All Good Things Must Come to an End

Tuesday, August 31, 2010 by Jessica Di Santo

Jessica Di SantoI can’t believe summer is almost over. I can’t believe Marsh Symphony on the Prairie is ending. But I do believe that we will see the 100,000th patron enter those Conner Prairie gates this weekend.

In 2009, we celebrated with Debra Fleetwood, as she was the lucky 100,000th patron to arrive.

If patron number 100,000 walks through our gates (we think on Thursday evening), it will be the third time in history that we have achieved that feat.  What helped bring us to this magic number? Amazing crowds at this year’s Fourth of July concerts, amazing crowds at the Classical Mystery Tour (Beatles) weekend, amazing acts like Marvin Hamlisch, the John Denver tribute band and the Duke Ellington Orchestra, amazing performances of Pictures at an Exhibition and Tchaikovsky’s Fifth by our own Indianapolis Symphony Orchestra, and amazing weather (only a handful of weather-related delays and one rainout—knock on wood for this weekend!).

Symphony on the Prairie is more than an attendance number. As we close out the series this weekend, I thought I would reflect upon some highlights this summer.

A debut and an adieu
On July 23 & 24, singer-songwriter Brandi Carlile debuted with the Indianapolis Symphony and performed many of her hits to a large crowd of adoring fans. After the concert, we said adieu to ISO Associate Conductor Sean Newhouse. Sean moved to the east coast and now serves as an assistant conductor with the Boston Symphony Orchestra. Bravo Sean!

Sean Newhouse

Up, Up and Away
Our very own ensemble-in-residence Time for Three performed their signature genre-bending mix of music for their thousands of devoted fans.  Afterward, the boys went on a Conner Prairie balloon ride—they don’t seem to have stage fright…but do I sense a little fear of heights? 
 

It was a Thriller, for sure
Brent Havens, creator and conductor of the Michael Jackson Tribute show and other orchestrated rock tributes such as Pink Floyd, Queen and Led Zeppelin, hit a homerun by including wonderful orchestrations of the King of Pop’s greatest hits. I’ve never seen that many people dancing at Symphony on the Prairie.  One patron noted that she left “ticked off that I never got to see [Michael Jackson] in concert for real and I’m convinced no one else will ever come close to being as spectacular as he is/was.” Another patron sent in this message:  “This was a wonderful event. The ISO and the band that performed were excellent. I thoroughly enjoyed this concert. I love live music!”

He got what he asked for!
After joking about the large amount of insects buzzing around his head on stage, prolific American songwriter Marvin Hamlisch was given several bug repellent options at intermission from his fans—everything from spray, sticks, gels to bug repellant jewelry.  During the second half of Marvin’s concert, our very own Principal Librarian Mike Runyan made us all weep when he played the theme from Schindler’s List on harmonica.

Photographs also tell the story
I don't need to go on and on with highlights in writing.  I can also tell a story in pictures.  Here are some of my favorite photos from this season at Symphony on the Prairie.

The Classical Mystery Tour

Time for Three's setlist

Dancing at Time for Three

First to arrive at Prairie

A 50th Anniversary



Principal Tuba Tony Kniffen

Don’t forget!  The Music of Buddy Holly, Ritchie Valens and the Big Bopper on September 2 & 3 and the every-popular River City Brass on September 4 & 5.  See you one final time at the Prairie!

The Finish Line

Wednesday, August 11, 2010 by Jessica Di Santo


Ben LuttrellIt's a bittersweet goodbye. Ben Luttrell has worked as the Symphony's intern this summer for the fundraising event, Circle the City for the Symphony. Thanks for all the hard work Ben!

As I stood looking at the Circle the City for the Symphony finish line when I took a picture, the first thing that came to my mind was “I’m looking at the Finish Line-sponsored Finish Line.” The next thought was “This is really surreal.”

From what I’ve gathered from other interns and friends from BSU, many internship positions end with some sort of culminating event, such as a presentation or a project deadline. My internship ended, quite literally, with a Finish Line (both as a title sponsor and as a location).  I only grabbed a quick picture of it before being whisked off to pass out water and bananas, but it will be a picture I cherish for a long time.

The day went smoothly, apart from spilling a considerable amount of coffee on my white shirt and khaki pants within the first 30 minutes. Eric Halverson from WISH-TV Channel 8 (our media sponsor) was a great emcee (and posted some really cool videos online from the run), and special thanks to the Blue River Band for rocking the Circle after the races ended.

Circle the City

In the end, 1,400 people ran, walked, and/or strolled for the Symphony. If you add in the volunteers, committee members, musicians, staff, Colts cheerleaders, Mayor Ballard and everyone else who played a role in making this event happen, we come close to a Hilbert Circle Theatre sellout.

A few thank you’s are definitely in order:

-Thank you to The Finish Line for your title sponsorship of the event, along with our other sponsors Bingham-McHale LLP, WISH-TV and NUVO. It should go without saying that your support is a cornerstone to this event’s success.

-Thank you to Blue Bell Ice Cream and Dad’s Root Beer for providing us with the biggest hit of the day – the delicious root beer floats. I didn’t have one for fear of it ending up on my shirt like everything else seemed to that day, but everyone who had one testified to their greatness.

-A HUGE thank you to our volunteers. You all were the glue that held the event together and a large chunk of the day’s smooth operation is owed to your hard work.

-Thank you to those of you who control the weather, because it was absolutely perfect on Saturday.

-Thank you to Nia’s Market and Deli next door to Symphony Center – not for Saturday, per se, but for powering me through my internship. Were it not for Nia’s, Dunkin Donuts and Jimmy John’s, I probably wouldn’t have made it all the way to the end (those who worked with me over the summer can attest to my crushing addiction to caffeine).

-I would thank all the runners, walkers and strollers individually if I could, but that would take up way too much time. So consider this a blanket thanks and congratulations for running the race! Special thanks to our teams, and to Flashpoint HR, Ice Miller and Sallie Mae for winning their Corporate 5K divisions; and to Telamon for winning the Biggest Team Competition!

-Finally, a personal thank you to the ISO staff and musicians. I’ve been so fortunate to get to know and work with some great people that it makes going back to school harder than it should be. I started this internship with a PR skill set in development and a passion for the arts, and I’m coming out of it with so much more than I could have imagined. It will be hard leaving, and you can be sure that I’ll be back in some form.

Geoff Lapin and Sherry Hong

As a final aside, I took my mom to see Time for Three, the ISO's ensemble-in-residence, perform at Symphony on the Prairie that evening. 

If there is any way to describe to people why I want to use what I am learning to advance music, it would be to sit them down at a Tf3 concert, and then tell them “I want the entire world to hear this.”
 

Final thoughts

Tuesday, July 20, 2010 by Sean Newhouse
As you’ve probably heard by now, my time as Associate Conductor of the Indianapolis Symphony Orchestra is quickly drawing to a close – I’ll be conducting the last concerts of my tenure this weekend at Marsh Symphony on the Prairie, before I head to Boston to take up a new position. 

As I reflect on my two years here in Indy, I’m struck by how fortunate I’ve been to have had an incredible diversity of opportunities with the ISO, conducting on every concert series, from the classical subscription series to the Family series, from Symphony on the Prairie to the Discovery concerts for students.  By my count, it all adds up to 76 performances of 32 different programs during my time here!

Among these 76 collaborations with the Indianapolis Symphony, there are a number that I know I will look back on especially fondly in the years to come.  Some of these personal musical highlights:  my first concerts at the Prairie back in 2008, which included Beethoven’s Symphony No. 7; the performances of the Corigliano Piano Concerto and Rachmaninoff 3rd Piano Concerto as part of the American Pianists Association competition in 2009; and the recent performances of Strauss’ Don Juan as part of the classical season finale that I conducted just last month.  There were also highlights of other sorts – playing the national anthem for over 67,000 people at Lucas Oil Stadium before the Colts-Patriots game last season, and 2 shows with a Beatles cover band last summer at the Prairie, which drew the most excited, fun, and hippest crowd I’ve ever performed for.  As for lowlights – well, only one really comes to mind:  the Happy Hour concert that I was slated to conduct just before the start of my official tenure in 2008, which was canceled because of a power outage – bummer!
ISO in Lucas Oil Stadium
I want to thank you, the wonderful loyal audiences of the ISO, for the warm welcome you’ve given me from the beginning of my time here – I look forward to hopefully returning in future years to make music for you again.  To the staff of the ISO, thank you for your professionalism, creativity, and sense of humor through thick and thin.  And above all, a tremendous thank you to the musicians of the ISO – it has truly been a pleasure to collaborate with you over the past two years.  Thank you for your artistry, thank you for your flexibility, and thank you for your patience with me as I have learned and grown as a conductor.
Sean Newhouse and the ISO
It occurs to me that my career seems to be following an eastward progression – my first job after grad school was in Los Angeles, then I came to Indy, and next I’m headed to Boston.  If this trend continues, it may be a while before I work my way all around the world to get back in the vicinity of Indy :-)  In any case, I will always treasure the great memories from my time here, and the friendships I’ve made – and hopefully I’ll get the chance to come back and visit and make music again soon!

See you at the Prairie this weekend!

P.S. – During the coming years, if you’d like to stay in touch with what I’m up to, check out my website:  www.seannewhouse.com.

Ben's Internship Adventure

Tuesday, July 6, 2010 by Jessica Di Santo

Ben LuttrellISO Development intern Ben Luttrell gives us another glimpse into planning for the ISO's Circle the City for the Symphony event Aug. 7.

Between Conner Prairie trips, Circle the City for the Symphony duties, internship adventures and the dreaded “professional development," I’d say I’m having quite the summer so far at the Indianapolis Symphony Orchestra. The honeymoon of “Wow, I have my own phone line!” has faded into the “I’m expected to do real work” feeling, but I’m quite excited to report that my internship has been everything but the coffee-fetching, errand-running busywork life that some had expected me to lead.

One part of my job that bucks the “intern does the busywork” stereotype is participating in Circle the City for the Symphony committee meetings. I love planning and coming together to talk strategy, and this road race is certainly the biggest event I’ve ever been on a steering committee for.  The full committee has met a few times now, and it’s been quite an adventure each time. Updates, brainstorming, planning, logistics, marketing, sponsorships all make regular stops on our agendas, as well as everything down to the minutest of details to be planned.

We’re working hard to not only put together the best event possible, but also get as many people as can to learn about Circle the City for the Symphony and register to participate in it. We set a goal to have 2010 people participate in Circle the City this year in downtown Indianapolis (with “2010 in 2010” being the appropriate slogan). We really want this event to be fun for the whole family, from the most competitive of runners to anyone looking for a safe walk around the city. To do that, we’ve expanded on two of our events aimed at those who aren’t looking to earn a time or a medal but rather a safe and fun way to support the Orchestra while enjoying a beautiful day.

Circle the City

First: the Symphony Stroll is back and better than ever. The Stroll is a one-mile walk through downtown Indianapolis aimed at all ages, abilities and activity levels. Unlike the competitive 5K/10K courses, the Stroll course is open to baby strollers and the family pet. The course will feature several of our wonderful Indianapolis Symphony Orchestra musicians playing for you as you walk by, and the end of the course will land right in the middle of our Post Race Party. All Stroll participants also get a free ticket to a Marsh Symphony on the Prairie concert!

Second: we’ve expanded on the Junior Jog from last year. The event is only open to children under the age of 10 and is a one-lap run around Monument Circle. Each of the runners will receive a bib, shirt and medal for taking part in the event, as well as their own Symphony on the Prairie ticket. Note that, unlike in years past, there is a fee for the Jog this year.

Right now, we’re bringing something together that is going to be big-time news for families regarding Circle the City for the Symphony. I can’t divulge anything until we have the answers to every possible question (something my supervisor is very keen on reminding me!), but I can say that it is a fantastic opportunity regarding the Symphony Stroll and Junior Jog. Keep posted to the ISO Blog, and I’ll be sure to let the cat out of the appropriate bag when the time is right.

Getting Competitive: Sign up for the team competition by July 23!

Friday, June 25, 2010 by Jessica Di Santo

Ben LuttrellBen Luttrell gives us his third installment of his thoughts about the ISO's Circle the City for the Symphony event. Perhaps I need to give him his own blogroll?

I was a team captain for Ball State University's Relay for Life this past April. The opportunity I had to work with the BSU chapter of PRSSA (the public relations group for students) was good, but the real pleasure for me came from the opportunity to tell people all about this wonderful event and the cause it supports. It wasn’t about me and it wasn’t about the activities or the food or the free entertainment; it was all about getting as many people as I could to come out and spend some time supporting a worthy endeavor.

Take all of that, and fast forward to this summer with the ISO. Walking in to the position, I had a vague sense of what the orchestra did to better the community beyond concerts and clinics. The sheer magnitude of it all amazes me at times. The Guitar Center donation of instruments to our Metropolitan Youth Orchestra, for example: it caught me completely off guard and made my day. The fact that I have the opportunity to learn from this kind of organization still amazes me to this day. I know this sounds a little sappy, but I mean it. Enriching the lives of people through music is extremely important to me; it’s a trait I inherited from family and reinforced through education and fraternity.

If you’ve never captained a team for a charity race before, or if you want an opportunity to rally together and support a very worthy cause, Circle the City for the Symphony is providing a great opportunity to do just that. We’re pleased to roll out the brand new Biggest Team Competition this year. People from organizations across the board, from the most competitive of runners aiming to take top prize in the 10K, to someone just looking for a stroll through downtown and a morning of music and family fun, will be able to join forces as a team. Team members will receive a $2 discount on registration for linking together.

The most exciting part about this is the prize. Samaritan’s Feet, who will be at the race collecting shoes for needy children, is offering to partner with the largest team and offer a shoe distribution for needy children at the charity or community organization of the team’s choice. If you or your team doesn’t have a specific location in mind, Samaritan’s Feet will provide several choices for the team to pick from.

The more people we have coming out and supporting us, the merrier it will be for all parties involved. Circle the City for the Symphony is a great opportunity for your organization to rally together for a great cause, and have a safe and fun family adventure, too.

Online registration is live! Team captains should click here to register the team, and then the other members can click here to register after that. The deadline for team registration is July 23, so hurry up and start recruiting!
 

An Intern Throwdown!

Thursday, June 17, 2010 by Jessica Di Santo

Ben Luttrull is an intern with the ISO this summer and is working on the Symphony's Circle the City for the Symphony event in August. I've turned my blog over to him for his second installment!

If being competitive is defined as hating to lose, then I consider myself a fairly competitive person. I’ve been known to attach allegiance to teams for a month only to disavow any relationship upon the missing of playoffs. I still follow my high school marching band and cringe upon seeing any ranking other than #1. This past Ball State football season was a tug-of-war between Alma Mater loyalty and hatred of losing (still no clear winner yet). I’ve done quiz bowl, intramural sports, musical festivals and other competitions for the sole purpose of the joy of victory.

For the above reasons, I’m a little disappointed that I won’t be able to run with my fellow interns in Circle the City for the Symphony. The development interns have come up with a brilliant idea of entering the Corporate 5K Team Challenge as the official ISO Intern All-Star Team of the Decade (name pending approval). Since I’m working the event, I’ll have to only cheer and support the team on. Seeing as I’ll likely be running the equivalent of a 5K myself over the morning, it’s more of a mental setback than anything else. Still, the thought of the ISO Interns competing against their supervisors have inspired the CTC Powers That Be to consider a full-fledged bragging rights showdown between the staff.

The Corporate Team 5K Challenge is hardly limited to just the internal throwdowns. Any and every company or organization that has a group of people looking to run and compete together is more than able to register as many teams of six as they can. Rankings will be determined by the sum of the top five finishers for your team (number six serves as the tiebreaker). Every team members gets a $2 discount off of registration and a ticket to a Marsh Symphony on the Prairie concert. 

There are more than just bragging rights on the line, too. There are three traveling trophies that will go to the winners of each of the three divisions. One of these trophies currently rests in the office of our VP of development, Sean.
 

trophy

While internal bragging rights are good, the real prize we interns have our sights set on is that trophy. We’ll have to fight through a whole lot more than just our supervisors, though. Hopefully, everyone on our team is as competitive as me.

Team registration has to be done online, and all six members have to register at the same time – go here for more info and to register.
 

A Day at the "Strings and Jazzy Things" Camp

Tuesday, June 15, 2010 by Carol Baker

A Day at the "Strings and Jazzy Things" Camp
Regina Henderson, ISO Learning Community/MYO Intern
Valparaiso Univerity '11
 
 

 

 


On Tuesday June 8th, I had the wonderful opportunity to observe the annual summer music camp called “Strings and Jazzy Things.” After creating quite a journey for myself on my way to Broad Ripple High School, I wasn’t sure what I should be expecting and had no idea where I was going once I walked into the school. However, I finally found the registration area and set off on a mission to find Betty Perry who was in the midst of a rehearsal with a large group of young musicians. At first, I didn’t know what to expect coming out of such a variety of students, but hearing them rehearse was refreshing. I was excited to learn that it was only their 2nd day rehearsing and they sounded so great!

 

After the morning rehearsal, Betty gave me the run down of everything going on that day and introduced me to several of the volunteers and teachers donating their time to such a wonderful cause. She also introduced me to a few MYO members and told me the awesome news about MYO getting invited to participate in a Berklee music camp next summer! After that, we found our way to a master class of how to perform jazz music. Dr. Monika Hertzig, led a large group of kids in a workshop demonstrating what jazz music is. After running through the “blues” scale and going over some basic jazz rhythms, it was time to do some solos! There were a few kids brave enough to volunteer while others were convinced to do one. It was fun to watch how these young musicians let their creativity and energy flow into these wonderful solos.   After the jazz workshop, it was time to watch the pros do their thing and play some of their original pieces. The short concert was a nice break in the day and very enjoyable to listen to.

640

Once the jazz workshop was over, it was time to grab some lunch and then break off into sectionals. I went around to the violin and viola sectionals to observe and take some pictures. This is when trumpeter, Mike Buselli came in to give the younger kids a master class on improvisation while the older ones were having sectionals. It was interesting to hear his story about why he plays the trumpet and how he conveys his emotions through his instrument. After that, there were several kids geared up and ready to volunteer their improvisatory skills and prove that they could express emotions through their playing. 

After a few exercises with triads and the “blues” scale, it was time to put their freshly learned skills to the test! Mr. Buselli was able to get a few volunteers to join him in front of everyone else and improve an emotion on their instruments while the class had to guess what emotion they were trying to convey. They did this with a couple more groups as well and all of the kids who volunteered were quite impressive! After the improv class, it was time for me to head out. I was so happy to know that summer music programs in Indianapolis like "Strings and Jazzy Things" still exist today and it is evident that these kids are learning so much from it!

640


A picture of "Pictures"?

Monday, June 14, 2010 by Zack French
I have had a fascination with foreign languages since high school and have attempted to learn several – whether in school, at home, in full-immersion summer courses, or just by hanging out with foreign people in general.  To much avail, I speak no other language well, apart from a few phrases which amuse my 5-year-old son.  This fascination occurred when I read Ciardi’s translation of Dante’s Inferno and simultaneously (and coincidentally) learned a phrase in my Latin class, omni traductor traditor, or “every translator is a traitor.”  (Ironically I must translate this phrase, assuming that the reader does not know Latin.)  Simply put, the original is the true source, and any translation of it will result in contamination.  So to do this right, I need to learn Italian before I attempt to understand the Inferno as Dante intended?  Fantastico!

Some purists may think the same applies to music.
 
Take Mussorgsky’s Pictures at an Exhibition.  The original piano suite of 1874 has been orchestrated, rearranged and edited by numerous composers and musicians.  The most well-known is Maurice Ravel’s orchestration of 1922.  While this is the most commonly performed, there are over 100 different arrangements and orchestrations but only about a quarter are written for standard orchestra.  Among the rest includes some surprising examples like one for solo accordion, one for 45 pianos (!), and even one for tuba quintet.  Some of you may even recognize Mussorgsky’s piece from the 1971 live album of the same name by Emerson Lake and Palmer, which offered a certainly unique (and distortedly electronic) interpretation.
 
Maurice Ravel was a master of orchestration and used oddly-paired instruments and instrument sections to achieve new orchestral colors.  Just listening to a few strains of Bolero will give you enough of an example.  For example, midway through Bolero Ravel gives the main theme to the celeste (a small keyboard whose hammers strike small bells instead of strings) and solo horn, but writes the same melody three steps higher in one piccolo and five steps higher in the other, creating the impression you are listening to a pipe organ with its natural overtones.  Serge Koussevitsky (uncle of former ISO music director Fabien Sevitzky – note the abbreviated surname) made the perfect choice when he commissioned Ravel to orchestrate the work for his own use.  He knew Ravel would create a masterpiece from Mussorgsky’s already-masterful piano work which up to that point was relatively unknown.
 
So the question of the day: which is more effective – the original piano version or the Ravel orchestration?  Even if the latter is more effective, does it betray Mussorgsky’s objective?   Personally, I find the “Promenades” (the music you hear as the viewer “moves” from one painting to the next within the gallery) are more effective on piano, though the vignettes based on the pictures are more beautifully illustrated with the use of full orchestra.   Hear what Ravel does to a movement like Bydło (“cattle” in Polish).  It describes a large heavy cart drawn slowly by oxen.  In the piano version, it begins loudly, as if the cart was standing before you (or perhaps is taken from the viewpoint of the cart driver), and remains that volume throughout the entire movement.  Ravel’s orchestration, however, begins quietly, gradually increases in volume as the cart conceivably moves closer to you and then fades away into the distance.  Again, a simple idea yet completely effective; though based on dynamic markings in Mussorgsky’s piano score, it was not the original intention of the composer.  Improved or contaminated?  Or perhaps just different?  Normally orchestral works were reduced to piano score to expand their popularity (a music fan is more likely to have a piano, not a 90-piece orchestra, sitting in his or her living room), but in this case it is the opposite – the orchestral version put Pictures on the map.
 
Because MP3s imbedding is not possible in this blogware, please forgive my use of YouTube clips. The first is of Sviatoslav Richter performing the original piano version of the concluding movements of Pictures at an Exhibition, entitled Baba Yaga, or the Hut on Fowl’s Legs followed by The Great Gate of Kiev; the second clip is of Herbert von Karajan leading the Berlin Philharmonic in the same movements using Ravel’s orchestration.  
 

What do you think?   Please post your thoughts in the comment section below.  What works in the piano version that does not in the orchestral version?  Vice-versa?  Does Ravel “spice up” the original version with orchestral colors or does he ruin the composer’s intent?
 
Watch/listen/comment here, or decide for yourself if you attend the opening Symphony on the Prairie concert this weekend.  The ISO will be performing Ravel’s orchestration of Mussorgsky’s Pictures at an Exhibition on Saturday, June 19 at 8pm.  I would personally love to hear comments online or in person! 
 
Ciao ~

Running in a Circle

Tuesday, June 8, 2010 by Jessica Di Santo

Ben LuttrellBen Luttrull is an intern with the ISO this summer and is working on the Symphony's Circle the City for the Symphony event in August. I've turned my blog over to him to talk about this important fundraising event for the ISO.

When I first found out I was going to be an intern with the ISO this summer, I started mentally racing through what my first assignment was going to be. I’d like to say I was prepared for the 35,000-plus people at the Mini-Marathon Expo, but I had sadly focused on more impersonal, computer-centric tasks. I’m a PR student, so it should be expected of me to relate to the public, but I will admit that the Expo served as the largest public I’ve ever had to relate to.

Circle the CityMy main charge at the Orchestra booth was to begin the push for the 2010 Circle the City, presented this year by Finish Line. It fit perfectly – many local runners stopped by the booth wondering about that night’s Happy Hour or what the Symphony on the Prairie schedule was (and I am definitely glad I did my homework beforehand). But they also lit up when they learned about a race for the Orchestra!

I’ll be using these posts to show what it takes to orchestrate (Ha!) an event like Circle the City for the Symphony, as well as pass along details and updates as the day closes in. We are precisely two months away from the starting line!
 
Registration is available at the Hilbert Circle Theater Box Office or online here.
 

Samuel Barber - Words and Music

Tuesday, June 1, 2010 by Candi Berry
Candi BerryA big advantage to music is the share-ability factor.  Of course this applies to books and movies as well, two of my other great loves.  Many of us are passionate about these avenues of expression and enjoy lending out our collections to friends and colleagues.  In the past few months, several composers have come up in conversation, Camille Saint-Saens, Jean-Philippe Rameau and Samuel Barber to name a few.  Of these, I delved into Samuel Barber pieces after a colleague lent me the second movement of his Violin Concerto.  From the moment I began listening, the soulful melody pulled at my heart and became an instant favorite.  I've listened to it many times and I'm looking forward to hearing it played this weekend in our Hall.

After sharing my thoughts with another colleague about the Violin Concerto, I was lent Knoxville: Summer of 1915 which sets music to a short story by James Agee.  The story was subsequently added to a book, A Death in the Family, winning the author a Pulitzer Prize for Fiction posthumously. Barber was said to have identified with the piece, both he and the author were five years old in 1915. Barber also related to Agee's memories, the author's father died in 1916 and Barber' s own father's health was rapidly deteriorating as he composed this work.  It's a special treat for me when music and literature intercede. I requested Agee's book from the library and will begin reading it next week. I've listened to the piece many times and look forward to comparing Barber's musical composition with Agee's words.

In researching further, I borrowed an audio CD from the library entitled Prayers of Kierkegaard. I haven't read Kierkegaard's work, however I'm familiar with Socrates whom Kierkegaard studied.  Again, I was fascinated by Barber's choice to compose based on his interpretation of written word.  Barber studied Kierkegaard's work for over a decade. The piece is divided into four parts, each representing a different prayer. Barber was quoted as saying about the piece, "The truth he sought after was a truth for me, one that demanded sacrifice and personal response." I can relate to his quest to find meaning in life experiences and admire his ability to interpret similarities between his and the philosopher's point of view.

In closing, I would like to thank my friends and colleagues for continually sharing recommendations and recordings with me. I'm going to further my knowledge of the greats Brahms, Beethoven and Mozart this summer in addition to attending many concerts at Symphony on the Prairie. 


what the heck was I playing last night and La Scala

Tuesday, May 4, 2010 by Paul Berns
 
Paul BernsHi All:

Got an email from Rita Steinberg's husband - Rita is a key member of our terrific Development Department. Larry wanted to know what I was "bowing" during the concert last weekend.

I was using a cello bow on crotales (antique cymbals) - they are tiny metal disks and pitched just like 2 octaves on a piano.  They are hard to play because, though mounted on a metal rod, they can spin.  I guess you need to be a percussionist to understand that part of the difficulty.

Friday and Saturday's concerts were wonderful - variety and a world-class young cellist and conductor.  Our audiences went crazy with enthusiasm and they were of ALL ages!!!

Members of the orchestra exceeded all expectations. The ISO's Principal Guest Concertmaster Alexander Kerr is nothing short of world class.  You will never hear a better orchestral solo anywhere in the world (guaranteed).  Of course, if Zach was in town, his performance would have been equally as good.  Solos by Karen Moratz (Principal Flute), John Wetherill (Principal Bassoon), Marvin (we call him Chappy) Perry on trumpet, Blake Schlabach (trombone - his solo filled the hall with sound), Craig Hetrick (great snare drum chops), Diane Evans (our harp angel), Roger Roe (Acting Principal Oboe), David Bellman (Principal Clarinet), Rob Danforth (Principal Horn) and one must praise Perry Scott (Acting Principal Cello) for his wonderful solos.

What does the ISO and La Scala opera house in Italy have in common???  The percussionist I replaced (had studied with my teacher, Vic Firth) Mike Quinn went from Indianapolis to perform in the Munich Symphony and then to co-principal timpani in the La Scala orchestra - one of the great orchestras and opera houses of the world. 

The orchestra is getting excited to hear Jim Beckel's new composition for our 5 member french horn section. Preview it here!




And Donna (on a personal note) is getting excited about the Michael Jackson tribute at Marsh Symphony on the Prairie this summer.  Reserve your tables now!!!!!!

Here is a "List of 10"  as requested by our Vice President and General Manager Tom Ramsey at a recent orchestra meeting (this will be a surprise for Tom):

10 things Tom knows, probably, everything about.

1.  Heating and Air conditioning units in a large concert hall
2.  Acoustics in a concert hall
3.  Stage platforms (risers)
4.  Timpani heads - calf
5.  Managing annual reviews
6.  Reading financial spreadsheets - that sounds like fun
7.  Renting office space
8.  Hiring staff & conductors
9.  Mechanics of every instrument in the orchestra - makes and technical issues
10.The shell at Symphony on the Prairie

Also, 10 more cities the ISO has performed.

1.  Little Rock, Arkansas (I do not think President Clinton attended)
2.  Numerous locations on Long Island 
3.  Winona, Minnesota
4.  La Crosse, Wisconsin
5.  Utica, N.Y.
6.  Barcelona, Spain
7.  Birmingham, England - (the former princ. percussionist of the ISO plays there)
8.  Geneva, Switzerland (talk about a beautiful lake)
9.  Goshen, Indiana
10. Ft. Wayne, Indiana


bye for now - if you have questions just ask!!!

Paul

Meet Lucina Moxley.

Wednesday, September 23, 2009 by Jessica Di Santo

Lucina Moxley

Lucina is a pianist of great accomplishment. At 91 years young, she still teaches several students, performs various two-piano concerts and recitals, and remains very active in the musical community in Indianapolis. She attends many of the ISO’s Coffee Classical performances.
 

Lucina shares her love of music in the community by being generous as well. The Indianapolis Symphony Orchestra was the recipient of that generosity this summer, as Lucina purchased a new Steinway Concert Grand Piano and donated it to the Orchestra in memory of her parents, Mr. and Mrs. William H. Ball.
 

A generous spirit, the love of music and an association with the Indianapolis Symphony are a part of Lucina’s family history. Lucina’s parents and her late husband, Sam Moxley, served on the ISO’s Board of Directors. When Lucina’s father passed away, her mother gifted two concert Steinway pianos in 1982 as a tribute to him. In 2009, Lucina paid tribute back to her parents by purchasing our Steinway in memory of them.Lucina signs the inside of our new Concert Grand.
 

Lucina didn’t just offer to purchase the piano though. She provided us valuable expertise in choosing it! Lucina, pianist Jonathan Biss and ISO President and CEO Simon Crookall traveled to the Steinway studio in New York City this summer to select the piano which would be perfectly suited for the Hilbert Circle Theatre and our orchestra.  Lucina and Jonathan played six of them, and ultimately settled on the beautiful instrument which is now a part of the ISO collection.  Gabriela Montero will play Gershwin’s Rhapsody in Blue on our new Concert Grand this weekend during Opening Night Gala.


Lucina proudly owns and plays her two concert Hamburg Steinways, which she considers her greatest treasures.  Thank you Lucina—your gift of a new Steinway Concert Grand Piano is now one of our greatest treasures too.

Facts, figures and a little bit of fun: Marsh Symphony on the Prairie

Wednesday, September 9, 2009 by Jessica Di Santo

 


It’s nice to have an announcement like this when a season is complete:

 

 

Headline: 

INDIANAPOLIS SYMPHONY SETS NEW ATTENDANCE RECORD AT MARSH SYMPHONY ON THE PRAIRIE

 

Copy:

The Indianapolis Symphony Orchestra announced that it set a new all-time attendance record of 107,281 for its Marsh Symphony on the Prairie season of outdoor concerts this summer, exceeding the previous mark of 107,245 set in 1999.  (We beat it by 36 people!)

 

·        Total season attendance of 107,281, the largest full-season crowd to attend the series.

·        Attendance Tops 100,000 Mark for Only 2nd Time in 28-Year History of Outdoor Series

·        Single night attendance record for a Pops concert featuring the ISO with 8,145 people enjoying the Classical Mystery Tour Beatles Tribute program on Aug. 1

·        Second largest non-July 4 weekend attendance of 14,304 July 31-Aug 1, just missing the all-time record of 14,829 (Aug. 27-29, 1999 - Big Band)

·        Fourth largest single concert attendance of 12,291 on July 3

 

Although we are proud of our milestones, the Prairie season is more than just facts, figures and statistics. There are stories to tell. Here is just a sample of what occurred this season:

 

 

Happy Anniversary!

Symphony on the Prairie emcee Scott Hoke surprised Paul and Georgia Bradley when he announced from the stage on Aug. 29 that the couple was celebrating 80 years of marriage. Yes, that’s right. 80 years. The crowd roared and gave Paul and Georgia a standing ovation. According to a source, the young couple brought their own flask to toast to another 80 years.

 

I’ve Never Won Anything in my Life”

Our very own Tim Northcutt, associate director of communications, tagged Debra Fleetwood from New Palestine as our 100,000th patron to enter the gates on Saturday, September 5.  Fleetwood received a certificate for two Value Packs (each containing 10 tickets) to the 2010 Series, a $100 Gift Card from Marsh Supermarkets, and the ISO will donate two seven-concert Lilly Classical Series subscriptions to a local charitable organization in her name. Her party was escorted to a reserved table near the front of the amphitheater where they enjoyed the concert by the River City Brass Band and a fireworks finale in this final weekend of the summer season (see photo below). According to Tim, Debra proclaimed that she had “never won anything in her life.”


 

Rented Heaters…in July?

One of the coldest evenings in memory occurred during the classical music concert weekend. Evening temperatures hovered around 58-60 degrees. The operations team ordered heaters for the musicians on stage…in the middle of July!

 

A Day in the Life (of a Faux Beatle)

Jim Owen, one of the two original members of the Beatles tribute band, Classical Mystery Tour, currently plays the role of John Lennon, though he hasn’t always been confined to John’s duties at the piano, guitar and microphone.  Up until the late 90s or so, he usually played the part of George Harrison.  When the Classical Mystery Tour group performed for the ISO in winter 2006 on stage at the HCT, Jim’s previous experience performing as George proved fortunate.  Tom Teeley, the current George Harrison (and the other original member of CMT), was leaving a local restaurant and slipped on a patch of ice and broke his right wrist the day of a concert.  Luckily, due to Jim Owen’s previous experience as George, he and Tom Teeley switched guitars during the performance so that the difficult electric guitar solos could be played more easily.  Tom has never forgotten Indianapolis.

 

Anything for You Dad

For our second concert at Prairie on June 26-27, excerpts from the Harry Potter books were read by narrator Constance Macy.  However, the excerpts did not come with the music. Conductor Alfred Savia’s own daughter, Julia – a self-proclaimed expert on the Harry Potter series – carefully studied the music excerpts her father had chosen and appropriately chose the script that would be read by the narrator during the show. 

 

Four Score and Seven Years Ago

Dean Dorrell, our Abraham Lincoln impersonator from the July 2-4 concerts, has been a frequent visitor to the Prairie stage.  Typically he arrives several hours before the concert, sits in his dressing room in his full Lincoln garb, and reads the latest biography on the President he so uncannily resembles.  Standing one inch taller than Abe, Mr. Dorrell also keeps a copy of many of Lincoln’s speeches in his top hat (as Lincoln did), and has nearly all of his speeches memorized.  He can be seen all over Midwest visiting schools, libraries, concerts and other celebratory functions honoring our 16th President.  And he does this on the side!  Personally, he is a very quiet, gentle and generous man.  (See photo below – Dean Dorrell as Abraham Lincoln, moments before reciting the Gettysburg Address to a crowd of more than 10,000)

 



How Does He Do That?

Some audience members may have been to the Rockapella show and heard the amazing sounds coming from Jeff Thacher, the group’s “percussionist.”  What they may not have seen is how he makes these sounds.  He attaches two small microphones to either side of his vocal chords with surgical tape, and is able to create the low “bass-drum” kicks with his throat, without moving his lips.  Only then does he put a normal microphone to his mouth to make the more consonant, percussive sounds.  Quite often he can make two different sounds at once – one with his throat, and one with his mouth.

 

Three Degrees of Separation

Larry O’Brien, the current leader of the Glenn Miller Orchestra, performed with the band in the 60s, when Ray McKinley was the leader.  Ray played with Glenn Miller in the Air Force band and acted as its unofficial leader after Miller disappeared in December 1944. 

 

It’s Still the 21st Century, You Know

Glynnis Campbell, the wife of America’s bass player Rich Campbell, is a published novelist (under the pseudonym Sarah McKerrigan) with 10 books on the shelf so far in her career.  She concentrates on writing fiction set within historical contexts, usually taking place between 1100-1500 England and Scotland.  She studies the culture, music and even clothing fabrics to make sure that her stories don’t contain any anachronisms.  She delves herself into the time period so that it’s nearly second-nature to her.  That is, according to her husband, until her cell phone goes off.

Happy 09.09.09!

Where are the Musicians?

Wednesday, August 26, 2009 by Jessica Di Santo

The Indianapolis Symphony Orchestra turns over its stage to other musical ensembles in August and early September during Marsh Symphony on the PrairieDuring this period, our Symphony musicians take a much-needed, well-deserved break away from their year-round schedule.

 Marsh Symphony on the Prairie


So, we’re sometimes asked… where are the ISO musicians during this time and what are they up to?  Here's a sample!

 

 

“[Our vacation plans are] certainly not exotic -- we plan to stay in Indy, work on cleaning up/organizing our home 3/4's of the time, exploring Indy and environs the other 1/4.   Plans include State Fair (seriously...), Baden Springs, and some new restaurants in Indy and Bloomington.  This may not be exciting to you, but it's very exciting to us!”

 

-Bev and Sylvia Scott

Beverly Scott, Assistant Principal Viola

Sylvia Scott, frequent ISO pianist

 

 

“Our family went to St. Joseph, Michigan, for a week. We also are going to Chicago for the weekend. But we have mostly stayed at home this summer.”

 

-Ruth Boerner, viola

 

 

“I will be composing during the break.”  www.jimbeckelmusic.com

 

-Jim Beckel

Principal Trombone & Composer*

 

*Don’t miss Jim’s world premiere piece In the Mind’s Eye: Images for Horns and Orchestra in concerts on May 14 and 15, 2009.

 

 

 

“My husband, John, and I will be taking our children to college at the end of August. First to return to school will be Katherine, just back from an archaeological dig in Athens where she found an ancient cooking pot.  She will be a senior at Washington University in St. Louis. Then Amy and David head east.  Amy is just completing a summer at a biological research center in Maine, and will return to Swarthmore College to continue working on her bachelor's degree in biochemistry.  David, proud of his Indiana roots, is making a Yale corn-hole set to take to school.  He has high hopes of learning to play the carillon at Yale, which happily has a silent practice keyboard as well as the one which activates the giant bells in Harkness Tower.  I am occupied practicing viola and piano, teaching viola lessons, and sewing on buttons!”

-Terry Langdon, viola

 

 

“I'll be traveling to New York City to attend the National Flute Association’s annual convention with my husband, George Evans. (My teacher, William Bennett, will be performing at the convention-- he's also traveling from London to Indianapolis in November for a masterclass and recital Nov 4 & 5.) While we’re in NYC, we’re attending a concert at the Mostly Mozart Festival at Lincoln Center. Other than that long weekend, I'll be at home working on my book, “Flute for Dummies,” which will be coming out in December of this year.”

 

-Karen Evans Moratz

Principal Flute

 

 

“My husband’s brother used to play professional basketball in the NBA....for the Portland Trailblazers.  He runs a youth basketball camp in Portland, and my husband and I will be going out to work at it.  Norm will coach, and I'll run the concession stand.  (Whoopee!!!)  It will give us a nice chance to visit with family.  We'll earn a small salary....enough to cover our airfare.....so we plan to go out a week early and drive over to the Pacific coast.  I'm a photographer, and I plan to come home with some great pictures of the Oregon coast.”

 

-Christal Steele

Assistant Concertmaster

 

 

“I will be heading out to the Northwest to visit family in Spokane, Washington, and in north Idaho (Hayden and Post Falls). My sister and I plan to bike the section of the Hiawatha Trail that crosses the Idaho panhandle. We also are going to spend a few days at Hayden Lake, ID.”

 

-Nancy Agres, viola

 

 

“I’ve spent time racing on such races as the Port Huron to Mackinac Race onboard a 50-foot raceboat called Goblin. We finished 3rd in our section and 13th in our division.  I also raced a regatta in Harbor Springs Michigan on Goblin.   I will be on a boat 47-foot sailboat called Big Country for the Tri-State Regatta which is a three-day, three-state regatta over Labor Day weekend.  We race from Chicago to St. Joseph, Michigan, then from St. Joseph to Michigan City, Indiana, then race back to Chicago. Happy Sailing!”

 

-Rick Graef

Assistant Principal Horn

On the page it looked nothing . . .

Tuesday, August 4, 2009 by Scott Harrison

This weekend we're performing two concerts of Mozart at Conner Prairie, our summer home just a few miles up the road from Indianapolis.  In honor of the Wolfie, here's my favorite scene from Amadeus, which also happens to be one of my favorite movie scenes period:



It's barely longer than a minute, but it's quite possibly the best summation of why Mozart specifically, and music in general, is just so powerful.  Because an old man, reduced to a shadow of his former self, forgotten in his self-imposed exile in a senior home, with his best days behind him, can still recall, to the note, the most beautiful melody he's ever heard.  And when he recalls it, he smiles uncontrollably, lighting up like a man a quarter his age. He doesn't really know why, but this phrase - this song - touched him all those years ago and never left him.

The music featured in this scene is from Mozart's Gran Partita, a beautiful work for wind orchestra and I'll be in the Chicago Burbs this Sunday to hear the Chicago Symphony perform it at Ravinia. 

So stay tuned for a report on that!

(And another cool connection - the man playing Salieri, the old man in that scene, is Academy Award winner F. Murray Abraham.  And he narrates the Lincoln Portrait with the ISO at our Opening Night Gala on September 26!)

They're back!! ...as Interns!!

Saturday, July 18, 2009 by Carol Baker
So, I was at the Prairie earlier this month and was struck by this really familiar looking guy... So, who is this guy?  I was told he was Jeff Johnson's intern (in Group Sales) for the summer...  and, as he walked up closer, I realized it was Dylan Riley who soloed with the ISO on a Side-By-Side concert several years ago.  OMG!  Of course!! (I haven't gotten older, have I? Only he has, right?)

Side-By-Side is an annual ISO Learning Community program for high school musicians.  Students audition, train, rehearse and perform with their professional counterparts from the ISO and the result is an awesome concert with 100+ people on the Hilbert Circle Theatre stage and a concerto solo or two.
 
Dylan is now a Marketing Major at Butler University and was one of our student concerto soloists on the Side-By-Side concert in 2005.  He performed Koussevitsky's Movement 1 from Concerto in F-sharp minor for Contrabass and Orchestra.

Below is a pic of his performance with us.  Richard Clark from Butler University was the SxS conductor and in the background you can see Nami Akamatsu and Greg Dugan from the ISO bass section and the tops of Michael Strauss and Nancy Agres' heads from the ISO viola section... 


But wait!!  There's more!!  Andrew Lannerd (ISO house manager) has an intern out at Prairie too this summer!  It's this guy with a beard...  Wait, it can't be!?  It's Jack Musick who was also in Side-By-Side!  Below is a pic from the 2006 SxS orchestra with Alfred Savia conducting.  Jack is sitting at the 2nd cello stand with ISO cellist Perry Scott. 

Unbelievable! 

It's a wonderful thing to have students involved in past ISO programming return to our organization to give of their time and talents and learn along the way!!  We are extremely fortunate to have talented interns in our midst keeping us all on our toes!

There must be something special about these past Side-By-Side students and the ISO... Current ISO Learning Community staff member, Laura Spelde Leverton was also a Side-By-Side student many moons ago... her senior year "side-by-side" experience was actually my first day of work at the ISO in 2000.  She went off to college and came back to intern with us several years later.  Now, she's been employed here for about 4 years as our Community Liaison.  Brian Seitz, our Box Office Manager, was a SxS student many moons ago!! 

Wow! Small world!  It's nice to have 'em all back!!!

Thank yous feel good... even late ones! =)

Tuesday, June 30, 2009 by Carol Baker


Last week Brian Hoover - IPS teacher from Center for Inquiry - stopped by to drop off some letters from students who attended The Sallie Mae Fund Young People's Discovery Concerts in April.  Unfortunately, Linda Noble who primarily works on this program wasn't here to accept the letters, so I stepped in.

Brian said he was in the area and apologized for the delivery lateness.  P-shaw!!  No need to apologize - we love to hear from our patrons no matter how young or old or... late!!!  In the summer, our program events slow WAY down and we jump into high gear planning.  If anything, these letters remind us of where we've been and where we're going.

Also, selected letters from this bunch will be posted for musicians to enjoy while others will be placed in specific musician mailboxes when a note references a particular instrument or solo.  We all get a kick out of some of the things kids write...  I'll try and get some of these posted on future blog postings....

I do have to say that my all-time favorite closer used by many students is "Your friend, signed..." or "Your pal,..."  Yes, these kids are our friends and I hope they will visit us many, many more times!

It's never too late for letters!  Thanks Brian for dropping them off!!