Indianapolis Youth Symphony

ISO intern Ben Luttrell provides an update on the Circle the City for the Symphony walk/run.

Things are beginning to fall in place.

That’s not to say it hasn’t been stressful. I’d liken it to one of those big domino exhibitions: it’s fun and amazing to watch and you can’t help but admire the hard work that goes into it, but it gets more stressful as each element is revealed and open to the public.

**Something I think needs to be overstated before we go any further: this blog is only one example of the resources and options given to me and to the Circle the City planners and brain trust by the Orchestra. I can not thank everyone here enough for all that I’ve been able to do, say and experience as part of my internship.**

The process of setting up and organizing an event is a lot of work, but it can be done with a relative limited amount of people. Between the committee and full-time/part-time/intern staff at the ISO, there are around 15-20 people actively involved in the pre-game phase of the event.

The day of the event itself? That’s a whole new ball game.

They say it takes a village to raise a child. If that is true, then it takes a small army to put on a road race. People are needed to pass out water, take names and register people at the door, distribute R&R food, take chips for timing, clean up and a group of people whose sole job is to stand around and answer questions.

Seeing the amount of help it is going to take, we’re putting out the APB for any and all who would be open to volunteering for Circle the City. Our target is to have 160 people on hand Friday and Saturday to help everything go smoothly and without more incident than necessary.

For signing up and helping, we will give you a volunteer t-shirt to proudly display, and we’ll also give you a free ticket to a Marsh Symphony on the Prairie concert. No cost is involved – we just want your help and attendance at the event.

Information and signup is online at IndianapolisSymphony.org. We would love to see as many of you who can’t run or would rather help out come and have a blast while helping us out with this amazing event.

Circle the City for the Symphony -- Saturday, Aug. 7 at 8 a.m.!

ISO Development intern Ben Luttrell gives us another glimpse into planning for the ISO's Circle the City for the Symphony event Aug. 7.

Between Conner Prairie trips, Circle the City for the Symphony duties, internship adventures and the dreaded “professional development," I’d say I’m having quite the summer so far at the Indianapolis Symphony Orchestra. The honeymoon of “Wow, I have my own phone line!” has faded into the “I’m expected to do real work” feeling, but I’m quite excited to report that my internship has been everything but the coffee-fetching, errand-running busywork life that some had expected me to lead.

One part of my job that bucks the “intern does the busywork” stereotype is participating in Circle the City for the Symphony committee meetings. I love planning and coming together to talk strategy, and this road race is certainly the biggest event I’ve ever been on a steering committee for.  The full committee has met a few times now, and it’s been quite an adventure each time. Updates, brainstorming, planning, logistics, marketing, sponsorships all make regular stops on our agendas, as well as everything down to the minutest of details to be planned.

We’re working hard to not only put together the best event possible, but also get as many people as can to learn about Circle the City for the Symphony and register to participate in it. We set a goal to have 2010 people participate in Circle the City this year in downtown Indianapolis (with “2010 in 2010” being the appropriate slogan). We really want this event to be fun for the whole family, from the most competitive of runners to anyone looking for a safe walk around the city. To do that, we’ve expanded on two of our events aimed at those who aren’t looking to earn a time or a medal but rather a safe and fun way to support the Orchestra while enjoying a beautiful day.



First: the Symphony Stroll is back and better than ever. The Stroll is a one-mile walk through downtown Indianapolis aimed at all ages, abilities and activity levels. Unlike the competitive 5K/10K courses, the Stroll course is open to baby strollers and the family pet. The course will feature several of our wonderful Indianapolis Symphony Orchestra musicians playing for you as you walk by, and the end of the course will land right in the middle of our Post Race Party. All Stroll participants also get a free ticket to a Marsh Symphony on the Prairie concert!

Second: we’ve expanded on the Junior Jog from last year. The event is only open to children under the age of 10 and is a one-lap run around Monument Circle. Each of the runners will receive a bib, shirt and medal for taking part in the event, as well as their own Symphony on the Prairie ticket. Note that, unlike in years past, there is a fee for the Jog this year.

Right now, we’re bringing something together that is going to be big-time news for families regarding Circle the City for the Symphony. I can’t divulge anything until we have the answers to every possible question (something my supervisor is very keen on reminding me!), but I can say that it is a fantastic opportunity regarding the Symphony Stroll and Junior Jog. Keep posted to the ISO Blog, and I’ll be sure to let the cat out of the appropriate bag when the time is right.

Ben Luttrell gives us his third installment of his thoughts about the ISO's Circle the City for the Symphony event. Perhaps I need to give him his own blogroll?

I was a team captain for Ball State University's Relay for Life this past April. The opportunity I had to work with the BSU chapter of PRSSA (the public relations group for students) was good, but the real pleasure for me came from the opportunity to tell people all about this wonderful event and the cause it supports. It wasn’t about me and it wasn’t about the activities or the food or the free entertainment; it was all about getting as many people as I could to come out and spend some time supporting a worthy endeavor.

Take all of that, and fast forward to this summer with the ISO. Walking in to the position, I had a vague sense of what the orchestra did to better the community beyond concerts and clinics. The sheer magnitude of it all amazes me at times. The Guitar Center donation of instruments to our Metropolitan Youth Orchestra, for example: it caught me completely off guard and made my day. The fact that I have the opportunity to learn from this kind of organization still amazes me to this day. I know this sounds a little sappy, but I mean it. Enriching the lives of people through music is extremely important to me; it’s a trait I inherited from family and reinforced through education and fraternity.

If you’ve never captained a team for a charity race before, or if you want an opportunity to rally together and support a very worthy cause, Circle the City for the Symphony is providing a great opportunity to do just that. We’re pleased to roll out the brand new Biggest Team Competition this year. People from organizations across the board, from the most competitive of runners aiming to take top prize in the 10K, to someone just looking for a stroll through downtown and a morning of music and family fun, will be able to join forces as a team. Team members will receive a $2 discount on registration for linking together.

The most exciting part about this is the prize. Samaritan’s Feet, who will be at the race collecting shoes for needy children, is offering to partner with the largest team and offer a shoe distribution for needy children at the charity or community organization of the team’s choice. If you or your team doesn’t have a specific location in mind, Samaritan’s Feet will provide several choices for the team to pick from.

The more people we have coming out and supporting us, the merrier it will be for all parties involved. Circle the City for the Symphony is a great opportunity for your organization to rally together for a great cause, and have a safe and fun family adventure, too.

Online registration is live! Team captains should click here to register the team, and then the other members can click here to register after that. The deadline for team registration is July 23, so hurry up and start recruiting!
 

A Day at the "Strings and Jazzy Things" Camp
Regina Henderson, ISO Learning Community/MYO Intern
Valparaiso Univerity '11
 
 

On Tuesday June 8^th, I had the wonderful opportunity to observe the annual summer music camp called “Strings and Jazzy Things.” After creating quite a journey for myself on my way to Broad Ripple High School, I wasn’t sure what I should be expecting and had no idea where I was going once I walked into the school. However, I finally found the registration area and set off on a mission to find Betty Perry who was in the midst of a rehearsal with a large group of young musicians. At first, I didn’t know what to expect coming out of such a variety of students, but hearing them rehearse was refreshing. I was excited to learn that it was only their 2^nd day rehearsing and they sounded so great!

After the morning rehearsal, Betty gave me the run down of everything going on that day and introduced me to several of the volunteers and teachers donating their time to such a wonderful cause. She also introduced me to a few MYO members and told me the awesome news about MYO getting invited to participate in a Berklee music camp next summer! After that, we found our way to a master class of how to perform jazz music. Dr. Monika Hertzig, led a large group of kids in a workshop demonstrating what jazz music is. After running through the “blues” scale and going over some basic jazz rhythms, it was time to do some solos! There were a few kids brave enough to volunteer while others were convinced to do one. It was fun to watch how these young musicians let their creativity and energy flow into these wonderful solos.   After the jazz workshop, it was time to watch the pros do their thing and play some of their original pieces. The short concert was a nice break in the day and very enjoyable to listen to.

Once the jazz workshop was over, it was time to grab some lunch and then break off into sectionals. I went around to the violin and viola sectionals to observe and take some pictures. This is when trumpeter, Mike Buselli came in to give the younger kids a master class on improvisation while the older ones were having sectionals. It was interesting to hear his story about why he plays the trumpet and how he conveys his emotions through his instrument. After that, there were several kids geared up and ready to volunteer their improvisatory skills and prove that they could express emotions through their playing. 

After a few exercises with triads and the “blues” scale, it was time to put their freshly learned skills to the test! Mr. Buselli was able to get a few volunteers to join him in front of everyone else and improve an emotion on their instruments while the class had to guess what emotion they were trying to convey. They did this with a couple more groups as well and all of the kids who volunteered were quite impressive! After the improv class, it was time for me to head out. I was so happy to know that summer music programs in Indianapolis like "Strings and Jazzy Things" still exist today and it is evident that these kids are learning so much from it!

So I got one of those calls that comes in every once in a while about someone wanting to make a sizable donation to an ISO education program, and you think, will this really come through?  Maybe, maybe not.  I want to play it cool and steady, but there's a part of me that gets really excited even though they may not pan out.  =)

About 20 years ago I worked as a telemarketer for a regional theatre company selling subscriptions. It was difficult work, but I believed in the product - live theatre.  My boss would tell me that a certain percentage of people who commit over the phone and tell you they'll send in a check, don't.  Instead, I was encouraged to collect a credit card number on the spot to avoid the possibility of amnesia or minds changing.

A Maestro Open committee member had called me to say he made a contact with a guy at Guitar Center who said he may have some instruments to donate to the ISO.  I called up Randy Jaunzemis, VP of Logistics with Guitar Center, that same day to follow up on the lead and in fact, Randy told me that he had some instruments, but didn't know what kind or how many instruments he would have. He then said he would call me when they came in from Maryland.

Some time passed and I got that call, so I drove to the big Guitar Center distribution center in Brownsburg and walked in to a conference room filled with string instruments.  Wow!  Some needed repairs, but many were ready to be placed in the hands of a child.  At that time Randy couldn't commit to which instruments would be coming our way because he had some schools coming by for a look later that week.  He did allow me to take one full sized violin with me that day to hand over to one of our Metropolitan Youth Orchestra students still using an instrument too small for the growing boy.  I was ecstatic!  If we ended up with just the one, that OK, but maybe he might have 5 instruments out the many he had in that room for us?  We had to wait and find out.

That next week, Randy and his colleagues dropped off the instruments at Symphony Centre.  It was a TRUCK LOAD!! We had a concert about a week later and I asked some of the parents to help me catalog the generous gift - 26 instruments in all (roughly $11,000 worth!)

“When one of my contacts put me in touch with the orchestra, I was surprised by the excitement and need for the instruments,” said Jaunzemis. “Putting instruments in the hands of aspiring musicians fits perfectly with our company anthem, ‘we help people make music.’”

Thank you to Guitar Center, Inc. and Randy Jaunzemis for their generous donation to the Metropolitan Youth Orchestra program of the Indianapolis Symphony Orchestra.  This youth and family development program uses string instruction to reach inner city youth and many students have no means to acquire an instrument.  Their gifts will be well used!

THE METROPOLITAN YOUTH ORCHESTRA

Founded in 1995 by Betty Perry and managed by the ISO since 2008, the MYO is the only youth orchestra in the city designed to serve socioeconomically challenged students in an urban setting and does not require an audition to participate. The program provides a safe, structured and positive learning environment for at-risk and underserved youth and their families; builds students’ musical skills through free and reduced-tuition music instruction; teaches them life skills and exposes them to nurturing adult role models; and encourages them to graduate high school. More than 150 socially, economically and racially diverse students in grades K-12 from area schools participate in the 35-week program.

The MYO program is also supported by the Nina Mason Pulliam Charitable Trust; National Endowment for the Arts; a Community Crime Prevention Grant; American Recovery and Reinvestment Act 2009; Christel DeHaan Family Foundation; The Indianapolis Foundation, a CICF affiliate; Back Home Again Foundation; Indianapolis Chapter of the Links, Inc.; The Glick Fund, a fund of Central Indiana Community Foundation; Shaw-Burckhardt-Brenner Foundation; Sheila Fortune Foundation; The Rotary Foundation of Indianapolis; and Stewart & Irwin P.C.

For 16 years, Indianapolis' arts institutions have come together for one night and staged an incredible concert experience -- all for the benefit of the Indiana AIDS Fund.

Held at Clowes Memorial Hall on the campus of Butler University, the event is called "Spotlight Indianapolis." And it's the one place where you can see and experience the cultural side of Indy.

The Indianapolis Symphony Orchestra has been a part of this great tradition for many years. Tonight, 21 ISO musicians have volunteered to open Spotlight Indianapolis with Mascagni's "Intermezzo" from Cavalleria Rusticana. 



Other performers include: Actors Theatre of Indiana, Asia LaBouche of "The Ladies of Legend at Talbott Street," Brenda Williams and the Pride of Indy Jazz Band, Dance Kaleidoscope, Gregory Hancock Dance Theatre, Indiana Repertory Theatre, Indianapolis Chamber Orchestra, Indianapolis Children's Choir, Indianapolis Civic Theatre, Indianapolis Opera, Indianapolis Men's Chorus, Kenyetta Dance Company, Meridian Song Project, Phoenix Theatre, (Re)Collective Dance Company, and Tasha Jones, Poet. 

Tickets for general seating are just $15. Don't miss Spotlight Indianapolis 2010!





 

Hi All:

Just returned home from a sold out Pink Floyd Tribute Band concert with the ISO.  The light show was dazzling.  And I believe the ISO received at least three standing ovations from the appreciative (of ALL) ages audience. Possibly you were there and will comment.

I loved the outfits worn by our audience.  Walking in from the convenient parking garage I saw a couple that looked like they were dressed for a prom while many others were in jeans. One can always be comfortable at the Hilbert Circle Theatre.

My passion for this orchestra and music in general causes me to challenge those reading my blog that attended the Music of Pink Floyd concert. Have you ever attended one of our Classical Series concerts? Here is my suggestion for a night on the town.

For one of our 8pm Classical Series programs, begin with dinner at one of many wonderful downtown restaurants or at Dinner at the Symphony. These concerts have an intermission and you can have a drink and discuss the first half (possibly the world famous soloist or the intriguing music you just heard). By the way:  I often see young couples in the audience dressed to kill - so to speak.  What fun! (casual is ok also)  After the concert head to a local bar for shots (maybe tequila, but please don't drink and drive).  Or to a local jazz club.   Indianapolis offers so much.

On a personal note a "Jazz Master" in town, pianist Claude Sifferlen, passed away this past week.  Some of us in the orchestra know him from the Jazz Chatterbox Club on Mass. Ave.  Claude and clarinet/sax giant Frank Glover performed on Tuesdays and Thursdays for 25 years at this bar. They would always be there playing at "the next level."  Frank being much younger must have started playing with Claude at age 18 or 19.  Claude was a beautiful human being. He will be missed. Through the years the ISO has had as featured soloists (with the orchestra, not as a single act) such greats as Buddy Rich and the Modern Jazz Quartet.  When we think of Claude we put him at that level.  Someone who could live in LA or NYC but we were fortunate he stayed home.

I am proud to say that among my colleagues over the years, and presently, we have that kind of talent in a classical style and our audiences recognize that. And so this week we play for thousands of school age kids during our Discovery Concerts and then next weekend, THE WIZARD OF OZ with Orchestra!

While shopping at the Mall across the street from Hilbert Circle Theatre, a salesman told me he was in the Indianapolis Symphonic Choir and they were rehearsing for Mahler's "Resurrection Symphony" in May.  As a student at Miami University he recalled when the ISO performed this masterpiece with John Nelson conducting and Benita Valente singing.  If you have never heard MAHLER - be there!  I had the honor of performing this work with the Boston Symphony Orchestra and Leonard Bernstein conducting - and I was paid!!! I could discuss the rehearsals and performances for hours.

Bye for now.

Nick Kendall of Time for Three visited the ISO's youth and family development program called the Metropolitan Youth Orchestra during rehearsals this month -making stops to see Orchestra C and D... What did he talk about?? Why, his improvisation, cross-over music and practicing!!!

Luckily, he didn't get out the door without jamming with our young musicians! Check out this unique video of Nick Kendall and the Orchestra D (our youngest students) performing a student favorite - the "Up and Down" song!!

While many of us are stuck with the image of the old, bearded Brahms in our minds, in his younger days, Johannes (right) was quite the looker and probably attracted his fair share of female attention, just like John Mayer.

1. Brahms wrote four symphonies.  Mayer has released four albums.  (There are also four Happy Hour concerts this season.  Try to explain that coincidence!)
2. Both men pursued secondary instruments in their youth.  Can you imagine Brahms as a cellist or John Mayer with a clarinet in his hands?  They both also started touring as teenagers.  At one point, Brahms' teacher wanted to send him to America to earn that big paycheck.  His parents declined, probably sparing Brahms future anonymity as a washed-up child star.
3. Speaking of the clarinet, John Mayer's first instrument, Brahms took up an interest in the reedy instrument late in life.  He came out of his self-imposed retirement to write some of his most moving music, all featuring the clarinet.  Do you think Mayer ever tried his hand at the Brahms' Clarinet Quintet?

Memory is a funny thing.

I've been known to get up, walk to someone's office, and forget why I just got up and walked to someone's office.  More times than I care to admit, I send emails and forget to include the promised attachment. I know I've said this phrase more times than not: "Didn't I tell you that already?"

Luckily, my long-term memory is better. I can still rattle off the books of the Old Testament in seconds (taught to me as a young kid in Sunday school). I memorize lyrics quickly, and they stick with me forever. And speaking of music, my first and most poignant musical memory occurred here: 7310 17th Ave. NW Seattle, WA 98117.  My childhood home. I've never forgotten the address.

[Present occupant: Please forgive me while I blog about your house for a bit. By the way, the picture of it on Google Earth looks nothing like what I remember. What did you do?]

This week, I reach back into that good/bad memory bank of mine and recall the address where I heard Tchaikovsky's Piano Concerto No. 1 in B Flat Minor for the first time (on vinyl for you young kids - here's a picture just in case).



My mother kept a pretty impressive record collection of classical music.  All the masters were in our library--Beethoven, Brahms, Tchaikovsky--and these records rounded out the Crawford family's diverse musical tastes (Scott Joplin and the Kingston Trio for Dad, Elton John for brother Judd and Really Rosie featuring Carole King for me). I would come home from school and open the door with my Latchkey, invade my mother's closet in search of that fancy pale pink dress with the pleated skirt, select Tchaikovsky's first piano concerto, carefully place the needle on the record in the right spot, turn up the volume on our huge 1970s cabinet turntable (this sucker was a piece of furniture!), and dance around the room in my own little world...at least until my older brother replaced my beloved Tchaikovsky with Pink Floyd.

My memory is clear as crystal: As soon as I would hear the horns blasting those first four notes, shivers ran down my spine. I'd strike a pose once the orchestra answered. Then, that gorgeous melody by the strings put me into my dance routine of gliding and twirling until that pleated skirt was a perfect parallel to the ground. And of course, I would stop occasionally and play air piano.



I didn't need a TV to be entertained. I didn't need video games (although I tried begging mom and dad for an Atari, to no avail). I don't remember ever feeling lonely. I had music. I had Tchaikovsky.

It wasn't until I reached Music Appreciation class in college when I realized there was more to the concerto. You mean there's more to the piece than just the first movement? Fantastic. But the first movement is my first classical music memory.

If you come to the concert this weekend, look for me in the first mezzanine. I'm the one who will visually respond to the first four notes and then the melody.  It will go something like this: twitch, grin, sit back, smile, wipe a tear, close my eyes, and remember that pale pink dress.

Congratulations Betty!!

Betty Perry, ISO staff member and music director of the Metropolitan Youth Orchestra, is a finalist for the Inspire 2010: Power of Mentoring Awards to be presented by College Mentors for Kids, Inc. on February 24^th at 11:30am at the Indiana Roof Ballroom. She was nominated by Donna Proctor at Marian University.

This "Mentor of Excellence" award is presented annually to individuals who have dedicated themselves to mentoring and inspiring excellence. 

About MYO: The Metropolitan Youth Orchestra is a youth and family development program that uses string music instruction to reach inner city youth in a unique after-school setting.  The MYO model offers positive use of free time; sequential, structured learning activities; a process of learning to set personal goals and strinve for personal best; exposure to positive, caring adult role models; and healthy peer interaction.  As a result, the high school strudents who participate and stay engaged in MYO have significantly higher graduation rates than their peers and matriculate to college.  The program serves students in grades k-12.

While the program has been around since 1995, MYO has been a program of the Indianapolis Symphony Orchestra since July 2008.  ISO Director of Education Carol Baker manages the program and Betty Perry is Music Director.  There are 17 part-time teachers who support the program as well as a significant partnership with Butler Community Arts School.

Betty, we are proud of the work you have accomplished!  Congratulations again!

We also thank the following extraordinary sponsors for making the MYO program a reality!

The Nina Mason Pulliam Charitable Trust
Shaw-Burckhardt-Brenner Foundation
Sheila Fortune Foundation
The Glick Fund, a fund of the Central Indiana Community Foundation
Back Home Again Foundation
Indianapolis Chapter of the Links, Inc.
The Indianapolis Foundation, a CICF affiliate
Rotary Foundation of Indianapolis
Christel DeHaan Family Foundation
The Arts Council of Indianapolis
Indiana Arts Commission
National Endowment of the Arts
American Recovery and Reinvestment Act 2009