra is through FORTE,  the ISO's young professionals group.  Along with providing volunteer and networking opportunities for it's members, Forte is helping our new Happy Hour series take shape.  Another great volunteer organization is the ISO Women's Committee.   Founded in 1937, the committee has a long standing role in organizing fundraising and music education events.   

These are just a few of the ways the community can interact with the orchestra, but we are always looking for better ways to do things at the ISO.  So here's your chance to tell us what you think.  How are we doing?  If you have a great idea, leave a comment and tell us how we can make your concert going experience better.  I would love to hear them.

Introducing myself

Wednesday, February 17, 2010 by Dinah Montgomery
Dinah MontgomeryI'm quite excited to post my first blog!  I'm not at all savvy about anything electronic, including but not limited to computers, i-pods, phones and remote controls.  One of my colleagues reminded me of my "one to one" session with a "genius" at the  Apple store where I learned how to turn on my i-pod.  My husband, Jerry, who is the 3rd horn here in the Indianapolis Symphony, has thrown his hands up in despair after each of my button pushing marathons with the TV remote control.  However, I'm looking forward to blogging!  I've been a member of the ISO's 1st violin section since 1975, and there is little truth to the saying that "unless you're the lead dog, the view is always the same."

The past few days I have been eagerly watching the Olympics.  I like to think there is somewhat of a comparison between these extraordinary athletes and us musicians.  We both have worked immensely hard since we were young children, often making sacrifices in our lives to accommodate our crafts. (My mother made me practice every day, missing lots of fun times with friends, and it took no time for me to get my geek label.)   We both suffer through physical injuries and keep pushing through the pain to continue to perform.  We strive for perfection with many many repetitions to ensure perfection, and yet when it's time for the real performance, that 12th man, be it a panel of judges or a paying audience, is such an unnerving factor!  How many times did I say to myself, "but it went so well in practice!"  Because we love our art/sport we continue.  The times that all goes well and the audience responds with thunderous applause makes all the work so rewarding and those heart breaking misses, falls or mistakes, those things that have never happened before, they strengthen us in the end, and make us "seasoned performers."  I do appreciate all the dedication these athletes put in to their work and love to watch them perform at such extraordinarily high levels.  Our concerts aren't quite an Olympic game or a Super Bowl, but all the musicians do bring their best game to each concert, all for that thunderous applause!

Texting, eating, chewing, reading etc...

Thursday, January 28, 2010 by Everyone's a Critic
I find there are many things that already detract from the experience. Last week a couple in front of me were texting, chatting and occasionally making out. This was in the dress circle mind you. They also had several champagne glasses lined up. When they were not busy with those activities they were thumbing through the program. All of this occured during the performance. Indianapolis does seem to have many coughing, candy un-wrapping, program dropping patrons. I do not think we need to encourage this type of behavior - it will be common place soon enough.

Name:
City: Indianapolis
Email:

The Arts Permeate Every Part of our Lives

Monday, August 24, 2009 by Jessica Di Santo

Recently, ISO double bassist Brian Smith, was interviewed for a video project about the importance of arts in our community. After providing a brief answer to the question, “What argument would you make to those in non-artistic professions to support the need for the arts in society,” Brian spent some more time thinking about it and provided the following thoughts.

 

I was asked recently what argument I would make to those in non-artistic professions to support the need for the arts in society (the assertion by some being that the arts have no real significance in our community). I mean, it's just another form of entertainment, right?  My answer at the time was that the arts, and the Indianapolis Symphony Orchestra in particular, provide not only an entertainment option, but an avenue to explore the emotional and philosophical aspects of our world in a way that other mediums don't allow. If we do our jobs onstage well, performances will take on a life of their own for every audience member listening and each will react differently, based on their own experience, in a personally meaningful way. I believe this is absolutely true, but there is more to the story.

 

The arts are everywhere in each of our lives, whether we recognize them or not. Consider for a moment going to a movie that contained no music, a wedding with no first dance, or even just turning on the radio and hearing nothing but static. There would be no plays, movies, or TV shows without actors, no sculpture or painting to enhance our homes and workplaces without artists. The arts permeate every part of our lives. They can inspire, console, frighten, and uplift. The arts are like a language that we all speak, and without knowing why, can affect us profoundly. As a musician, I know first hand the benefits of studying an art form. Music can teach us many valuable lessons applicable to other parts of our lives. One lesson of critical importance deals with problem solving and abstract thinking. Have you ever wondered why you can listen to the same piece of music played by multiple performers and have dramatically different experiences? It is due in large part to the fact that each performer must make choices and solve problems in a way that is unique to them, thus creating a new and different interpretation of the work. Among other things, performers must decide for themselves how a piece should paced, phrased, and presented. Then they must figure out a way to achieve that vision. In other words, they have to solve a myriad of problems that will likely involve techniques that they are comfortable with and the integration of new ideas that may be unexplored for them to that point of their development.

 

To continually progress as an artist, you must, to coin an overused cliche, "think outside the box" as often as possible. Another part of being a musician is, just like mom used to say, learning to play well with others. Most musical performances require collaboration with other artists, whether it be with a large ensemble like the ISO, or a solo recital which usually requires accompaniment of some kind. Communication and compromising skills are essential in these settings and one must learn them quickly if they wish to have success on stage. But the most beautiful and engaging part of any artistic endeavor is the opportunity for people to create and express themselves in unique and personal ways. So often in our formative years we are told to study academic subjects such as mathematics, science, and grammar. While these subject matters are crucial in all our lives, students have far fewer opportunities to explore their creativity and how it may help and impact them in other parts of their lives. Perhaps more than anything else, this is the most important reason why everyone should support the arts.

 

 

 

This video will be shown at the Arts Council of Indianapolis’ annual Start with Art luncheon on Thursday, Sept. 3, 2009.


My First Symphony on the Prairie

Monday, June 22, 2009 by Jessica Di Santo

by Shannon Neumeyer, marketing & communications intern

Shannon's first Symphony on the PrairieThe year is 1990.  I was two years old, soon to be three.  We drove the slightly long drive to Connor Prairie to see a Symphony on the Prairie concert for the evening.  I was so excited to go and my favorite thing to do was run down the hills as soon as we got there.  It was warm and bright, and I watched as many other people arrived.  I was happy to see lots of other kids I could play with as the concert was going on.  We brought a blanket, food and lots of toys so I could play with my sister.  The music was pretty and I sat on my mom’s lap while watching the people play on the big stage.  Soon, it got dark and it made the stage light up.  As the concert ended, I was thrilled as I saw balloons being released into the air.  It was definitely an unforgettable evening with the symphony.