All Good Things Must Come to an End

Tuesday, August 31, 2010 by Jessica Di Santo

Jessica Di SantoI can’t believe summer is almost over. I can’t believe Marsh Symphony on the Prairie is ending. But I do believe that we will see the 100,000th patron enter those Conner Prairie gates this weekend.

In 2009, we celebrated with Debra Fleetwood, as she was the lucky 100,000th patron to arrive.

If patron number 100,000 walks through our gates (we think on Thursday evening), it will be the third time in history that we have achieved that feat.  What helped bring us to this magic number? Amazing crowds at this year’s Fourth of July concerts, amazing crowds at the Classical Mystery Tour (Beatles) weekend, amazing acts like Marvin Hamlisch, the John Denver tribute band and the Duke Ellington Orchestra, amazing performances of Pictures at an Exhibition and Tchaikovsky’s Fifth by our own Indianapolis Symphony Orchestra, and amazing weather (only a handful of weather-related delays and one rainout—knock on wood for this weekend!).

Symphony on the Prairie is more than an attendance number. As we close out the series this weekend, I thought I would reflect upon some highlights this summer.

A debut and an adieu
On July 23 & 24, singer-songwriter Brandi Carlile debuted with the Indianapolis Symphony and performed many of her hits to a large crowd of adoring fans. After the concert, we said adieu to ISO Associate Conductor Sean Newhouse. Sean moved to the east coast and now serves as an assistant conductor with the Boston Symphony Orchestra. Bravo Sean!

Sean Newhouse

Up, Up and Away
Our very own ensemble-in-residence Time for Three performed their signature genre-bending mix of music for their thousands of devoted fans.  Afterward, the boys went on a Conner Prairie balloon ride—they don’t seem to have stage fright…but do I sense a little fear of heights? 
 

It was a Thriller, for sure
Brent Havens, creator and conductor of the Michael Jackson Tribute show and other orchestrated rock tributes such as Pink Floyd, Queen and Led Zeppelin, hit a homerun by including wonderful orchestrations of the King of Pop’s greatest hits. I’ve never seen that many people dancing at Symphony on the Prairie.  One patron noted that she left “ticked off that I never got to see [Michael Jackson] in concert for real and I’m convinced no one else will ever come close to being as spectacular as he is/was.” Another patron sent in this message:  “This was a wonderful event. The ISO and the band that performed were excellent. I thoroughly enjoyed this concert. I love live music!”

He got what he asked for!
After joking about the large amount of insects buzzing around his head on stage, prolific American songwriter Marvin Hamlisch was given several bug repellent options at intermission from his fans—everything from spray, sticks, gels to bug repellant jewelry.  During the second half of Marvin’s concert, our very own Principal Librarian Mike Runyan made us all weep when he played the theme from Schindler’s List on harmonica.

Photographs also tell the story
I don't need to go on and on with highlights in writing.  I can also tell a story in pictures.  Here are some of my favorite photos from this season at Symphony on the Prairie.

The Classical Mystery Tour

Time for Three's setlist

Dancing at Time for Three

First to arrive at Prairie

A 50th Anniversary



Principal Tuba Tony Kniffen

Don’t forget!  The Music of Buddy Holly, Ritchie Valens and the Big Bopper on September 2 & 3 and the every-popular River City Brass on September 4 & 5.  See you one final time at the Prairie!

Musician Picks: Day 4

Thursday, August 26, 2010 by Jessica Di Santo

Jessica Di Santo

We're now at Day 4 of the Indianapolis Symphony Orchestra's single ticket launch. The "biggies" are going quickly as we imagined--Josh Bell, Liza Minnelli, Bugs Bunny, Andre Watts and Pink Martini. And we continue to ask our musicians--which classical, pops or special concert would you recommend a person (either a newbie or a veteran) experience this season? 

Bob Goodlett, Assistant Principal Contrabass:
"I would recommend Mahler's 5th Symphony. It has such monumental emotional substance. In addition, I'm looking forward to seeing soloist Barnabas Keleman play Sibelius' Violin Concerto.  He's a past Gold Medal Winner of the International Violin Competition of Indianapolis. It's always a pleasure to hear him perform."

Jill Boaz, horn:
"My pick is definitely Beethoven's 9th Symphony. Simply put, I love the "Ode to Joy."

What would you pick?  Feel free to comment!

More Favorite Concerts

Wednesday, August 25, 2010 by Jessica Di Santo
Jessica Di SantoSingle tickets for the Indianapolis Symphony Orchestra's 2010-2011 season went on sale two days ago, and I'm delighted to see there are some early birds out there trying to catch the worm. Tickets are flying for Joshua Bell, Wayne Brady, Bugs Bunny at the Symphony, Pink Martini, Mahler 5 and the incredible Liza Minnelli.

But there are so many more gems to pick from. So I asked our Principal Trombone, Jim Beckel...what classical, pops or special concert would you recommend purchasing, now that the Indianapolis Symphony's concerts are on sale?

In Jim's words...

Jim Beckel"For me, the best music is the music that inspires. The ISO is doing several great works, including Shostokovich's 5th Symphony on April 7, 8, and 9 with Arild Remmereit. At the point that Shostokovich created this symphony, he was under great duress from Stalin, demanding that he write music "for the people."  This symphony is an incredible journey through the threatening of the human spirit to the exoneration of the freedom of the human spirit in a truly inspired work. 
 
Similarly, Sibelius' 2nd Symphony, performed on April 1 and 2 with Mark Wigglesworth is truly inspirational, one of the greatest symphonies ever written.
 
Also, Mahler 5 on Nov. 5 and 6, with Juarj Valcuha conducting, is a great introduction to Mahler for the new patron.  It is one of his more mature works that features the brass in a great orchestration.
 
June 17 and 18 with Raymond Leppard - Beethoven's 9th - one of the most inspirational pieces ever written, featuring the "Ode to Joy" theme.  For me, this work is truly uplifting.  When Beethoven wrote this work, he had totally lost his hearing and knew that he was at the end of his life, and yet he writes a work of thanks for life itself."

The Finish Line

Wednesday, August 11, 2010 by Jessica Di Santo


Ben LuttrellIt's a bittersweet goodbye. Ben Luttrell has worked as the Symphony's intern this summer for the fundraising event, Circle the City for the Symphony. Thanks for all the hard work Ben!

As I stood looking at the Circle the City for the Symphony finish line when I took a picture, the first thing that came to my mind was “I’m looking at the Finish Line-sponsored Finish Line.” The next thought was “This is really surreal.”

From what I’ve gathered from other interns and friends from BSU, many internship positions end with some sort of culminating event, such as a presentation or a project deadline. My internship ended, quite literally, with a Finish Line (both as a title sponsor and as a location).  I only grabbed a quick picture of it before being whisked off to pass out water and bananas, but it will be a picture I cherish for a long time.

The day went smoothly, apart from spilling a considerable amount of coffee on my white shirt and khaki pants within the first 30 minutes. Eric Halverson from WISH-TV Channel 8 (our media sponsor) was a great emcee (and posted some really cool videos online from the run), and special thanks to the Blue River Band for rocking the Circle after the races ended.

Circle the City

In the end, 1,400 people ran, walked, and/or strolled for the Symphony. If you add in the volunteers, committee members, musicians, staff, Colts cheerleaders, Mayor Ballard and everyone else who played a role in making this event happen, we come close to a Hilbert Circle Theatre sellout.

A few thank you’s are definitely in order:

-Thank you to The Finish Line for your title sponsorship of the event, along with our other sponsors Bingham-McHale LLP, WISH-TV and NUVO. It should go without saying that your support is a cornerstone to this event’s success.

-Thank you to Blue Bell Ice Cream and Dad’s Root Beer for providing us with the biggest hit of the day – the delicious root beer floats. I didn’t have one for fear of it ending up on my shirt like everything else seemed to that day, but everyone who had one testified to their greatness.

-A HUGE thank you to our volunteers. You all were the glue that held the event together and a large chunk of the day’s smooth operation is owed to your hard work.

-Thank you to those of you who control the weather, because it was absolutely perfect on Saturday.

-Thank you to Nia’s Market and Deli next door to Symphony Center – not for Saturday, per se, but for powering me through my internship. Were it not for Nia’s, Dunkin Donuts and Jimmy John’s, I probably wouldn’t have made it all the way to the end (those who worked with me over the summer can attest to my crushing addiction to caffeine).

-I would thank all the runners, walkers and strollers individually if I could, but that would take up way too much time. So consider this a blanket thanks and congratulations for running the race! Special thanks to our teams, and to Flashpoint HR, Ice Miller and Sallie Mae for winning their Corporate 5K divisions; and to Telamon for winning the Biggest Team Competition!

-Finally, a personal thank you to the ISO staff and musicians. I’ve been so fortunate to get to know and work with some great people that it makes going back to school harder than it should be. I started this internship with a PR skill set in development and a passion for the arts, and I’m coming out of it with so much more than I could have imagined. It will be hard leaving, and you can be sure that I’ll be back in some form.

Geoff Lapin and Sherry Hong

As a final aside, I took my mom to see Time for Three, the ISO's ensemble-in-residence, perform at Symphony on the Prairie that evening. 

If there is any way to describe to people why I want to use what I am learning to advance music, it would be to sit them down at a Tf3 concert, and then tell them “I want the entire world to hear this.”
 

We're in the home stretch!

Monday, August 2, 2010 by Jessica Di Santo

Ben LuttrellISO intern Ben Luttrell provides an update on the Circle the City for the Symphony walk/run.

Things are beginning to fall in place.

 

That’s not to say it hasn’t been stressful. I’d liken it to one of those big domino exhibitions: it’s fun and amazing to watch and you can’t help but admire the hard work that goes into it, but it gets more stressful as each element is revealed and open to the public.

 

**Something I think needs to be overstated before we go any further: this blog is only one example of the resources and options given to me and to the Circle the City planners and brain trust by the Orchestra. I can not thank everyone here enough for all that I’ve been able to do, say and experience as part of my internship.**

 

The process of setting up and organizing an event is a lot of work, but it can be done with a relative limited amount of people. Between the committee and full-time/part-time/intern staff at the ISO, there are around 15-20 people actively involved in the pre-game phase of the event.

 

The day of the event itself? That’s a whole new ball game.

 

They say it takes a village to raise a child. If that is true, then it takes a small army to put on a road race. People are needed to pass out water, take names and register people at the door, distribute R&R food, take chips for timing, clean up and a group of people whose sole job is to stand around and answer questions.

 

Seeing the amount of help it is going to take, we’re putting out the APB for any and all who would be open to volunteering for Circle the City. Our target is to have 160 people on hand Friday and Saturday to help everything go smoothly and without more incident than necessary.

 

For signing up and helping, we will give you a volunteer t-shirt to proudly display, and we’ll also give you a free ticket to a Marsh Symphony on the Prairie concert. No cost is involved – we just want your help and attendance at the event.

 

Information and signup is online at IndianapolisSymphony.org. We would love to see as many of you who can’t run or would rather help out come and have a blast while helping us out with this amazing event.

Circle the City for the Symphony -- Saturday, Aug. 7 at 8 a.m.!

Indiana Beach Gives Away Free Ticket for Circle the City Runners/Walkers!

Friday, July 16, 2010 by Jessica Di Santo

Intern Ben Luttrull is feeling the momentum now, as we near the home stretch for the planning of the Circle the City for the Symphony event on Aug. 7. 

If my internship was with the Indianapolis 500, we would be at about lap 350 right now: over halfway through and time to start really focusing on pushing as hard as possible down the stretch.

Some exciting things are happening with the Indianapolis Symphony Orchestra's Circle the City event presented by Finish Line on Aug. 7.  For example, our course through downtown Indianapolis is all set! We will begin and end the race(s) on Monument Circle, and the course will take you through some of the prettiest scenery and neighborhoods in Indy.  And don't forget, ISO musicians will be scattered along the way and serenading you!

But that's not all! Remember the big surprise I talked about last time? Well – here it is:

The first 1,000 registrants for Circle the City for the Symphony will receive a FREE Combo Pass to Indiana Beach Amusement Resort in Monticello, Indiana. Unlimited theme park and water park ride access for one whole day is now included alongside your free ticket to a Marsh Symphony on the Prairie concert. This is across the board –  if you want to walk or run in the Symphony's 10K, 5K, Stroll or Junior Jog, you will receive the free pass while supplies last!  

Time is running out though!  Click here to register and claim your free tickets!

Are you interested in participating in the Circle the City for the Symphony activities, but don’t feel like running or walking? We’re looking for volunteers to help us out in making sure the events all go as smooth as possible. We need volunteer help for water stations, court marshals, and general race and participant support. If you volunteer, we will give you a free volunteer-exclusive Circle the City t-shirt and a ticket to a Marsh Symphony on the Prairie concert. Click here to sign up for a volunteer post.

Speaking of Symphony on the Prairie:  I will be at Sci-Fi Spectacular this weekend giving out information and taking registrations for Circle the City. I am infinitely more of a Star Wars fan than Trekkie, but I’m still super-excited to see George Takei. If you’re coming out to Conner Prairie this weekend, look for me at the top of the hill with the mountains of Circle the City brochures!

Take Me Home, Country Roads

Friday, July 9, 2010 by Jessica Di Santo
Bob Schultz and FamilyI'd like to introduce Bob Schultz, senior account director at Borshoff Strategic Communications, a fan of the ISO and a good buddy of mine. Bob recently told me he how much he and his family loved John Denver's music, which the Indianapolis Symphony Orchestra is performing this weekend in concerts at Marsh Symphony on the Prairie. I made him prove it by telling his story.

Ahhh, a Rocky Mountain High once again! My wife Diane and I can still remember when we heard the tragic news of John Denver’s death on Oct. 12, 1997. For us, it was the day the music died.

JD was much more that that folksy singer/songwriter with a goofy smile and twangy voice singing “Thank God I’m a Country Boy.” We were first introduced to the music of the man while working at CYO Camp in Brown County, Indiana back in the ‘80s.  His music inspired me to take up guitar; to learn how to play “Eagle and The Hawk”; to fall in love. Later, when Diane was working on the Ft. Belknap Indian Reservation in Hays, MT, John Denver filmed his annual Christmas show there. Not too much later, “Annie’s Song” was played and sung by my Colorado and now-deceased brother Rick on Diane’s and my wedding day.

From then on, each time JD made an Indy visit, we’d gather our camp friends, head to Market Square Arena or Deer Creek and sing along to every song. Then, as our three kids were born – each was “given” their own JD tune that became their lullaby. Although his death has created a significant void, JD’s music survives. (In fact, our missionary friend Patrick says that “Country Roads” is played more in European and Asian countries than any other American song.)

So – we’ll be there, with our kids and friend this weekend – on the prairie – thanks to the incredibly talented Indianapolis Symphony Orchestra and the look-alike, sound-alike Jim Curry. We’ll be singing along, remembering days gone by and introducing true American classics to the next generation. And I’m so pleased to know that JD’s music is still alive and well at that same CYO Camp where our kids now go.

Take me home, country roads!  

Ben's Internship Adventure

Tuesday, July 6, 2010 by Jessica Di Santo

Ben LuttrellISO Development intern Ben Luttrell gives us another glimpse into planning for the ISO's Circle the City for the Symphony event Aug. 7.

Between Conner Prairie trips, Circle the City for the Symphony duties, internship adventures and the dreaded “professional development," I’d say I’m having quite the summer so far at the Indianapolis Symphony Orchestra. The honeymoon of “Wow, I have my own phone line!” has faded into the “I’m expected to do real work” feeling, but I’m quite excited to report that my internship has been everything but the coffee-fetching, errand-running busywork life that some had expected me to lead.

One part of my job that bucks the “intern does the busywork” stereotype is participating in Circle the City for the Symphony committee meetings. I love planning and coming together to talk strategy, and this road race is certainly the biggest event I’ve ever been on a steering committee for.  The full committee has met a few times now, and it’s been quite an adventure each time. Updates, brainstorming, planning, logistics, marketing, sponsorships all make regular stops on our agendas, as well as everything down to the minutest of details to be planned.

We’re working hard to not only put together the best event possible, but also get as many people as can to learn about Circle the City for the Symphony and register to participate in it. We set a goal to have 2010 people participate in Circle the City this year in downtown Indianapolis (with “2010 in 2010” being the appropriate slogan). We really want this event to be fun for the whole family, from the most competitive of runners to anyone looking for a safe walk around the city. To do that, we’ve expanded on two of our events aimed at those who aren’t looking to earn a time or a medal but rather a safe and fun way to support the Orchestra while enjoying a beautiful day.

Circle the City

First: the Symphony Stroll is back and better than ever. The Stroll is a one-mile walk through downtown Indianapolis aimed at all ages, abilities and activity levels. Unlike the competitive 5K/10K courses, the Stroll course is open to baby strollers and the family pet. The course will feature several of our wonderful Indianapolis Symphony Orchestra musicians playing for you as you walk by, and the end of the course will land right in the middle of our Post Race Party. All Stroll participants also get a free ticket to a Marsh Symphony on the Prairie concert!

Second: we’ve expanded on the Junior Jog from last year. The event is only open to children under the age of 10 and is a one-lap run around Monument Circle. Each of the runners will receive a bib, shirt and medal for taking part in the event, as well as their own Symphony on the Prairie ticket. Note that, unlike in years past, there is a fee for the Jog this year.

Right now, we’re bringing something together that is going to be big-time news for families regarding Circle the City for the Symphony. I can’t divulge anything until we have the answers to every possible question (something my supervisor is very keen on reminding me!), but I can say that it is a fantastic opportunity regarding the Symphony Stroll and Junior Jog. Keep posted to the ISO Blog, and I’ll be sure to let the cat out of the appropriate bag when the time is right.

All in the [Military] Family

Thursday, July 1, 2010 by Jessica Di Santo
Jessica Di SantoFor me, the best part about the Indianapolis Symphony Orchestra's patriotic concerts July 2-4  isn't Tchaikovsky's magnificent 1812 Overture, or the inspiring suite from Gettysburg or even the spectacular fireworks at the end.

I'm more affectionate for the Servicemen on Parade piece. The Indianapolis Symphony plays this medley of songs representing the branches of the military: Navy, Air Force, Marines, Coast Guard and Army. We ask that any patron who has served in the military to stand when his or her song is played. It's a poignant and proud moment for everyone at Symphony on the Prairie. 

If you're attending this weekend, pay particular attention not only to your fellow servicemen standing next to you, but check out who is standing in the Orchestra:

Michael Borschel, Assistant Principal Clarinet
Mike served for three years in the U.S. Army in the U.S.M.A Band at West Point, NY, after Basic Training at Ft. Ord, California, from 1969-1972. As a member of the West Point Band, Mike performed more than 100 concerts and 100 parades every year.

Jerry Montgomery, Horn
Jerry was enlisted in the U.S. Army from 1972-1975 and performed as part of the NORAD Band. He told me that two of his colleagues in the band also went on to distinguished horn careers: Dan Gress was principal horn of the National Arts Centre Orchestra and Dan Rauch is currently one of the top horn makers in the world.

Marvin ("Chappy") Perry, II, Principal Trumpet
Chappy served in the U.S. Army Band at Ft. Myer, Virginia from 1970-1973 and achieved the rank of E6 (equivalent to a Staff Sergeant). Chappy's band performed at many ceremonies including the White House, Arlington Cemetery, special music productions, a few short tours and concerts. He also performed at a few parades, including the second inaugural parade for President Richard Nixon.  Chappy has very interesting stories to tell about his military career, but this one in particular is priceless:

"Prior to my enlistment, there was a requirement for annual re-qualification at the rifle range, even for members of the Army's top musical unit. Interestingly, the band repeatedly outscored the Third Infantry, the show troops of the Military District of Washington."

Mark Ortwein, Bassoon
Mark served in the U.S. Air Force from 1990-1998 and achieved the rank of Technical Sergeant. He played for all the living presidents and even spoke to President Clinton about saxophones after a ceremony. Mark also played at the dedication ceremony for Mt. Rushmore and the opening of the Ronald Reagan Library.

Look for these gentlemen to play and stand during the salute! 

And if you see me on Friday night (top of the hill, right side) with my family, look for my Dad during the medley. As a National Oceanic and Atmospheric Administration (NOAA) commissioned officer (retired at the rank of commander), he will be standing during the Coast Guard's song (hey, it's the closest thing he's got). We'll also be honoring my brother Judd Crawford, who served seven years in the U.S. Coast Guard and who now serves in the U.S. Army as a commissioned officer, stationed at Ft. Sill, Oklahoma.

We look forward to honoring all of our military servicemen and women this weekend. Chappy says it best: "I have the utmost respect for other members and former members of our military. Some have suffered unbelievable hardship. They and their families have my sincere admiration."

Fireworks at Prairie

Happy Fourth and we'll see you at the Prairie!

It really is...Your Season, Your Way!

Tuesday, June 29, 2010 by Jessica Di Santo

Mark Newman
Mark Newman is the ISO's Vice President of Marketing and Communications. I've turned my blog over to him so that he can remind you about the ISO's user-friendly Your Season~Your Way flexible subscription packaging. 

 The Indianapolis Symphony Orchestra is changing . . . evolving more accurately.  Much of the impetus for this evolution has been you—our patrons, fans and friends—and your changing lifestyle.  For some time, we’ve known that a traditional fixed subscription package didn’t fit everyone.  In response to that, we created Your Season~Your Way, a flexible alternative that allows you to create your own personalized concert package to fit your music preferences, schedule and wallet.

Your Season~Your Way suits all kinds of people with all sorts of lifestyles.  Here are a few examples:

Eclectics - If you’re the kind of music lover who enjoys both the ISO’s Classical and Pops series, then Your Season ~ Your Way is for you.  It lets you mix and match from both series as well as our new line-up of casual Classical programs, Symphonic Hits.  Imagine bundling Joshua Bell, Andre Watts, Beethoven’s 9th Symphony, the music of Paul McCartney and Cirque de la Symphonie in one concert series!  It doesn’t get much more eclectic than that.

Snowbirds - Say you spend part of your winter down south and can no longer make all the concerts in your traditional fixed package.  You should consider Your Season~Your Way as an option.  It allows you to fit ISO concerts into your busy travel schedule.

Power Brokers – Are you used to power lunches and power meetings?  How about a power concert series?  Your Season~Your Way is your ticket to the most inspiring music the ISO has to offer.

Workaholics - Maybe your work schedule is such that you only have select Fridays or Saturdays available for play.  Your Season~Your Way allows you to pick the concert dates that fit best with your hectic calendar. 

Penny Pinchers - Perhaps you just don’t want to make as big a financial commitment as a traditional fixed package typically requires.  The beauty of Your Season~Your Way is that you can pick as few as five concerts or as many as you like.  Regardless of how many concerts you choose, the one constant is that you’ll always save with Your Season~Your Way

To get a full taste of what we have in store for next season, I invite you to visit our website. I also invite you to go to our website to sign up for Your Season~Your Way.  Or, you might consider calling one of our Customer Care Representatives at 317.639.4300.  They’ll help you construct the perfect package. 

One thing we know for sure at the ISO is that life is better with music, and we feel we do a pretty good job of creating it.  I hope you’ll consider joining us next season at the Hilbert Circle Theatre!  What would be your perfect concert package?  Feel free to comment!
 

Getting Competitive: Sign up for the team competition by July 23!

Friday, June 25, 2010 by Jessica Di Santo

Ben LuttrellBen Luttrell gives us his third installment of his thoughts about the ISO's Circle the City for the Symphony event. Perhaps I need to give him his own blogroll?

I was a team captain for Ball State University's Relay for Life this past April. The opportunity I had to work with the BSU chapter of PRSSA (the public relations group for students) was good, but the real pleasure for me came from the opportunity to tell people all about this wonderful event and the cause it supports. It wasn’t about me and it wasn’t about the activities or the food or the free entertainment; it was all about getting as many people as I could to come out and spend some time supporting a worthy endeavor.

Take all of that, and fast forward to this summer with the ISO. Walking in to the position, I had a vague sense of what the orchestra did to better the community beyond concerts and clinics. The sheer magnitude of it all amazes me at times. The Guitar Center donation of instruments to our Metropolitan Youth Orchestra, for example: it caught me completely off guard and made my day. The fact that I have the opportunity to learn from this kind of organization still amazes me to this day. I know this sounds a little sappy, but I mean it. Enriching the lives of people through music is extremely important to me; it’s a trait I inherited from family and reinforced through education and fraternity.

If you’ve never captained a team for a charity race before, or if you want an opportunity to rally together and support a very worthy cause, Circle the City for the Symphony is providing a great opportunity to do just that. We’re pleased to roll out the brand new Biggest Team Competition this year. People from organizations across the board, from the most competitive of runners aiming to take top prize in the 10K, to someone just looking for a stroll through downtown and a morning of music and family fun, will be able to join forces as a team. Team members will receive a $2 discount on registration for linking together.

The most exciting part about this is the prize. Samaritan’s Feet, who will be at the race collecting shoes for needy children, is offering to partner with the largest team and offer a shoe distribution for needy children at the charity or community organization of the team’s choice. If you or your team doesn’t have a specific location in mind, Samaritan’s Feet will provide several choices for the team to pick from.

The more people we have coming out and supporting us, the merrier it will be for all parties involved. Circle the City for the Symphony is a great opportunity for your organization to rally together for a great cause, and have a safe and fun family adventure, too.

Online registration is live! Team captains should click here to register the team, and then the other members can click here to register after that. The deadline for team registration is July 23, so hurry up and start recruiting!
 

Confessions of a symphony newbie

Tuesday, June 22, 2010 by Jessica Di Santo
Indianapolis Business Journal publisher Greg Morris confesses in this week's edition that because of the Indianapolis Symphony Orchestra's Pops Series, he has been "transformed, and is now a raving fan" of the symphony. 

As a Catholic, I'm quite familiar with the word confession. I know I should be doing it more often (sorry Father Bill).  But confessions are tough--they can bring about an admittance of failure, of imperfection. In the end though, confessions should bring some relief, maybe even a bit of happiness. Mr. Morris confesses he's been "a holdout for years," regarding symphony performances. He's not alone.  We've heard that confession before.

I love bringing new people to the symphony. I love getting them to confess that they enjoyed themselves when they predicted otherwise. In March of this year, I brought several friends to the ISO's Music of Pink Floyd performance. One of my friends brought his 17 year-old son, who was a big fan of classic rock and a self-taught guitar player. To him, the symphony was for an older generation. He couldn't imagine a full orchestration to "Comfortably Numb." I watched him throughout the performance, and I saw focus, amazement and smiles.  He confessed -- the symphony was surprisingly for him

In 2009, I received an email from Jennifer, who confessed to being a newbie to our Marsh Symphony on the Prairie series. She wrote: "I have lived in Indiana all my life and last night I finally took the time to enjoy an amazing performance at Symphony on the Prairie. What a great little secret...that was shared with 7,500 plus other people. The vocals were truly outstanding and the talent of the ISO is more than I could have ever expected."  I've heard similar confessions from longtime Indiana residents. 

My own personal symphonic confession is this: I never gave Gustav Mahler's music a try.  I assumed it would be too challenging. All it took was an open mind, a little background, a gentle push from fellow Mahlerites, and poof, I'm a Mahler newbie and a Mahler fan. And next year...the ISO plays Mahler 5. I'll be thinking about other newbies who I could bring along.

Confessions don't have to be public. They are typically voiced behind four walls and a sliding window. But I wonder - if you haven't attended an ISO performance, what stops you?  If you're a newbie, what brought you to the Indianapolis Symphony? Or any symphony for that matter?

Feel free to confess. I promise, all will be forgiven.

An Intern Throwdown!

Thursday, June 17, 2010 by Jessica Di Santo

Ben Luttrull is an intern with the ISO this summer and is working on the Symphony's Circle the City for the Symphony event in August. I've turned my blog over to him for his second installment!

If being competitive is defined as hating to lose, then I consider myself a fairly competitive person. I’ve been known to attach allegiance to teams for a month only to disavow any relationship upon the missing of playoffs. I still follow my high school marching band and cringe upon seeing any ranking other than #1. This past Ball State football season was a tug-of-war between Alma Mater loyalty and hatred of losing (still no clear winner yet). I’ve done quiz bowl, intramural sports, musical festivals and other competitions for the sole purpose of the joy of victory.

For the above reasons, I’m a little disappointed that I won’t be able to run with my fellow interns in Circle the City for the Symphony. The development interns have come up with a brilliant idea of entering the Corporate 5K Team Challenge as the official ISO Intern All-Star Team of the Decade (name pending approval). Since I’m working the event, I’ll have to only cheer and support the team on. Seeing as I’ll likely be running the equivalent of a 5K myself over the morning, it’s more of a mental setback than anything else. Still, the thought of the ISO Interns competing against their supervisors have inspired the CTC Powers That Be to consider a full-fledged bragging rights showdown between the staff.

The Corporate Team 5K Challenge is hardly limited to just the internal throwdowns. Any and every company or organization that has a group of people looking to run and compete together is more than able to register as many teams of six as they can. Rankings will be determined by the sum of the top five finishers for your team (number six serves as the tiebreaker). Every team members gets a $2 discount off of registration and a ticket to a Marsh Symphony on the Prairie concert. 

There are more than just bragging rights on the line, too. There are three traveling trophies that will go to the winners of each of the three divisions. One of these trophies currently rests in the office of our VP of development, Sean.
 

trophy

While internal bragging rights are good, the real prize we interns have our sights set on is that trophy. We’ll have to fight through a whole lot more than just our supervisors, though. Hopefully, everyone on our team is as competitive as me.

Team registration has to be done online, and all six members have to register at the same time – go here for more info and to register.
 

Running in a Circle

Tuesday, June 8, 2010 by Jessica Di Santo

Ben LuttrellBen Luttrull is an intern with the ISO this summer and is working on the Symphony's Circle the City for the Symphony event in August. I've turned my blog over to him to talk about this important fundraising event for the ISO.

When I first found out I was going to be an intern with the ISO this summer, I started mentally racing through what my first assignment was going to be. I’d like to say I was prepared for the 35,000-plus people at the Mini-Marathon Expo, but I had sadly focused on more impersonal, computer-centric tasks. I’m a PR student, so it should be expected of me to relate to the public, but I will admit that the Expo served as the largest public I’ve ever had to relate to.

Circle the CityMy main charge at the Orchestra booth was to begin the push for the 2010 Circle the City, presented this year by Finish Line. It fit perfectly – many local runners stopped by the booth wondering about that night’s Happy Hour or what the Symphony on the Prairie schedule was (and I am definitely glad I did my homework beforehand). But they also lit up when they learned about a race for the Orchestra!

I’ll be using these posts to show what it takes to orchestrate (Ha!) an event like Circle the City for the Symphony, as well as pass along details and updates as the day closes in. We are precisely two months away from the starting line!
 
Registration is available at the Hilbert Circle Theater Box Office or online here.
 

Indy in May

Monday, May 10, 2010 by Jessica Di Santo

Jessica Di Santo
The month of May in Indianapolis...what can I say.  Thousands of gearheads, casual fans and a slew of out-of-towners descend upon our city for the greatest spectacle in racing

And so do the journalists.

It's the media folk who interest me the most. I especially enjoy those who have never been to Indianapolis before.  Or the ones who haven't been here in 10-20 years.  After touring Indy, they usually say to me:   "I had no idea Indy had culture."

[Yes, we aren't just hoops, open-wheel racing and a Super Bowl team Mr. Broadcaster.]

I had the chance to make this point last weekend on "Rudy Maxa's World"--an hour-long radio call-in show on the CBS all-talk station in Los Angeles.  Rudy's show is broadcast on more than 95 stations coast to coast every Saturday morning.  This time, he hosted his show from the Indianapolis 500 racetrack.

Jessica at the Track

Before my interview, Rudy (middle) and his co-host Chris (in the pink) had a lineup of interviews with all sorts of city representatives.  Racing was definitely a hot topic.  When my turn arrived, I was there to tell his listeners that Indy had some more to add to the sports formula. 

So the next question for me was..."What does Indy offer by way of arts and culture?"

[Gimme that microphone]








Of course, I started with the finest musical traditions in this city, Marsh Symphony on the Prairie.

Symphony on the Prairie






 









And the ISO, one of only 17 full-time orchestras in the country...

ISO
















And the IMA, the fifth largest general art museum in the nation.

And the Indiana Repertory Theatre, the very best in professional theatre.

And my daughters would hate me if I forgot the Indianapolis Zoo, with its renowned Dolphin Pavilion and animal conservation efforts.

Oh, and White River State Park, home to the Central Canal, Eiteljorg Museum, Indiana State Museum, NCAA Hall of Champions and public sculpture.

And...

I ran out of time.  A 15-min. radio interview goes too fast.  I needed an hour to get through what Indy's cultural community has to offer.  I'll pick up where I left off for next year's radio show (Hey Rudy...would love an invitation to return).

Spotlight 2010

Monday, May 10, 2010 by Jessica Di Santo

Spotlight IndianapolisFor 16 years, Indianapolis' arts institutions have come together for one night and staged an incredible concert experience -- all for the benefit of the Indiana AIDS Fund.

Held at Clowes Memorial Hall on the campus of Butler University, the event is called "Spotlight Indianapolis." And it's the one place where you can see and experience the cultural side of Indy.

The Indianapolis Symphony Orchestra has been a part of this great tradition for many years. Tonight, 21 ISO musicians have volunteered to open Spotlight Indianapolis with Mascagni's "Intermezzo" from Cavalleria Rusticana



Other performers include: Actors Theatre of Indiana, Asia LaBouche of "The Ladies of Legend at Talbott Street," Brenda Williams and the Pride of Indy Jazz Band, Dance Kaleidoscope, Gregory Hancock Dance Theatre, Indiana Repertory Theatre, Indianapolis Chamber Orchestra, Indianapolis Children's Choir, Indianapolis Civic Theatre, Indianapolis Opera, Indianapolis Men's Chorus, Kenyetta Dance Company, Meridian Song Project, Phoenix Theatre, (Re)Collective Dance Company, and Tasha Jones, Poet. 

Tickets for general seating are just $15. Don't miss Spotlight Indianapolis 2010!





 

From Spirit Squad to Live Entertainment

Friday, April 9, 2010 by Jessica Di Santo

DJ SpilsburyDaniel Spilsbury ("DJ") works as an intern in the marketing & communications department at the ISO. DJ just finished following the Butler University basketball team on their journey to the championship game.  Why? DJ is a proud member of the pep band!  Here's his story.

Of all the things I could brag about, the one I enjoy the most is the fact I got paid to go every step of the way along the NCAA tournament with the Butler basketball team.  For four years I’ve supported Butler basketball as a member of the pep band.  The whirlwind excitement swept us all up as we made our journey from San Jose to Salt Lake City to our very home Indianapolis.

On the outset of the tournament the band and cheerleaders provided a large support system for the team.  Being a couple of thousand miles from home and being from a small school tends to do that.  Our music and cheers always energized the crowd that was cheering for us, in a way that music played over the PA never seemed to do.  I also think our support may have provided a small comfort for the team, a small section always cheering for them even in the toughest of times.

As the team progressed the number of Butler fans grew and the team gained a certain noticeable fame.  Our jobs quickly turned from spirit squad to live entertainment.  We kept cheering, but the focus of our music changed from “support the team” to “keep the audience entertained while the game was on pause.”  

When the Final Four games rolled around this became very important.  We’d made it pretty far, but the teams we faced were tough.  People were on the edge of their seats during most of the game.  And when the time outs were called it was nerve wracking.  The pep band broke a lot of the tension with some real fun tunes like “Crazy Little Thing Called Love.”  We also gave fans heart with the “Butler War Song” and the R-U-a bulldog chant.

I think the fans would not be able to completely enjoy any game without some form of music on their side.  PA music just lacks the life and excitement of a live band.  It can’t choose songs to play based on how either team is doing.  It can’t bring a crowd to cheer for their team.  But as a band, we can support the team, the fans, and represent Butler as a whole.  And we would not be anywhere without the basketball team or the Butler Way.

Go Dawgs!


Steve Hackman Blogs, Part II

Friday, March 12, 2010 by Jessica Di Santo

Composer, performer, arranger and conductor for this season's 
Stella Artois Happy Hour at the Symphony series, Steve Hackman blogs about how he starting weaving the concept for the next Happy Hour together.

My thoughts on "Slow Dancing in a Burning Room":

When it comes to arranging, picking good material is key, because you're gonna be spending hours and hours on it.  You're going to be peeling through every layer of the composition; if it's wonderful throughout you are in for beautiful new discoveries. I always find that when I'm arranging great stuff I gain a more profound appreciation for the work because I hear intricacies and details that I hadn't detected while listening casually.

This has definitely been the case with "Slow Dancing in a Burning Room" by John Mayer.

I've been a huge fan of that song ever since first hearing it but after spending this many hours evaluating and dissecting it, I marvel at a few things:



1. The restraint of the playing. 

Take a listen to the drum beat of this song. Kick-snare-kick-snare. Tambourine on the and of 1. That's it. Toward the very end he starts adding some snare rolls and tom fills. But for the majority of the song--that's it. And the bass line. Ultra-simple. Not even close to "busy." Those two elements combine to create such a relaxed and hypnotic groove. Obviously these are some of the best session players in the world and they were capable of playing things light years more complex than this--but they didn't--they kept it simple and groovy and I love it.



2. The brilliance of the guitar arrangement.

I knew this guy could play the guitar; what really struck me about this song is how many different sounds he gets out of his guitar and how he combines them all to engineer a production.  It's almost as if he creates his own orchestra. It's funny--he is taking his one instrument and redesigning its sound in several different ways to realize different aural impressions; I am interpreting those impressions and assigning them to the orchestral instruments that can best recreate them. The processes are reciprocals!  For example: the blues licks that are hiding underneath the verse are very suited to clarinets, saxophones and trumpets, and the sustained and liquid oscillations that underscore the chorus ("We're going down….") are perfect for the strings. I find in each section of the song very inspired playing with clear emotion-- that's the kind of stuff that is fun to arrange.



3. I think I combined a few points into one so I don't have anything else to say right now. This tune will be fun!

See you next Thursday at Happy Hour!

~ Steve Hackman

Steve Hackman Blogs, Ladies and Gentlemen

Monday, March 8, 2010 by Jessica Di Santo
Composer, performer, arranger and conductor for this season's Stella Artois Happy Hour at the Symphony series, Steve Hackman blogs about how he starting weaving the concept for the next Happy Hour together.
 
The entire concept for Happy Hour #3 was really born out of the idea that "Heart of Life" by John Mayer would make a great arrangement for orchestra. The song came on as I was driving to a gig back in December, and I immediately thought of the Happy Hour series. I called Nick Kendall and pitched the idea of doing it, and he said "Oh my God!"(that's usually a good sign). After that, I began building a whole concert around Mayer's tunes paired with classical selections. 



I'm a big fan of Mayer's music, especially after the first album, Room for Squares. One of the very first things to consider when arranging a pop song for orchestra, and in fact this consideration may ultimately indicate whether an arrangement will be effective or not, is what instrument/instruments will carry the melody. This is a critical decision because the audience is going to be so familiar with the vocal line (and of the personality that sings it). One has to be sure that whatever orchestral instrument is substituting for that personality will be set up for success.

In the case of the Coldplay song we did on Happy Hour #1, our principal oboe Roger Roe did a fantastic job of carrying the melody. Time for Three "sung" the melody as a trio in Imogen Heap's "Hide and Seek" on Happy Hour #2. With this arrangement of "Heart of Life" I decided to cheat a little bit--and sing the song myself. Not that I think I do the world's best John Mayer impression, but this is a song I felt like I could do justice to vocally. So that took care of who was handling the melody- then it was on to everything else. The original tune has a wonderful wholesome quality to it that I felt was essential to capture in the orchestration. The "base" sound that I settled on was pizzicato (plucked) strings against lyrical and contrapuntal lines in the woodwinds. This provided a great bed for the solo voice to lie in. Adding harp and glockenspiel (orchestra bells) at times added a more fantastic child-like innocence.  Since the strings are plucking for the majority of the piece I needed an instrument to sustain the bass line and in this case I chose the bassoon--lighter and more appropriate to the style than tuba, bass trombone or electric bass.

One spot that I couldn't wait to arrange was where the electric bass comes in on the original version (2:24-Pain throws your heart to the ground…) Yikes! I just realized I forgot to put in a cymbal roll there! Better add it…. Anyway, that section was the perfect moment for the strings to begin playing with their bows (arco). It's like a wonderful breath of fresh air when you hear the string section finally play arco after a long pizzicato section. I also chose the trombone choir to add a luscious pad to that sound. Mayer has some wonderful guitar licks in that section, and I adapted those a bit and gave them to the woodwinds. The original ends with rising sixths in the guitar parts as does our arrangement, except in the bassoons then clarinets.

We finally cadence and segue back in the Grieg excerpt (Piano Concerto in A Minor, 2nd Movement) that began this whole adventure. I chose the Grieg because it matched the key and because it's simply a gorgeous piece of music. With it's romanticism and slow lyrical quality it almost functions to set up "Heart of Life" in the same way that "Gravity" does on Continuum.





This concert was a joy to arrange. The production of the original tune is so sparse but yet so charming, and it was a pleasure to try my hand at bringing that quality to the orchestra. We'll see how it sounds!



On to the next arrangement.

See you in a few weeks!




~Steve Hackman

 

Unveiling a New Season

Friday, March 5, 2010 by Jessica Di Santo
Next season, the ISO presents the music you love alongside the world's top artists and performers.  Check out next year's offerings, and tell us what you think.  We want to hear from you!