Indianapolis Shows

All Good Things Must Come to an End

Tuesday, August 31, 2010 by Jessica Di Santo

I can’t believe summer is almost over. I can’t believe Marsh Symphony on the Prairie is ending. But I do believe that we will see the 100,000th patron enter those Conner Prairie gates this weekend.

In 2009, we celebrated with Debra Fleetwood, as she was the lucky 100,000th patron to arrive.

If patron number 100,000 walks through our gates (we think on Thursday evening), it will be the third time in history that we have achieved that feat. What helped bring us to this magic number? Amazing crowds at this year’s Fourth of July concerts, amazing crowds at the Classical Mystery Tour (Beatles) weekend, amazing acts like Marvin Hamlisch, the John Denver tribute band and the Duke Ellington Orchestra, amazing performances of Pictures at an Exhibition and Tchaikovsky’s Fifth by our own Indianapolis Symphony Orchestra, and amazing weather (only a handful of weather-related delays and one rainout—knock on wood for this weekend!).

Symphony on the Prairie is more than an attendance number. As we close out the series this weekend, I thought I would reflect upon some highlights this summer.

A debut and an adieu
On July 23 & 24, singer-songwriter Brandi Carlile debuted with the Indianapolis Symphony and performed many of her hits to a large crowd of adoring fans. After the concert, we said adieu to ISO Associate Conductor Sean Newhouse. Sean moved to the east coast and now serves as an assistant conductor with the Boston Symphony Orchestra. Bravo Sean!

Up, Up and Away
Our very own ensemble-in-residence Time for Three performed their signature genre-bending mix of music for their thousands of devoted fans. Afterward, the boys went on a Conner Prairie balloon ride—they don’t seem to have stage fright…but do I sense a little fear of heights?

It was a Thriller, for sure
Brent Havens, creator and conductor of the Michael Jackson Tribute show and other orchestrated rock tributes such as Pink Floyd, Queen and Led Zeppelin, hit a homerun by including wonderful orchestrations of the King of Pop’s greatest hits. I’ve never seen that many people dancing at Symphony on the Prairie. One patron noted that she left “ticked off that I never got to see [Michael Jackson] in concert for real and I’m convinced no one else will ever come close to being as spectacular as he is/was.” Another patron sent in this message: “This was a wonderful event. The ISO and the band that performed were excellent. I thoroughly enjoyed this concert. I love live music!”

He got what he asked for!
After joking about the large amount of insects buzzing around his head on stage, prolific American songwriter Marvin Hamlisch was given several bug repellent options at intermission from his fans—everything from spray, sticks, gels to bug repellant jewelry. During the second half of Marvin’s concert, our very own Principal Librarian Mike Runyan made us all weep when he played the theme from Schindler’s List on harmonica.

Photographs also tell the story
I don't need to go on and on with highlights in writing. I can also tell a story in pictures. Here are some of my favorite photos from this season at Symphony on the Prairie.

Don’t forget! The Music of Buddy Holly, Ritchie Valens and the Big Bopper on September 2 & 3 and the every-popular River City Brass on September 4 & 5. See you one final time at the Prairie!

Remember the Time - Michael Jackson

Monday, August 9, 2010 by Candi Berry

As I've reported in previous blogs, I'm gradually familiarizing myself with Classical music and I'm grateful to report it has acquired a permanent residence in my musical landscape. Classical compositions now make up a respectable share of my IPod library and at least half of my work week is comprised of listening to Instant Encore playing through my work computer. It's a great resource which allows listeners to enjoy full pieces, not just thirty second samples. It also features numerous selections form our own Indianapolis Symphony Orchestra on its website.

Having noted this, I have to point out that a larger percentage of my musical library is dedicated to 80's music. It's a special treat for me that our upcoming Symphony on the Prairie concert will feature the music of Michael Jackson. I've been a fan of his since Thriller debuted while in sixth grade. I've included a picture of myself as a child with my Michael Jackson doll, a Christmas present from my family. I laugh now when I see this picture and my pairing of a ruffled dress shirt with those red parachute pants!

I was deeply saddened when Michael Jackson passed away last year. I was attending the Led Zeppelin show at White River State Park featuring our orchestra when the news broke. At the end of the evening, "Stairway to Heaven" was played and a special dedication was made to Michael Jackson's memory. It was a gift for me to be surrounded by family and friends listening to beautiful music as I reminisced about what his music meant to me over the years. My favorite MJ song is "Man in the Mirror," I still break out in goose bumps when it starts playing. I also love the music videos empasizing his incredible dancing abilities. I never learned how to properly execute a moonwalk, I'm sure the grass at Conner Prairie will hinder me from attempting it one more time. I will, however, certainly be dancing in my seat the entire show.

Final thoughts

Tuesday, July 20, 2010 by Sean Newhouse

As you’ve probably heard by now, my time as Associate Conductor of the Indianapolis Symphony Orchestra is quickly drawing to a close – I’ll be conducting the last concerts of my tenure this weekend at Marsh Symphony on the Prairie, before I head to Boston to take up a new position.

As I reflect on my two years here in Indy, I’m struck by how fortunate I’ve been to have had an incredible diversity of opportunities with the ISO, conducting on every concert series, from the classical subscription series to the Family series, from Symphony on the Prairie to the Discovery concerts for students. By my count, it all adds up to 76 performances of 32 different programs during my time here!

Among these 76 collaborations with the Indianapolis Symphony, there are a number that I know I will look back on especially fondly in the years to come. Some of these personal musical highlights: my first concerts at the Prairie back in 2008, which included Beethoven’s Symphony No. 7; the performances of the Corigliano Piano Concerto and Rachmaninoff 3rd Piano Concerto as part of the American Pianists Association competition in 2009; and the recent performances of Strauss’ Don Juan as part of the classical season finale that I conducted just last month. There were also highlights of other sorts – playing the national anthem for over 67,000 people at Lucas Oil Stadium before the Colts-Patriots game last season, and 2 shows with a Beatles cover band last summer at the Prairie, which drew the most excited, fun, and hippest crowd I’ve ever performed for. As for lowlights – well, only one really comes to mind: the Happy Hour concert that I was slated to conduct just before the start of my official tenure in 2008, which was canceled because of a power outage – bummer!

I want to thank you, the wonderful loyal audiences of the ISO, for the warm welcome you’ve given me from the beginning of my time here – I look forward to hopefully returning in future years to make music for you again. To the staff of the ISO, thank you for your professionalism, creativity, and sense of humor through thick and thin. And above all, a tremendous thank you to the musicians of the ISO – it has truly been a pleasure to collaborate with you over the past two years. Thank you for your artistry, thank you for your flexibility, and thank you for your patience with me as I have learned and grown as a conductor.

It occurs to me that my career seems to be following an eastward progression – my first job after grad school was in Los Angeles, then I came to Indy, and next I’m headed to Boston. If this trend continues, it may be a while before I work my way all around the world to get back in the vicinity of Indy :-) In any case, I will always treasure the great memories from my time here, and the friendships I’ve made – and hopefully I’ll get the chance to come back and visit and make music again soon!

See you at the Prairie this weekend!

P.S. – During the coming years, if you’d like to stay in touch with what I’m up to, check out my website: www.seannewhouse.com.

Symphony on the Prairie

Monday, July 19, 2010 by Paul Berns

Hi Everyone:

Wow, it has been a long long time since I wrote. But, I have enjoyed reading so many of our guest bloggers contributions these last few weeks.

Thought I would suggest how to enjoy an evening out of doors listening to the music of one of the 17 full time orchestras in 'the land'.

First you show up to Marsh Symphony on the Prairie!! Of course, you can go through our box office or Marsh and get tickets (possibly a nifty 'table') in advance. Bring a blanket or portable chairs and a cooler. Within this cooler we often see: grape pop, orange pop, cream soda, oops I forgot wine from Napa Valley (been there) Brown County (been there) France (aw nuts, have not been there).

Food, such as: artichoke dip (California), salsa (Mexico), every type of food you can imagine. Eat, drink and listen.....relaxing is a great thing to do. Relax and leave the music playing to us. Actually I often see professional musicians from throughout the state in our Conner Prairie audience.

I see people in their 90's and 'good' little ones with their parents. Plenty of room and plenty of sky. And plenty of stars (in the sky).

Please do check our schedule out on our world class website and I , and 87 of my closest friends, will look forward to seeing you.

Here is another 'list of ten': how about instruments you might see and hear on stage:

1. Contra bassoon - big and sounds really low
2. Anvil
3. Indian flute
4. Alto sax
5. Piccolo
6. Orchestra chimes - sound like church bells
7. Wagner tuba
8. Piccolo timpani
9. Alto flute
10.E flat clarinet

To name only a few...................................

Best to All!!

PAUL BERNS

Take Me Home, Country Roads

Friday, July 9, 2010 by Jessica Di Santo

I'd like to introduce Bob Schultz, senior account director at Borshoff Strategic Communications, a fan of the ISO and a good buddy of mine. Bob recently told me he how much he and his family loved John Denver's music, which the Indianapolis Symphony Orchestra is performing this weekend in concerts at Marsh Symphony on the Prairie. I made him prove it by telling his story.

Ahhh, a Rocky Mountain High once again! My wife Diane and I can still remember when we heard the tragic news of John Denver’s death on Oct. 12, 1997. For us, it was the day the music died.

JD was much more that that folksy singer/songwriter with a goofy smile and twangy voice singing “Thank God I’m a Country Boy.” We were first introduced to the music of the man while working at CYO Camp in Brown County, Indiana back in the ‘80s. His music inspired me to take up guitar; to learn how to play “Eagle and The Hawk”; to fall in love. Later, when Diane was working on the Ft. Belknap Indian Reservation in Hays, MT, John Denver filmed his annual Christmas show there. Not too much later, “Annie’s Song” was played and sung by my Colorado and now-deceased brother Rick on Diane’s and my wedding day.

From then on, each time JD made an Indy visit, we’d gather our camp friends, head to Market Square Arena or Deer Creek and sing along to every song. Then, as our three kids were born – each was “given” their own JD tune that became their lullaby. Although his death has created a significant void, JD’s music survives. (In fact, our missionary friend Patrick says that “Country Roads” is played more in European and Asian countries than any other American song.)

So – we’ll be there, with our kids and friend this weekend – on the prairie – thanks to the incredibly talented Indianapolis Symphony Orchestra and the look-alike, sound-alike Jim Curry. We’ll be singing along, remembering days gone by and introducing true American classics to the next generation. And I’m so pleased to know that JD’s music is still alive and well at that same CYO Camp where our kids now go.

Take me home, country roads!

All in the [Military] Family

Thursday, July 1, 2010 by Jessica Di Santo

For me, the best part about the Indianapolis Symphony Orchestra's patriotic concerts July 2-4 isn't Tchaikovsky's magnificent 1812 Overture, or the inspiring suite from Gettysburg or even the spectacular fireworks at the end.

I'm more affectionate for the Servicemen on Parade piece. The Indianapolis Symphony plays this medley of songs representing the branches of the military: Navy, Air Force, Marines, Coast Guard and Army. We ask that any patron who has served in the military to stand when his or her song is played. It's a poignant and proud moment for everyone at Symphony on the Prairie.

If you're attending this weekend, pay particular attention not only to your fellow servicemen standing next to you, but check out who is standing in the Orchestra:

Michael Borschel, Assistant Principal Clarinet
Mike served for three years in the U.S. Army in the U.S.M.A Band at West Point, NY, after Basic Training at Ft. Ord, California, from 1969-1972. As a member of the West Point Band, Mike performed more than 100 concerts and 100 parades every year.

Jerry Montgomery, Horn
Jerry was enlisted in the U.S. Army from 1972-1975 and performed as part of the NORAD Band. He told me that two of his colleagues in the band also went on to distinguished horn careers: Dan Gress was principal horn of the National Arts Centre Orchestra and Dan Rauch is currently one of the top horn makers in the world.

Marvin ("Chappy") Perry, II, Principal Trumpet
Chappy served in the U.S. Army Band at Ft. Myer, Virginia from 1970-1973 and achieved the rank of E6 (equivalent to a Staff Sergeant). Chappy's band performed at many ceremonies including the White House, Arlington Cemetery, special music productions, a few short tours and concerts. He also performed at a few parades, including the second inaugural parade for President Richard Nixon. Chappy has very interesting stories to tell about his military career, but this one in particular is priceless:

"Prior to my enlistment, there was a requirement for annual re-qualification at the rifle range, even for members of the Army's top musical unit. Interestingly, the band repeatedly outscored the Third Infantry, the show troops of the Military District of Washington."

Mark Ortwein, Bassoon
Mark served in the U.S. Air Force from 1990-1998 and achieved the rank of Technical Sergeant. He played for all the living presidents and even spoke to President Clinton about saxophones after a ceremony. Mark also played at the dedication ceremony for Mt. Rushmore and the opening of the Ronald Reagan Library.

Look for these gentlemen to play and stand during the salute!

And if you see me on Friday night (top of the hill, right side) with my family, look for my Dad during the medley. As a National Oceanic and Atmospheric Administration (NOAA) commissioned officer (retired at the rank of commander), he will be standing during the Coast Guard's song (hey, it's the closest thing he's got). We'll also be honoring my brother Judd Crawford, who served seven years in the U.S. Coast Guard and who now serves in the U.S. Army as a commissioned officer, stationed at Ft. Sill, Oklahoma.

We look forward to honoring all of our military servicemen and women this weekend. Chappy says it best: "I have the utmost respect for other members and former members of our military. Some have suffered unbelievable hardship. They and their families have my sincere admiration."

Happy Fourth and we'll see you at the Prairie!

Running in a Circle

Tuesday, June 8, 2010 by Jessica Di Santo

Ben Luttrull is an intern with the ISO this summer and is working on the Symphony's Circle the City for the Symphony event in August. I've turned my blog over to him to talk about this important fundraising event for the ISO.

When I first found out I was going to be an intern with the ISO this summer, I started mentally racing through what my first assignment was going to be. I’d like to say I was prepared for the 35,000-plus people at the Mini-Marathon Expo, but I had sadly focused on more impersonal, computer-centric tasks. I’m a PR student, so it should be expected of me to relate to the public, but I will admit that the Expo served as the largest public I’ve ever had to relate to.

My main charge at the Orchestra booth was to begin the push for the 2010 Circle the City, presented this year by Finish Line. It fit perfectly – many local runners stopped by the booth wondering about that night’s Happy Hour or what the Symphony on the Prairie schedule was (and I am definitely glad I did my homework beforehand). But they also lit up when they learned about a race for the Orchestra!

I’ll be using these posts to show what it takes to orchestrate (Ha!) an event like Circle the City for the Symphony, as well as pass along details and updates as the day closes in. We are precisely two months away from the starting line!

Registration is available at the Hilbert Circle Theater Box Office or online here.

Reflections on this week

Thursday, June 3, 2010 by Sean Newhouse

I’m thrilled to this week have the privilege of making my debut on the ISO’s classical subscription series, as I approach the end of my tenure here in Indy. Most of the concerts I’ve conducted over my two seasons here have been on one rehearsal, and the musicians of the ISO are such pros that they can put together a good show on that kind of short schedule. But without being too presumptuous, what I think the ISO players and I both live for is the chance to really delve into the details of the music, and refine the performance to the highest level possible – which is what we get the chance to do in a week like this one, where we have a full set of five rehearsals - and thus why I'm particular excited about this weekend's concerts!

This week’s program is both fulfilling and challenging in its variety, with a more recent composition by a living composer, Ke-Chia Chen, a host of different works for solo violin and orchestra, and Strauss’ Don Juan. It occurs to me that while these works span over 150 years of musical history, they do have a common thread – all these pieces present different perspectives on romanticism. Take Ke-Chia Chen’s piece, Broken Crystal, for example, written just a few years ago – it deals quite literally with a romantic subject, in that the crystal of the title is a metaphor for the human heart. You can hear these intimate feelings evoked in the passionate, sweeping melodies, as well as in the raw heartache expressed in the final section.

One other subject that this kind of varied program has focused me on is the conductor’s role as the unifier of diverse creative forces, one of the great rewards and challenges of the art. For example, with a very new piece by a very young composer, like we have in Broken Crystal, my job is to try to internalize the musical language and musical logic of the piece *without* the benefit of a large canon of other works by the same composer to give me context, or even long familiarity with the work itself – and then to communicate that to the orchestral players, who are also new to this music, in such a way that together we can make the composer’s vision real for the audience. With works for soloist and orchestra, like we have with our two fantastic violinists this week, Bella Hristova and Augustin Hadelich, my ideal is to understand their interpretation so intimately that I’m on a virtually telepathic wavelength with them during the performance, constantly adjusting in the moment to their musical impulses and framing them in the best possible light. And with a warhorse of the repertoire like Strauss’ Don Juan, I’m attempting to serve the composer’s vision of the piece while simultaneously giving it my personal stamp and honoring the fantastic musicianship and solo contributions of the ISO players.

Indy in May

Monday, May 10, 2010 by Jessica Di Santo

The month of May in Indianapolis...what can I say. Thousands of gearheads, casual fans and a slew of out-of-towners descend upon our city for the greatest spectacle in racing.

And so do the journalists.

It's the media folk who interest me the most. I especially enjoy those who have never been to Indianapolis before. Or the ones who haven't been here in 10-20 years. After touring Indy, they usually say to me:   "I had no idea Indy had culture."

[Yes, we aren't just hoops, open-wheel racing and a Super Bowl team Mr. Broadcaster.]

I had the chance to make this point last weekend on "Rudy Maxa's World"--an hour-long radio call-in show on the CBS all-talk station in Los Angeles. Rudy's show is broadcast on more than 95 stations coast to coast every Saturday morning. This time, he hosted his show from the Indianapolis 500 racetrack.

Before my interview, Rudy (middle) and his co-host Chris (in the pink) had a lineup of interviews with all sorts of city representatives.  Racing was definitely a hot topic. When my turn arrived, I was there to tell his listeners that Indy had some more to add to the sports formula.

So the next question for me was..."What does Indy offer by way of arts and culture?"

[Gimme that microphone]

Of course, I started with the finest musical traditions in this city, Marsh Symphony on the Prairie.

And the ISO, one of only 17 full-time orchestras in the country...

And the IMA, the fifth largest general art museum in the nation.

And the Indiana Repertory Theatre, the very best in professional theatre.

And my daughters would hate me if I forgot the Indianapolis Zoo, with its renowned Dolphin Pavilion and animal conservation efforts.

Oh, and White River State Park, home to the Central Canal, Eiteljorg Museum, Indiana State Museum, NCAA Hall of Champions and public sculpture.

And...

I ran out of time.  A 15-min. radio interview goes too fast.  I needed an hour to get through what Indy's cultural community has to offer. I'll pick up where I left off for next year's radio show (Hey Rudy...would love an invitation to return).

Springing Forward

Monday, April 12, 2010 by Brian Smith

Now that the calendar has turned to April and the gray, cold days of winter are gone for a while, signs of brighter days are appearing everywhere. Winter coats hung in the closet, new buds on trees, and enjoying the great outdoors are all signs of the rejuvenation that comes with spring.

Maybe the weather had something to do with the renewed sense of energy on stage at the theater this past weekend. After a well deserved week of vacation, the orchestra welcomed Mark Wigglesworth back the podium for a concert featuring Rachmaninoff's second symphony and the first concerto for piano and orchestra by Beethoven (performed by Adam Golka). Now often after a week off, when practicing for the next show isn't always high on anyone's priority list, it can take a little time to get back into the swing of things. I am very happy to report that this was not a problem for us this time around.

As many of you probably are aware, we are in the midst of a search for our next music director at the ISO. This being the case, many of us are watching very carefully to see what each guest conductor brings to the table, gauging our interest in working with him or her again, and vice versa. While I can't speak for my colleagues, I found that we responded quickly and very positively to maestro Wigglesworth's style of conducting.

Very often conductors try to control every part of the musical presentation when they stand before an orchestra. For example, they might demand exact and unwavering ideas about phrasing and articulation choices, leaving no room for the musicians to add their own individuality to the mix. While some parameters must be set by the conductor (tempo, dynamic balancing, some general style points), the real masters of the craft understand that music making is a collaboration, and therefore some room for interpretation must be given to the players in the orchestra.

A good example of this give and take from this past weekend could be heard during the gorgeous and dramatic clarinet solo, played beautifully by our own David Bellman, in the slow movement of the second symphony. Wigglesworth helped to create a lush and tender backdrop for David to play above, taking the appropriate steps during rehearsals to do so, but never gave any specifics about how the solo should be played. The result was spectacular as I am sure all those who heard it live would agree.

Another enjoyable part of the week's rehearsals for me took place after the first read-through of the Beethoven, which begins with an extended introduction played by the orchestra before the piano solo enters. During the first reading of the introduction, the orchestra's dynamic contrast, or the difference between the loud and soft sections, wasn't great enough for the maestro. He spent several minutes working on just that one detail, as it is a prevailing theme in the piece. I was stuck not only by the effectiveness of the change, but also at the effect it seemed to have on the stylistic phrasing the orchestra produced as a result. We began to feel the shape and lilt of the music better as an ensemble. Again a result of collaboration as opposed to dictation from the podium.

The concerts were full of great energy and musical cohesion. I hope many more weeks like this one are to come for all of us. And I look forward to working with Mr. Wigglesworth again soon.

Pressure on our library

Saturday, April 3, 2010 by Paul Berns

Hi All:

Few in our audience know about the ISO world class library head by Principal Librarian Mike Runyan (plus his colleagues Dave Gruender, Susan Grymonpre, and Laura Cones - and a wonderful volunteer!). If you believe this to be a "large" department - you are wrong. They really churn out the work!

For instance in a given week we may perform: 2 Discovery concerts for school children, 1 Happy Hour concert, and 3 Classical Series Concerts. So, that makes 3 folders of music. When music is delivered from the publisher rental houses, it does not simply go into the musician folders. Next steps: string bowings need to take place, then circulation of the parts to principal strings and principal percussionist and to our Principal Harp, Diane Evans, so she can figure out pedalings and clean up her parts. Practice parts made available. Updating the programs with correct dates, spellings. Information on needed equipment to our stagehands. Planning for the next couple of seasons - AND CHANGES. An ill artist, the wrong edition arrives. I have seen a missing part arrive by fax in 5 minutes from another orchestra to save the day.

Pops series weeks - yikes. Many of these weekends consist of world premier arrangements and a show never before performed. They are really busy. Actually I would love for one of our librarians to make comment and go into more detail.

But, here is their challenge. Many times during a season we perform a Richard Hayman arrangement of Indiana fight songs. If I remember correctly: IU, Purdue, Notre Dame, and I am forgetting one. But, I know the Butler Fight Song is not included. And so, our library is now on notice that in the future Butler is just going to have to be included. (chuckle)

Hey folks - I am not sure if you are interested but on 4/19 the ISO Side-by-Side concert takes place with so many talented auditioned high school students given the opportunity to perform next to members of the orchestra. It makes for an exciting, never to be forgotten, evening. Come on down and bring your musical kids, cousins and neighbors. It will inspire them to practice.

That is it for now. Looking forward to the games tonight and after my full day at the University of Indianapolis (my students better have practiced) on Monday the championship game.

The loss of a Master musician and our Pink Floyd Concert

Friday, March 19, 2010 by Paul Berns

Hi All:

Just returned home from a sold out Pink Floyd Tribute Band concert with the ISO. The light show was dazzling. And I believe the ISO received at least three standing ovations from the appreciative (of ALL) ages audience. Possibly you were there and will comment.

I loved the outfits worn by our audience. Walking in from the convenient parking garage I saw a couple that looked like they were dressed for a prom while many others were in jeans. One can always be comfortable at the Hilbert Circle Theatre.

My passion for this orchestra and music in general causes me to challenge those reading my blog that attended the Music of Pink Floyd concert. Have you ever attended one of our Classical Series concerts? Here is my suggestion for a night on the town.

For one of our 8pm Classical Series programs, begin with dinner at one of many wonderful downtown restaurants or at Dinner at the Symphony. These concerts have an intermission and you can have a drink and discuss the first half (possibly the world famous soloist or the intriguing music you just heard). By the way: I often see young couples in the audience dressed to kill - so to speak. What fun! (casual is ok also) After the concert head to a local bar for shots (maybe tequila, but please don't drink and drive). Or to a local jazz club. Indianapolis offers so much.

On a personal note a "Jazz Master" in town, pianist Claude Sifferlen, passed away this past week. Some of us in the orchestra know him from the Jazz Chatterbox Club on Mass. Ave. Claude and clarinet/sax giant Frank Glover performed on Tuesdays and Thursdays for 25 years at this bar. They would always be there playing at "the next level." Frank being much younger must have started playing with Claude at age 18 or 19. Claude was a beautiful human being. He will be missed. Through the years the ISO has had as featured soloists (with the orchestra, not as a single act) such greats as Buddy Rich and the Modern Jazz Quartet. When we think of Claude we put him at that level. Someone who could live in LA or NYC but we were fortunate he stayed home.

I am proud to say that among my colleagues over the years, and presently, we have that kind of talent in a classical style and our audiences recognize that. And so this week we play for thousands of school age kids during our Discovery Concerts and then next weekend, THE WIZARD OF OZ with Orchestra!

While shopping at the Mall across the street from Hilbert Circle Theatre, a salesman told me he was in the Indianapolis Symphonic Choir and they were rehearsing for Mahler's "Resurrection Symphony" in May. As a student at Miami University he recalled when the ISO performed this masterpiece with John Nelson conducting and Benita Valente singing. If you have never heard MAHLER - be there! I had the honor of performing this work with the Boston Symphony Orchestra and Leonard Bernstein conducting - and I was paid!!! I could discuss the rehearsals and performances for hours.

Bye for now.

An Open Mind is a Valuable Asset

Monday, March 15, 2010 by Candi Berry

When someone finds out I work for the Indianapolis Symphony, the first question is always "Do you play an instrument?" I usually smile and say "Yes, a calculator."

I've been a member of the Finance staff for nearly three years and enjoy being a part of the organization. I've always believed in the power and importance music can have in people's lives. It has been a part of my daily life for as long as I remember. It's the first thing I want to hear when I wake up, I listen all day at work, exercise to it and of course it's a must for any car ride, no matter how long. It moves me, connects me to my soul and serves as a link to past memories and experiences. I didn't have much exposure to classical music though, until I started working for the ISO. The majority of my music knowledge ranges from the late 70's to present day.

Two assets that have served me well are having an open mind and a willingness to learn. I plan to use both of these as I delve into educating myself about classical music. I enjoy learning the background of a piece I'm going to hear performed. I find if I do some quick research, I can ascertain the composer's mindset when it was written. For instance, prior to hearing our performance of Faure's Requiem, I discovered the composer lost both of his parents within two years. Experiencing the death of a parent myself, I felt an insight and connection to the music. Before attending the Troika concert (Tchaikovsky, Rachmaninoff and Prokofiev), I learned that two of the three selections were composed surrounding a war theme. That night I also heard a piece from one of my favorite movies called "Somewhere in Time." I now know it by its correct name, Rhapsody on a Theme of Paganini by Rachmaninoff.

Opening myself to new ideas has contributed to my personal growth immensely. The new approach to Happy Hour programming is very appealing to me. I'm extremely excited for next week's show featurning the music of Brahms and John Mayer. I was elated to learn Steve Hackman is including "The Heart of Life" in the Mayer selection from his Continuum CD. I was introduced to this CD by someone I love deeply and immediately connected to the lyrics and melodies. It was almost a soundtrack to what I was going through in my life at the time. I appreciated Scott Harrison's recent blog about similiarities between Brahms and Mayer, it was very entertaining.

I look forward to sharing my insights into this Classical journey of mine.

A Lot to Learn

Saturday, February 13, 2010 by Brian Smith

Have you ever had one of those days when you wonder where the time went? Well, that happened to me today. I was in my practice room looking over the music I have to prepare for a number of upcoming concerts, which is fairly substantial, and felt a sudden panic. Staring back at me from my stand are symphonies of Beethoven, Prokofiev, and Shostakovich, and concertos of Rachmaninoff, Stravinsky, and Tchaikovsky. All of which are to be performed with the ISO in next few weeks. When you add in my regular practice regime and a looming recital on the horizon, that is a lot of notes to learn in a short amount of time.

But you know what. That's just the way I like it. Before joining the ISO's bass section a year and a half ago, I worked primarily as a freelance musician where you mix and match your schedule to perform with various orchestras on an as needed basis. This also allows for one to take a week off to catch up if you want. For this reason one of the biggest adjustments for me, but one I was happy to make, has been performing a different program every week we are on stage. That means a lot more work at home to be ready to go for the next week's show, but I really enjoy the challenge of staying sharp and learning a large amount of repertoire regularly.

I remember when I was in school marveling at the number of projects many of the teachers would take on at the same time. Many had orchestra jobs, chamber music groups, or other pet projects that required as much or more time as their teaching position. I once asked such a teacher how he managed to get everything done and do it at a high level. His answer was simple and poignant, as most truths tend to be. He said, "I love what I do, but I won't be able to do it forever. I want to bust my hump to be as good as I can be for as long as I can be, so I don't wonder 'what if' later." I like that answer a lot.

Classical musicians train for years, many beginning as children, to be able to perform the masterworks of Bach, Beethoven and the rest. I for one feel very fortunate to be able to present them from week to week with the ISO, even if it does require a little more prep time. Now if you will excuse me, I have to go practice.

It's THEATER people!

Thursday, January 28, 2010 by Everyone's a Critic

Phones buzzing, people viewing their screens, or getting up from a performance are all distractions. The audience is made up of people who paid to witness a performance. Unless you're on stage, leave the devices at home or off. And I mean "OFF" off, as in totally inoperational. If a group wishes to have some interactive terminals or solicit cell contributions after the show that's fine with me. Otherwise, kindly don't interrupt my entertainment experience. We can all wait until we get home to email our friends to say where we were or how much fun it was. Unless it's some sort of Performance Art, the artists should not need to know our immediate feedback unless there is a question of ego involved. People living life with their cell phones in their hands reminds me of all the folks who watched their babies first steps on a 1" black and white screen (VCR camcorder). Put down the toys, live life, report on it later.

Name: Michael Colter
City: Indianapolis

Great tunes!

Friday, January 22, 2010 by Everyone's a Critic

I seated myself just behind the sound console, orchestra right, floor. Hackman delivered Wyoming 307 (name from an area code) but the piano was too quiet to be heard well above the crowd noise. Short Ride in a Fast Machine brought images of Copeland and the open spaces of the wild west to mind, with the clattering of 1/4 notes on wood block and massed orchestra galloping through with myriad tempos. It's a complicated piece, that really got the attention of the audience. The sweeping strings were particularly majestic during the middle section. The Beethoven/Coldplay arrangement was very artful, blending the well known Eroica with rock drum kit, organ, piano, and vocal joining in for the 'Fix You' Coldplay portion, winding down with closing movement of Eroica. Conductor/pianist Hackman took a bit to entertain the audience with some lively banter about the history of the various selections for the evening and was well received. I'm not familiar with the Joe Black themes played next and to me, the dancers were a distraction but I'm sure that others enjoyed their interpretation. (I feared for their safety, performing on a 7' wide sliver of stage). Next up, the Infernal Dance and Closing from Stravinsky's Firebird Suite sandwiched another well-known melody, Debussy's Claire de Lune. The Debussy was delightful and I personally very much enjoyed the dramatic Firebird with all it's fortissimo playing, horn fanfare, and tympani. For years I listed to the rock band Yes using the Firebird as a show opener so am very familiar with this number and the ISO performed it to stunning effect. Great show overall, truncated a bit but for the ticket price you couldn't go wrong. I'd wished that they'd used the available lighting tools to greater effect and some of the solos seen on a projection screen were difficult to hear (bump them in the mix please Mr. sound guy). An enjoyable evening despite the very active crowd in the lobby. I think the organizers got what they wished for- to bring symphonic music to a new, younger crowd. Mission well accomplished!

Name: Michael Colter
City: Indianapolis

Mix of good and bad.

Friday, January 22, 2010 by Everyone's a Critic

If I had one word to describe tonight, it would be crowded. If I had two, the second would be thirsty. The room upstairs that had the bars and White Castle table must have at one time had 300 people in it. You literally could not move. The line for drinks was was out the door. Nobody in my group was able to get anything to drink all night. The concert, on the other hand, was fantastic. It was just beautiful and the conductor was very talented and funny. Unfortunately, there was a very intoxicated teenage boy behind us who kept talking the entire concert. It was pretty bad. He was slurring and had a hard time walking after the show ended. But generally the concert was great but the happy hour was just too packed and hot to be conducive to a good time.

Name: Laura
City: Indianapolis
Email:

"Just imagine them all naked!"

Sunday, November 15, 2009 by Sean Newhouse

That was the advice given to me by a friend upon hearing that I would be conducting in front of a live audience of 63,000 people tonight. Another friend of mine (this one is also a conductor) joked “Don’t screw it up, or your career will be over.” The ISO and I are hitting the road tonight to perform in what is for us a pretty unusual (but exciting!) venue – Lucas Oil Stadium, about a mile away from our home at the Hilbert Circle Theater. We’ll be playing the national anthem before the Colts-Patriots game, which is the featured game on Sunday Night Football tonight nationwide. Go Colts! Unfortunately, SNF rarely shows the national anthem on their broadcast (they tend to opt for Faith Hill’s prerecorded rendition of the SNF theme song instead). But we’re all psyched anyway to get to play for such an enormous and passionate live audience, and one that certainly includes many people who have never heard the ISO live before. This is actually our second performance at Lucas Oil Stadium, though our first at a game – we also performed there in August 2008 as part of the opening ceremonies for the stadium.

I’ll leave you with one of my favorite versions of the national anthem. Glenn Donnellan, a violinist with the National Symphony Orchestra in Washington, D.C., made an electric “violin” out of a baseball bat, and wrote his own arrangement of the Star-Spangled Banner to play on it. Enjoy, and see you at the game!

And now for a word from our winner . . .

Friday, October 2, 2009 by Scott Harrison

Our contest winner Lauren (and 1750 of her closest friends) had an unbelievable time at the concert last night. Lauren even had a chance to meet Yo-Yo after the concert! (See the picture to the right for proof.)

Here's what she had to say about the evening:

Dearest ISO Bloggers,

Last NIGHT . . .the concert, the Man, the experience. . . was the most incendiary night of my life!!! Its impact had, and will continue to leave, an indelible impression on my spirit.

Yo-Yo Ma's notes floated, danced, and kissed the air around me when he performed Dvorák's famous Concerto in B minor. I was AWED! His performance was so beautiful and moving, mesmerizing the entire audience at every note!All I know is that when he moved, I moved, and when he made an expression, I felt what he felt. After the concerto, Yo-Yo played an encore, the Sarabande from Bach’s Suite No. 6 in D Major. This was so special, and personal to me because I am learning one of Bach’s Sarabandes, and the way he captivated his audience with just a solo cello is inspiring to any person. Yo-Yo Ma is an extraordinary being and is able to compel any audience, and allow them to feel what he feels.

The most special part of the experience for me personally was the post-concert reception and the opportunity to meet this phenomenal man. we had a brief conversation about music, and how we have both personally experienced its healing powers. Meeting Yo-Yo gave me much inspiration as an aspiring cellist, and without a doubt, I will never cease playing the cello, nor stop striving to show the world the mysterious power music can have over ones soul. Never underestimate anything, and never give up, no matter what, as long as it means something to YOU.

Thank you for allowing me the opportunity to participate in this experience.

Warmest Regards,

Lauren Alayza

Read more about the concert at IndyStar.com or check out their photo gallery below:

Yo-Yo Ma concert - More The Indianapolis Star Galleries

And we have a winner!

Thursday, October 1, 2009 by Scott Harrison

After much deliberation, we have chosen a winner. Congratulations to . . .

(Imagine the drum roll . . .)

LAUREN ALAYZA!

Here's what she had to say:

Dear ISO, My name is Lauren Alayza, and I am a seventeen-year-old aspiring cellist. It is my dream to become a fine cellist, (as fine as Yo-Yo Ma!) and to play chamber music professionally someday. I have only been playing about five years, but I try my hardest to make it seem as if I have been studying much longer. I am not like most student musicians, in fact, I believe someone with my situation is rare and unusual to come by. A few years after I began playing cello, I was diagnosed with a debilitating rare condition, that is not completely diagnosed yet. It has been a great four-year struggle to deal with the infinite debilitating symptoms, including arthritis which is difficult to deal with for any musician. Despite my pain, extreme fatigue, and occasional depression, I make it to all my lessons and rehearsals every week, and I have noticed an intriguing ongoing pattern. After every cello lesson, I leave feeling the best I have felt that day. Cello lessons quickly became a sort of distraction therapy, an escape, if you will, to my other life; my feeble reality. When I practice and play my cello, I am quickly engulfed in music and concentration to produce the best sound I possibly can, and voila, before I even know it, I have forgotten all of my aches and pains! Because of this epiphany I have had with music and its healing powers, I have vowed to dedicate my efforts of cello playing and practicing to someday help others experience this wonderful phenomenon we call music. I want to see (and meet!) Yo-Yo Ma at the Hilbert Theatre this Thursday because Yo-Yo Ma gives me inspiration as a musician, and as a cellist. I have followed his music from Sesame Street, to the Inauguration of President Obama, to duets with some of my favorite rising musicians, like Andrew Bird. Yo-yo Ma is inspiring to me because he is so open-minded to: different genres of music, collaborating with new and rising musicians, and I am sure he would be open-minded about exploring the healing possibilities music can offer to the world today.

Enjoy the concert Lauren! We hope it brings you much joy and inspiration.

We also have an honorable mention. Because of his very clever poem, we're giving Matt and his wife two free tickets to attend Joshua Bell on November 13-14. (That concert's also approaching a sell-out.) Here's the poem:

There was once Matt trying to impress his mate,
He was quite the average fellow,
So he planned this fantastic date,
To see his wife drool over some dude on a cello.
Little did he know it was the Yo-Yo Ma show,
An evening at the Indianapolis Symphony,
And tickets are sold out! “On No!"
So please help Matt through your empathy.
Two tickets would surely make my night.
Hearing the Dvorák’s Cello Concerto in B Minor,
From Yo-Yo Ma would be quite the sight,
And would really make my date finer.

And finally we have great news for everyone who submitted a comment. We're going to give you all a pair of free tickets to the premiere performance of Symphonic Hits on October 16-17 featuring Tchaikovsky's Fifth Symphony and piano powerhouse Garrick Ohlsson. We'll email you all in a few days with the details.

Thanks to everyone who participated and keep on reading our blog!