All Good Things Must Come to an End

Tuesday, August 31, 2010 by Jessica Di Santo

Jessica Di SantoI can’t believe summer is almost over. I can’t believe Marsh Symphony on the Prairie is ending. But I do believe that we will see the 100,000th patron enter those Conner Prairie gates this weekend.

In 2009, we celebrated with Debra Fleetwood, as she was the lucky 100,000th patron to arrive.

If patron number 100,000 walks through our gates (we think on Thursday evening), it will be the third time in history that we have achieved that feat.  What helped bring us to this magic number? Amazing crowds at this year’s Fourth of July concerts, amazing crowds at the Classical Mystery Tour (Beatles) weekend, amazing acts like Marvin Hamlisch, the John Denver tribute band and the Duke Ellington Orchestra, amazing performances of Pictures at an Exhibition and Tchaikovsky’s Fifth by our own Indianapolis Symphony Orchestra, and amazing weather (only a handful of weather-related delays and one rainout—knock on wood for this weekend!).

Symphony on the Prairie is more than an attendance number. As we close out the series this weekend, I thought I would reflect upon some highlights this summer.

A debut and an adieu
On July 23 & 24, singer-songwriter Brandi Carlile debuted with the Indianapolis Symphony and performed many of her hits to a large crowd of adoring fans. After the concert, we said adieu to ISO Associate Conductor Sean Newhouse. Sean moved to the east coast and now serves as an assistant conductor with the Boston Symphony Orchestra. Bravo Sean!

Sean Newhouse

Up, Up and Away
Our very own ensemble-in-residence Time for Three performed their signature genre-bending mix of music for their thousands of devoted fans.  Afterward, the boys went on a Conner Prairie balloon ride—they don’t seem to have stage fright…but do I sense a little fear of heights? 
 

It was a Thriller, for sure
Brent Havens, creator and conductor of the Michael Jackson Tribute show and other orchestrated rock tributes such as Pink Floyd, Queen and Led Zeppelin, hit a homerun by including wonderful orchestrations of the King of Pop’s greatest hits. I’ve never seen that many people dancing at Symphony on the Prairie.  One patron noted that she left “ticked off that I never got to see [Michael Jackson] in concert for real and I’m convinced no one else will ever come close to being as spectacular as he is/was.” Another patron sent in this message:  “This was a wonderful event. The ISO and the band that performed were excellent. I thoroughly enjoyed this concert. I love live music!”

He got what he asked for!
After joking about the large amount of insects buzzing around his head on stage, prolific American songwriter Marvin Hamlisch was given several bug repellent options at intermission from his fans—everything from spray, sticks, gels to bug repellant jewelry.  During the second half of Marvin’s concert, our very own Principal Librarian Mike Runyan made us all weep when he played the theme from Schindler’s List on harmonica.

Photographs also tell the story
I don't need to go on and on with highlights in writing.  I can also tell a story in pictures.  Here are some of my favorite photos from this season at Symphony on the Prairie.

The Classical Mystery Tour

Time for Three's setlist

Dancing at Time for Three

First to arrive at Prairie

A 50th Anniversary



Principal Tuba Tony Kniffen

Don’t forget!  The Music of Buddy Holly, Ritchie Valens and the Big Bopper on September 2 & 3 and the every-popular River City Brass on September 4 & 5.  See you one final time at the Prairie!

Musician Picks: Day 4

Thursday, August 26, 2010 by Jessica Di Santo

Jessica Di Santo

We're now at Day 4 of the Indianapolis Symphony Orchestra's single ticket launch. The "biggies" are going quickly as we imagined--Josh Bell, Liza Minnelli, Bugs Bunny, Andre Watts and Pink Martini. And we continue to ask our musicians--which classical, pops or special concert would you recommend a person (either a newbie or a veteran) experience this season? 

Bob Goodlett, Assistant Principal Contrabass:
"I would recommend Mahler's 5th Symphony. It has such monumental emotional substance. In addition, I'm looking forward to seeing soloist Barnabas Keleman play Sibelius' Violin Concerto.  He's a past Gold Medal Winner of the International Violin Competition of Indianapolis. It's always a pleasure to hear him perform."

Jill Boaz, horn:
"My pick is definitely Beethoven's 9th Symphony. Simply put, I love the "Ode to Joy."

What would you pick?  Feel free to comment!

More Favorite Concerts

Wednesday, August 25, 2010 by Jessica Di Santo
Jessica Di SantoSingle tickets for the Indianapolis Symphony Orchestra's 2010-2011 season went on sale two days ago, and I'm delighted to see there are some early birds out there trying to catch the worm. Tickets are flying for Joshua Bell, Wayne Brady, Bugs Bunny at the Symphony, Pink Martini, Mahler 5 and the incredible Liza Minnelli.

But there are so many more gems to pick from. So I asked our Principal Trombone, Jim Beckel...what classical, pops or special concert would you recommend purchasing, now that the Indianapolis Symphony's concerts are on sale?

In Jim's words...

Jim Beckel"For me, the best music is the music that inspires. The ISO is doing several great works, including Shostokovich's 5th Symphony on April 7, 8, and 9 with Arild Remmereit. At the point that Shostokovich created this symphony, he was under great duress from Stalin, demanding that he write music "for the people."  This symphony is an incredible journey through the threatening of the human spirit to the exoneration of the freedom of the human spirit in a truly inspired work. 
 
Similarly, Sibelius' 2nd Symphony, performed on April 1 and 2 with Mark Wigglesworth is truly inspirational, one of the greatest symphonies ever written.
 
Also, Mahler 5 on Nov. 5 and 6, with Juarj Valcuha conducting, is a great introduction to Mahler for the new patron.  It is one of his more mature works that features the brass in a great orchestration.
 
June 17 and 18 with Raymond Leppard - Beethoven's 9th - one of the most inspirational pieces ever written, featuring the "Ode to Joy" theme.  For me, this work is truly uplifting.  When Beethoven wrote this work, he had totally lost his hearing and knew that he was at the end of his life, and yet he writes a work of thanks for life itself."

A CHALLENGE & SOME SPECIAL CONCERTS

Tuesday, August 24, 2010 by Paul Berns
Paul BernsHi Everyone:

As I am enjoying some time off from playing (Indianapolis Symphony Orchestra musicians are on vacation--though Symphony on the Prairie is still going strong. I saw Duke Ellington last Saturday night - talk about "smooth!").

Today, Indianapolis Symphony Orchestra concert tickets went on sale to the general public. I was looking at next year's ISO schedule and I thought, exciting, exciting, exciting! I do hope you consider coming to many of our concerts this season.  And please think of inviting some members of your local high school orchestra, band, or a wonderful marching band.

Here are some of the concerts that I believe these kids would really love and many of the marching bands and drum corps are drawing from classical orchestral music.  Here are my favorite concerts for next season:

Nov. 5 and 6 = Mahler 5
Nov. 19 and 20 = Wagner die Meistersinger conducted by an orchestra favorite Maestro Wigglesworth

Jan. 21 and 22 = Berlioz Symphonie Fantastique. Hear our "church bells" - often we percussionists play 10-foot tall chimes on stage and sometimes authentic "church bells" off-stage

ALSO...
The Indianapolis area is home of some of the finest marching bands in this country.
  Avon (directed by Jay Webb, my former university student), Carmel (my son marched in that great group), the Lawrence High Schools, Center Grove, can't forget Chad Kohler's great percussionists at Fishers High School, Beech Grove (up and coming), Ben Davis, and many more.  How about organizing an outing! Student rates are very reasonable.

That is it for now, my student Kyle from Lafayette just arrived.

Have a terrific day.

Paul Berns

So much to choose from!

Friday, August 20, 2010 by Dinah Montgomery
Dinah MontgomeryEven though we musicians have just begun our vacation, I'm already looking forward to our exciting 2010-2011 season! Starting Monday, Aug. 23, you can begin purchasing single tickets to next season's Indianapolis Symphony Orchestra concerts. What would I recommend? Choosing just one favorite concert is too difficult, so I have pared it down to 3. There is just so much to choose from!

I have always loved Beethoven's Violin Concerto!  This wonderfully talented and innovative musician was suffering the loss of his hearing and yet he created this exuberantly joyful work.  Add to this, to hear it performed by Midori puts it right at the top of my recommendations of concerts not to miss!   This will be in the set of concerts opening the Lilly Classical Series on October 7-9 with Juanjo Mena returning to conduct.

Any concert by Andre Watts should not be missed!  He presents such a wide range of colors from subtle to powerful, and he's chosen Beethoven's Emperor Concerto - could it get any better?  We have to wait until January 20-22, 2011 for this series of concerts conducted by another returning favorite, Carlo Rizzi. 

I'm also very excited to play for the International Violin Competition of Indianapolis this fall.  I don't know how it's possible for the competitors to keep getting more and more talented, but they do!  This year, there are 2 violinists that are part of our Indianapolis Symphony Orchestra family - Eric Silberger, son of Marc Silberger (past member of the ISO 1st violin section), and Robin Scott, son of Beverly and Sylvia Scott (Beverly is assistant principal viola and Sylvia is pianist).  We're all so proud of them!!  Best of luck to you both!!  The IVCI takes place September 10-26.

Then there is the Printing Partners Pops Series - Wayne Brady, Bugs Bunny, music of Paul McCartney - just to name a few in the awesome lineup for the Pops this season!  I know that's way more than 3 recommendations, but it's impossible to keep the list small!  It's going to be a terrific season! See you at the Hilbert Circle Theatre!

Remember the Time - Michael Jackson

Monday, August 9, 2010 by Candi Berry
Candi BerryAs I've reported in previous blogs, I'm gradually familiarizing myself with Classical music and I'm grateful to report it has acquired a permanent residence in my musical landscape. Classical compositions now make up a respectable share of my IPod library and at least half of my work week is comprised of listening to Instant Encore playing through my work computer. It's a great resource which allows listeners to enjoy full pieces, not just thirty second samples. It also features numerous selections form our own Indianapolis Symphony Orchestra on its website.

Having noted this, I have to point out that a larger percentage of my musical library is dedicated to 80's music. It's a special treat for me that our upcoming Symphony on the Prairie concert will feature the music of Michael Jackson. I've been a fan of his since Thriller debuted while in sixth grade. I've included a picture of myself as a child with my Michael Jackson doll, a Christmas present from my family. I laugh now when I see this picture and my pairing of a ruffled dress shirt with those red parachute pants!


Candi with her Michael Jackson doll

I was deeply saddened when Michael Jackson passed away last year. I was attending the Led Zeppelin show at White River State Park featuring our orchestra when the news broke. At the end of the evening, "Stairway to Heaven" was played and a special dedication was made to Michael Jackson's memory. It was a gift for me to be surrounded by family and friends listening to beautiful music as I reminisced about what his music meant to me over the years. My favorite MJ song is "Man in the Mirror," I still break out in goose bumps when it starts playing. I also love the music videos empasizing his incredible dancing abilities. I never learned how to properly execute a moonwalk, I'm sure the grass at Conner Prairie will hinder me from attempting it one more time. I will, however, certainly be dancing in my seat the entire show.

Final thoughts

Tuesday, July 20, 2010 by Sean Newhouse
As you’ve probably heard by now, my time as Associate Conductor of the Indianapolis Symphony Orchestra is quickly drawing to a close – I’ll be conducting the last concerts of my tenure this weekend at Marsh Symphony on the Prairie, before I head to Boston to take up a new position. 

As I reflect on my two years here in Indy, I’m struck by how fortunate I’ve been to have had an incredible diversity of opportunities with the ISO, conducting on every concert series, from the classical subscription series to the Family series, from Symphony on the Prairie to the Discovery concerts for students.  By my count, it all adds up to 76 performances of 32 different programs during my time here!

Among these 76 collaborations with the Indianapolis Symphony, there are a number that I know I will look back on especially fondly in the years to come.  Some of these personal musical highlights:  my first concerts at the Prairie back in 2008, which included Beethoven’s Symphony No. 7; the performances of the Corigliano Piano Concerto and Rachmaninoff 3rd Piano Concerto as part of the American Pianists Association competition in 2009; and the recent performances of Strauss’ Don Juan as part of the classical season finale that I conducted just last month.  There were also highlights of other sorts – playing the national anthem for over 67,000 people at Lucas Oil Stadium before the Colts-Patriots game last season, and 2 shows with a Beatles cover band last summer at the Prairie, which drew the most excited, fun, and hippest crowd I’ve ever performed for.  As for lowlights – well, only one really comes to mind:  the Happy Hour concert that I was slated to conduct just before the start of my official tenure in 2008, which was canceled because of a power outage – bummer!
ISO in Lucas Oil Stadium
I want to thank you, the wonderful loyal audiences of the ISO, for the warm welcome you’ve given me from the beginning of my time here – I look forward to hopefully returning in future years to make music for you again.  To the staff of the ISO, thank you for your professionalism, creativity, and sense of humor through thick and thin.  And above all, a tremendous thank you to the musicians of the ISO – it has truly been a pleasure to collaborate with you over the past two years.  Thank you for your artistry, thank you for your flexibility, and thank you for your patience with me as I have learned and grown as a conductor.
Sean Newhouse and the ISO
It occurs to me that my career seems to be following an eastward progression – my first job after grad school was in Los Angeles, then I came to Indy, and next I’m headed to Boston.  If this trend continues, it may be a while before I work my way all around the world to get back in the vicinity of Indy :-)  In any case, I will always treasure the great memories from my time here, and the friendships I’ve made – and hopefully I’ll get the chance to come back and visit and make music again soon!

See you at the Prairie this weekend!

P.S. – During the coming years, if you’d like to stay in touch with what I’m up to, check out my website:  www.seannewhouse.com.

Take Me Home, Country Roads

Friday, July 9, 2010 by Jessica Di Santo
Bob Schultz and FamilyI'd like to introduce Bob Schultz, senior account director at Borshoff Strategic Communications, a fan of the ISO and a good buddy of mine. Bob recently told me he how much he and his family loved John Denver's music, which the Indianapolis Symphony Orchestra is performing this weekend in concerts at Marsh Symphony on the Prairie. I made him prove it by telling his story.

Ahhh, a Rocky Mountain High once again! My wife Diane and I can still remember when we heard the tragic news of John Denver’s death on Oct. 12, 1997. For us, it was the day the music died.

JD was much more that that folksy singer/songwriter with a goofy smile and twangy voice singing “Thank God I’m a Country Boy.” We were first introduced to the music of the man while working at CYO Camp in Brown County, Indiana back in the ‘80s.  His music inspired me to take up guitar; to learn how to play “Eagle and The Hawk”; to fall in love. Later, when Diane was working on the Ft. Belknap Indian Reservation in Hays, MT, John Denver filmed his annual Christmas show there. Not too much later, “Annie’s Song” was played and sung by my Colorado and now-deceased brother Rick on Diane’s and my wedding day.

From then on, each time JD made an Indy visit, we’d gather our camp friends, head to Market Square Arena or Deer Creek and sing along to every song. Then, as our three kids were born – each was “given” their own JD tune that became their lullaby. Although his death has created a significant void, JD’s music survives. (In fact, our missionary friend Patrick says that “Country Roads” is played more in European and Asian countries than any other American song.)

So – we’ll be there, with our kids and friend this weekend – on the prairie – thanks to the incredibly talented Indianapolis Symphony Orchestra and the look-alike, sound-alike Jim Curry. We’ll be singing along, remembering days gone by and introducing true American classics to the next generation. And I’m so pleased to know that JD’s music is still alive and well at that same CYO Camp where our kids now go.

Take me home, country roads!  

It really is...Your Season, Your Way!

Tuesday, June 29, 2010 by Jessica Di Santo

Mark Newman
Mark Newman is the ISO's Vice President of Marketing and Communications. I've turned my blog over to him so that he can remind you about the ISO's user-friendly Your Season~Your Way flexible subscription packaging. 

 The Indianapolis Symphony Orchestra is changing . . . evolving more accurately.  Much of the impetus for this evolution has been you—our patrons, fans and friends—and your changing lifestyle.  For some time, we’ve known that a traditional fixed subscription package didn’t fit everyone.  In response to that, we created Your Season~Your Way, a flexible alternative that allows you to create your own personalized concert package to fit your music preferences, schedule and wallet.

Your Season~Your Way suits all kinds of people with all sorts of lifestyles.  Here are a few examples:

Eclectics - If you’re the kind of music lover who enjoys both the ISO’s Classical and Pops series, then Your Season ~ Your Way is for you.  It lets you mix and match from both series as well as our new line-up of casual Classical programs, Symphonic Hits.  Imagine bundling Joshua Bell, Andre Watts, Beethoven’s 9th Symphony, the music of Paul McCartney and Cirque de la Symphonie in one concert series!  It doesn’t get much more eclectic than that.

Snowbirds - Say you spend part of your winter down south and can no longer make all the concerts in your traditional fixed package.  You should consider Your Season~Your Way as an option.  It allows you to fit ISO concerts into your busy travel schedule.

Power Brokers – Are you used to power lunches and power meetings?  How about a power concert series?  Your Season~Your Way is your ticket to the most inspiring music the ISO has to offer.

Workaholics - Maybe your work schedule is such that you only have select Fridays or Saturdays available for play.  Your Season~Your Way allows you to pick the concert dates that fit best with your hectic calendar. 

Penny Pinchers - Perhaps you just don’t want to make as big a financial commitment as a traditional fixed package typically requires.  The beauty of Your Season~Your Way is that you can pick as few as five concerts or as many as you like.  Regardless of how many concerts you choose, the one constant is that you’ll always save with Your Season~Your Way

To get a full taste of what we have in store for next season, I invite you to visit our website. I also invite you to go to our website to sign up for Your Season~Your Way.  Or, you might consider calling one of our Customer Care Representatives at 317.639.4300.  They’ll help you construct the perfect package. 

One thing we know for sure at the ISO is that life is better with music, and we feel we do a pretty good job of creating it.  I hope you’ll consider joining us next season at the Hilbert Circle Theatre!  What would be your perfect concert package?  Feel free to comment!
 

Confessions of a symphony newbie

Tuesday, June 22, 2010 by Jessica Di Santo
Indianapolis Business Journal publisher Greg Morris confesses in this week's edition that because of the Indianapolis Symphony Orchestra's Pops Series, he has been "transformed, and is now a raving fan" of the symphony. 

As a Catholic, I'm quite familiar with the word confession. I know I should be doing it more often (sorry Father Bill).  But confessions are tough--they can bring about an admittance of failure, of imperfection. In the end though, confessions should bring some relief, maybe even a bit of happiness. Mr. Morris confesses he's been "a holdout for years," regarding symphony performances. He's not alone.  We've heard that confession before.

I love bringing new people to the symphony. I love getting them to confess that they enjoyed themselves when they predicted otherwise. In March of this year, I brought several friends to the ISO's Music of Pink Floyd performance. One of my friends brought his 17 year-old son, who was a big fan of classic rock and a self-taught guitar player. To him, the symphony was for an older generation. He couldn't imagine a full orchestration to "Comfortably Numb." I watched him throughout the performance, and I saw focus, amazement and smiles.  He confessed -- the symphony was surprisingly for him

In 2009, I received an email from Jennifer, who confessed to being a newbie to our Marsh Symphony on the Prairie series. She wrote: "I have lived in Indiana all my life and last night I finally took the time to enjoy an amazing performance at Symphony on the Prairie. What a great little secret...that was shared with 7,500 plus other people. The vocals were truly outstanding and the talent of the ISO is more than I could have ever expected."  I've heard similar confessions from longtime Indiana residents. 

My own personal symphonic confession is this: I never gave Gustav Mahler's music a try.  I assumed it would be too challenging. All it took was an open mind, a little background, a gentle push from fellow Mahlerites, and poof, I'm a Mahler newbie and a Mahler fan. And next year...the ISO plays Mahler 5. I'll be thinking about other newbies who I could bring along.

Confessions don't have to be public. They are typically voiced behind four walls and a sliding window. But I wonder - if you haven't attended an ISO performance, what stops you?  If you're a newbie, what brought you to the Indianapolis Symphony? Or any symphony for that matter?

Feel free to confess. I promise, all will be forgiven.

Reflections on this week

Thursday, June 3, 2010 by Sean Newhouse
I’m thrilled to this week have the privilege of making my debut on the ISO’s classical subscription series, as I approach the end of my tenure here in Indy.  Most of the concerts I’ve conducted over my two seasons here have been on one rehearsal, and the musicians of the ISO are such pros that they can put together a good show on that kind of short schedule.  But without being too presumptuous, what I think the ISO players and I both live for is the chance to really delve into the details of the music, and refine the performance to the highest level possible – which is what we get the chance to do in a week like this one, where we have a full set of five rehearsals - and thus why I'm particular excited about this weekend's concerts!

This week’s program is both fulfilling and challenging in its variety, with a more recent composition by a living composer, Ke-Chia Chen, a host of different works for solo violin and orchestra, and Strauss’ Don Juan.  It occurs to me that while these works span over 150 years of musical history, they do have a common thread – all these pieces present different perspectives on romanticism.  Take Ke-Chia Chen’s piece, Broken Crystal, for example, written just a few years ago – it deals quite literally with a romantic subject, in that the crystal of the title is a metaphor for the human heart.  You can hear these intimate feelings evoked in the passionate, sweeping melodies, as well as in the raw heartache expressed in the final section.

One other subject that this kind of varied program has focused me on is the conductor’s role as the unifier of diverse creative forces, one of the great rewards and challenges of the art.  For example, with a very new piece by a very young composer, like we have in Broken Crystal, my job is to try to internalize the musical language and musical logic of the piece *without* the benefit of a large canon of other works by the same composer to give me context, or even long familiarity with the work itself – and then to communicate that to the orchestral players, who are also new to this music, in such a way that together we can make the composer’s vision real for the audience.  With works for soloist and orchestra, like we have with our two fantastic violinists this week, Bella Hristova and Augustin Hadelich, my ideal is to understand their interpretation so intimately that I’m on a virtually telepathic wavelength with them during the performance, constantly adjusting in the moment to their musical impulses and framing them in the best possible light.  And with a warhorse of the repertoire like Strauss’ Don Juan, I’m attempting to serve the composer’s vision of the piece while simultaneously giving it my personal stamp and honoring the fantastic musicianship and solo contributions of the ISO players.



Pressure on our library

Saturday, April 3, 2010 by Paul Berns
Paul BernsHi All:

Few in our audience know about the ISO world class library head by Principal Librarian Mike Runyan (plus his colleagues Dave Gruender, Susan Grymonpre, and Laura Cones - and a wonderful volunteer!).  If you believe this to be a "large" department - you are wrong.  They really churn out the work!  

For instance in a given week we may perform:  2 Discovery concerts for school children, 1 Happy Hour concert, and 3 Classical Series Concerts.  So, that makes 3 folders of music.  When music is delivered from the publisher rental houses, it does not simply go into the musician folders. Next steps: string bowings need to take place, then circulation of the parts to principal strings and principal percussionist and to our Principal Harp, Diane Evans, so she can figure out pedalings and clean up her parts.  Practice parts made available.  Updating the programs with correct dates, spellings.  Information on needed equipment to our stagehands.  Planning for the next couple of seasons - AND CHANGES.  An ill artist, the wrong edition arrives.  I have seen a missing part arrive by fax in 5 minutes from another orchestra to save the day.

Pops series weeks - yikes.  Many of these weekends consist of world premier arrangements and a show never before performed.  They are really busy.  Actually I would love for one of our librarians to make comment and go into more detail.

But, here is their challenge.  Many times during a season we perform a Richard Hayman arrangement of Indiana fight songs.  If I remember correctly:  IU, Purdue, Notre Dame,  and I am forgetting one.  But, I know the Butler Fight Song is not included.  And so, our library is now on notice that in the future Butler is just going to have to be included.  (chuckle)

Hey folks - I am not sure if you are interested but on 4/19 the ISO Side-by-Side concert takes place with so many talented auditioned high school students given the opportunity to perform next to members of the orchestra.  It makes for an exciting, never to be forgotten, evening.  Come on down and bring your musical kids, cousins and neighbors.  It will inspire them to practice.

That is it for now.  Looking forward to the games tonight and after my full day at the University of Indianapolis (my students better have practiced) on Monday the championship game.

Premier Preview

Saturday, March 20, 2010 by Dinah Montgomery
Dinah MontgomeryOn Tuesday, March 16, I got to attend a recital by our very own Rob Danforth and Julie Beckel Yager at DePauw University.  They both played beautifully -- technically and musically!  It is difficult enough to prepare all of the ISO parts every week, and then to take on a recital in addition is really commendable!  After they each performed solos and then duets together, the other three members of the ISO horn section, Jerry Montgomery, Jill Boaz and Rick Graef, joined Rob and Julie for the premier performance of Jim Beckel's In the Mind's Eye, Images for Horns and Orchestra.  This piece and the performance of it blew me away (figuratively speaking!)!!  Jim explained beforehand that his inspirations were works of art -- how the artists created them and how the viewer perceives them.  I love this concept!  It usually seems to go in reverse, where we hear a piece of music and try to imagine colors or pictures that the music creates, or stories, which was the subject of our recent Discovery concerts for elementary school students.  This recital at DePauw was a preview of the ISO Classical Series concerts at Hilbert Circle Theatre on May 14 and 15, where the ISO horn section will perform the World Premier of In the Mind's Eye with orchestral accompaniment.  It's going to be so exciting!  

Don't miss this opportunity to take a closer look at the extraordinary talents of these ISO members!  Speaking of extraordinary talent, concertmaster Zach DePue is performing the Wieniawski Violin Concerto No. 2 on these same concerts!  See you there!

The loss of a Master musician and our Pink Floyd Concert

Friday, March 19, 2010 by Paul Berns

Hi All:

Just returned home from a sold out Pink Floyd Tribute Band concert with the ISO.  The light show was dazzling.  And I believe the ISO received at least three standing ovations from the appreciative (of ALL) ages audience. Possibly you were there and will comment.

I loved the outfits worn by our audience.  Walking in from the convenient parking garage I saw a couple that looked like they were dressed for a prom while many others were in jeans. One can always be comfortable at the Hilbert Circle Theatre.

My passion for this orchestra and music in general causes me to challenge those reading my blog that attended the Music of Pink Floyd concert. Have you ever attended one of our Classical Series concerts? Here is my suggestion for a night on the town.

For one of our 8pm Classical Series programs, begin with dinner at one of many wonderful downtown restaurants or at Dinner at the Symphony. These concerts have an intermission and you can have a drink and discuss the first half (possibly the world famous soloist or the intriguing music you just heard). By the way:  I often see young couples in the audience dressed to kill - so to speak.  What fun! (casual is ok also)  After the concert head to a local bar for shots (maybe tequila, but please don't drink and drive).  Or to a local jazz club.   Indianapolis offers so much.

On a personal note a "Jazz Master" in town, pianist Claude Sifferlen, passed away this past week.  Some of us in the orchestra know him from the Jazz Chatterbox Club on Mass. Ave.  Claude and clarinet/sax giant Frank Glover performed on Tuesdays and Thursdays for 25 years at this bar. They would always be there playing at "the next level."  Frank being much younger must have started playing with Claude at age 18 or 19.  Claude was a beautiful human being. He will be missed. Through the years the ISO has had as featured soloists (with the orchestra, not as a single act) such greats as Buddy Rich and the Modern Jazz Quartet.  When we think of Claude we put him at that level.  Someone who could live in LA or NYC but we were fortunate he stayed home.

I am proud to say that among my colleagues over the years, and presently, we have that kind of talent in a classical style and our audiences recognize that. And so this week we play for thousands of school age kids during our Discovery Concerts and then next weekend, THE WIZARD OF OZ with Orchestra!

While shopping at the Mall across the street from Hilbert Circle Theatre, a salesman told me he was in the Indianapolis Symphonic Choir and they were rehearsing for Mahler's "Resurrection Symphony" in May.  As a student at Miami University he recalled when the ISO performed this masterpiece with John Nelson conducting and Benita Valente singing.  If you have never heard MAHLER - be there!  I had the honor of performing this work with the Boston Symphony Orchestra and Leonard Bernstein conducting - and I was paid!!! I could discuss the rehearsals and performances for hours.

Bye for now.

An Open Mind is a Valuable Asset

Monday, March 15, 2010 by Candi Berry
When someone finds out I work for the Indianapolis Symphony, the first question is always "Do you play an instrument?" I usually smile and say "Yes, a calculator."  

I've been a member of the Finance staff for nearly three years and enjoy being a part of the organization.  I've always believed in the power and importance music can have in people's lives.  It has been a part of my daily life for as long as I remember.  It's the first thing I want to hear when I wake up, I listen all day at work, exercise to it and of course it's a must for any car ride, no matter how long. It moves me, connects me to my soul and serves as a link to past memories and experiences. I didn't have much exposure to classical music though, until I started working for the ISO.  The majority of my music knowledge ranges from the late 70's to present day. 

Two assets that have served me well are having an open mind and a willingness to learn.  I plan to use both of these as I delve into educating myself about classical music.  I enjoy learning the background of a piece I'm going to hear performed. I find if I do some quick research, I can ascertain the composer's mindset when it was written. For instance, prior to hearing our performance of Faure's Requiem, I discovered the composer lost both of his parents within two years. Experiencing the death of a parent myself, I felt an insight and connection to the music. Before attending the Troika concert (Tchaikovsky, Rachmaninoff and Prokofiev), I learned that two of the three selections were composed surrounding a war theme.  That night I also heard a piece from one of my favorite movies called "Somewhere in Time." I now know it by its correct name, Rhapsody on a Theme of Paganini by Rachmaninoff.

Opening myself to new ideas has contributed to my personal growth immensely. The new approach to Happy Hour programming is very appealing to me.  I'm extremely excited for next week's show featurning the music of Brahms and John Mayer.  I was elated to learn Steve Hackman is including "The Heart of Life" in the Mayer selection from his Continuum CD.  I was introduced to this CD by someone I love deeply and immediately connected to the lyrics and melodies. It was almost a soundtrack to what I was going through in my life at the time. I appreciated Scott Harrison's recent blog about similiarities between Brahms and Mayer, it was very entertaining.

I look forward to sharing my insights into this Classical journey of mine. 

Steve Hackman Blogs, Ladies and Gentlemen

Monday, March 8, 2010 by Jessica Di Santo
Composer, performer, arranger and conductor for this season's Stella Artois Happy Hour at the Symphony series, Steve Hackman blogs about how he starting weaving the concept for the next Happy Hour together.
 
The entire concept for Happy Hour #3 was really born out of the idea that "Heart of Life" by John Mayer would make a great arrangement for orchestra. The song came on as I was driving to a gig back in December, and I immediately thought of the Happy Hour series. I called Nick Kendall and pitched the idea of doing it, and he said "Oh my God!"(that's usually a good sign). After that, I began building a whole concert around Mayer's tunes paired with classical selections. 



I'm a big fan of Mayer's music, especially after the first album, Room for Squares. One of the very first things to consider when arranging a pop song for orchestra, and in fact this consideration may ultimately indicate whether an arrangement will be effective or not, is what instrument/instruments will carry the melody. This is a critical decision because the audience is going to be so familiar with the vocal line (and of the personality that sings it). One has to be sure that whatever orchestral instrument is substituting for that personality will be set up for success.

In the case of the Coldplay song we did on Happy Hour #1, our principal oboe Roger Roe did a fantastic job of carrying the melody. Time for Three "sung" the melody as a trio in Imogen Heap's "Hide and Seek" on Happy Hour #2. With this arrangement of "Heart of Life" I decided to cheat a little bit--and sing the song myself. Not that I think I do the world's best John Mayer impression, but this is a song I felt like I could do justice to vocally. So that took care of who was handling the melody- then it was on to everything else. The original tune has a wonderful wholesome quality to it that I felt was essential to capture in the orchestration. The "base" sound that I settled on was pizzicato (plucked) strings against lyrical and contrapuntal lines in the woodwinds. This provided a great bed for the solo voice to lie in. Adding harp and glockenspiel (orchestra bells) at times added a more fantastic child-like innocence.  Since the strings are plucking for the majority of the piece I needed an instrument to sustain the bass line and in this case I chose the bassoon--lighter and more appropriate to the style than tuba, bass trombone or electric bass.

One spot that I couldn't wait to arrange was where the electric bass comes in on the original version (2:24-Pain throws your heart to the ground…) Yikes! I just realized I forgot to put in a cymbal roll there! Better add it…. Anyway, that section was the perfect moment for the strings to begin playing with their bows (arco). It's like a wonderful breath of fresh air when you hear the string section finally play arco after a long pizzicato section. I also chose the trombone choir to add a luscious pad to that sound. Mayer has some wonderful guitar licks in that section, and I adapted those a bit and gave them to the woodwinds. The original ends with rising sixths in the guitar parts as does our arrangement, except in the bassoons then clarinets.

We finally cadence and segue back in the Grieg excerpt (Piano Concerto in A Minor, 2nd Movement) that began this whole adventure. I chose the Grieg because it matched the key and because it's simply a gorgeous piece of music. With it's romanticism and slow lyrical quality it almost functions to set up "Heart of Life" in the same way that "Gravity" does on Continuum.





This concert was a joy to arrange. The production of the original tune is so sparse but yet so charming, and it was a pleasure to try my hand at bringing that quality to the orchestra. We'll see how it sounds!



On to the next arrangement.

See you in a few weeks!




~Steve Hackman

 

The Pale Pink Dress

Thursday, March 4, 2010 by Jessica Di Santo

Jessica Di SantoMemory is a funny thing.

I've been known to get up, walk to someone's office, and forget why I just got up and walked to someone's office.  More times than I care to admit, I send emails and forget to include the promised attachment. I know I've said this phrase more times than not: "Didn't I tell you that already?"

Luckily, my long-term memory is better. I can still rattle off the books of the Old Testament in seconds (taught to me as a young kid in Sunday school). I memorize lyrics quickly, and they stick with me forever. And speaking of music, my first and most poignant musical memory occurred here: 7310 17th Ave. NW Seattle, WA 98117.  My childhood home. I've never forgotten the address.

[Present occupant: Please forgive me while I blog about your house for a bit. By the way, the picture of it on Google Earth looks nothing like what I remember. What did you do?]

This week, I reach back into that good/bad memory bank of mine and recall the address where I heard Tchaikovsky's Piano Concerto No. 1 in B Flat Minor for the first time (on vinyl for you young kids - here's a picture just in case).

vinyl record

My mother kept a pretty impressive record collection of classical music.  All the masters were in our library--Beethoven, Brahms, Tchaikovsky--and these records rounded out the Crawford family's diverse musical tastes (Scott Joplin and the Kingston Trio for Dad, Elton John for brother Judd and Really Rosie featuring Carole King for me). I would come home from school and open the door with my Latchkey, invade my mother's closet in search of that fancy pale pink dress with the pleated skirt, select Tchaikovsky's first piano concerto, carefully place the needle on the record in the right spot, turn up the volume on our huge 1970s cabinet turntable (this sucker was a piece of furniture!), and dance around the room in my own little world...at least until my older brother replaced my beloved Tchaikovsky with Pink Floyd.

My memory is clear as crystal: As soon as I would hear the horns blasting those first four notes, shivers ran down my spine. I'd strike a pose once the orchestra answered. Then, that gorgeous melody by the strings put me into my dance routine of gliding and twirling until that pleated skirt was a perfect parallel to the ground. And of course, I would stop occasionally and play air piano.



I didn't need a TV to be entertained. I didn't need video games (although I tried begging mom and dad for an Atari, to no avail). I don't remember ever feeling lonely. I had music. I had Tchaikovsky.

It wasn't until I reached Music Appreciation class in college when I realized there was more to the concerto. You mean there's more to the piece than just the first movement? Fantastic. But the first movement is my first classical music memory.

If you come to the concert this weekend, look for me in the first mezzanine. I'm the one who will visually respond to the first four notes and then the melody.  It will go something like this: twitch, grin, sit back, smile, wipe a tear, close my eyes, and remember that pale pink dress.

Sound Off at a Special Time!

Sunday, February 28, 2010 by Sean Newhouse
This coming Friday and Saturday, I’ll be hosting our preconcert event Sound Off at a special time – 6:00pm.  This is because the Honor Orchestra of America will be performing at 7:00pm, before the ISO hits the stage at 8:00pm, for this week’s performances in the Symphonic Hits series.  We invite you to make a full evening of it at the Hilbert Circle Theater with Sound Off and the two performances!

The ISO performance will feature wonderful staples of the repertoire, with guest conductor James Gaffigan leading a program that opens with Rossini’s Semiramide Overture and Beethoven’s Symphony No. 2, and then features Tchaikovsky’s Piano Concerto No. 1 and soloist Stephen Hough on the second half.

As usual, for Sound Off, we’d love for you to send us questions in advance (about orchestral music in general, or the ISO in particular) that we may feature in our segment “The Audience Wants to Know.”  You can submit your questions by commenting on this blog post, posting on the ISO Facebook page, or emailing it to soundoff@indianapolissymphony.org. 

To give you a little taste of what’s in store on this week’s concerts, I’ve collected some YouTube videos of the repertoire – some “standard,” and others not so much :-)

We’ll start with a normal performance – this is Riccardo Muti and the Vienna Philharmonic with Rossini’s Semiramide Overture.



And now, a much more unusual arrangement – for 16 pianists on 8 pianos!



Here’s a classic performance from 1962 of the Tchaikovsky 1st Piano Concerto, with soloist Van Cliburn and conductor Kirill Kondrashin, in Moscow.  This is the beginning of the first movement - the rest of the concerto is easily available on YouTube as well.



And then, I couldn’t resist including musical comedian Victor Borge’s riff on the opening of the concerto:



Finally, here are a couple of videos related to Beethoven’s 2nd Symphony.  First, an introduction to the work, created by Jan Swafford for the Boston Symphony.



And here’s a fine performance of the Beethoven with Mariss Jansons and the Bavarian Radio Symphony.



See you at the Symphony!

A Lot to Learn

Saturday, February 13, 2010 by Brian Smith
Have you ever had one of those days when you wonder where the time went?  Well, that happened to me today.  I was in my practice room looking over the music I have to prepare for a number of upcoming concerts, which is fairly substantial, and felt a sudden panic.  Staring back at me from my stand are symphonies of Beethoven, Prokofiev, and Shostakovich, and concertos of Rachmaninoff, Stravinsky, and Tchaikovsky.  All of which are to be performed with the ISO in next few weeks.  When you add in my regular practice regime and a looming recital on the horizon, that is a lot of notes to learn in a short amount of time.  

But you know what.  That's just the way I like it.  Before joining the ISO's bass section a year and a half ago, I worked primarily as a freelance musician where you mix and match your schedule to perform with various orchestras on an as needed basis.  This also allows for one to take a week off to catch up if you want.  For this reason one of the biggest adjustments for me, but one I was happy to make, has been performing a different program every week we are on stage.  That means a lot more work at home to be ready to go for the next week's show, but I really enjoy the challenge of staying sharp and learning a large amount of repertoire regularly.

I remember when I was in school marveling at the number of projects many of the teachers would take on at the same time.  Many had orchestra jobs, chamber music groups, or other pet projects that required as much or more time as their teaching position.  I once asked such a teacher how he managed to get everything done and do it at a high level.  His answer was simple and poignant, as most truths tend to be.  He said, "I love what I do, but I won't be able to do it forever.  I want to bust my hump to be as good as I can be for as long as I can be, so I don't wonder 'what if' later."  I like that answer a lot.  

Classical musicians train for years, many beginning as children, to be able to perform the masterworks of Bach, Beethoven and the rest.  I for one feel very fortunate to be able to present them from week to week with the ISO, even if it does require a little more prep time.  Now if you will excuse me, I have to go practice.

Spending "J-term" at the Symphony

Tuesday, February 2, 2010 by Carol Baker


My name is Sarah and I attend Covenant Christian High School. Each year after Christmas break, students at my school participate in a two week experience called “J-term”, or two week internship. I love music and thought that the Indianapolis Symphony would be a great opportunity. For my two weeks, I was part of the Learning Community. There were many activities and projects that I participated in during these two weeks, like the Young People's Discovery Concert teacher workshops designed to help teachers prepare their students for concerts and assisting HR with paper filing.  The teacher workshop was a brand new experience for me and I loved learning the different ways of presenting classical music to groups of elementary level students.

I was able to sit in on an ISO rehearsal and listen to the orchestra practice. Also, I attended a Happy Hour Concert planning meeting for the upcoming January event. It was interesting hearing all of the work that had been put into the event, and the work that still had to be done. Also, I was able to see the new promotional video for these concerts.

I attended a Coffee Concert and it was neat listening to the orchestra perform the songs that I heard them practice the day before. Also, before the Coffee Concert I served coffee and tea to patrons. It was fun and fascinating talking to the different people attending the concert. That ended my first week at the ISO, and I could not wait for the next week.

On Tuesday of my second week, I helped the HR department again with some filing.  I saw more paper than I have ever seen in most of my life! It was interesting how many papers and documents go through this department.

This week I was able to eat lunch with Becky, the principal piccolo player in the orchestra. It was fun hearing some of her stories and talk about flutes! Then I said bye and continued with my work in the Learning Community - mainly creating a database of orchestra music for the Metropolitan Youth Orchestra program. 

Next came Friday, my last day at the ISO. Today there was a Coffee Pops Concert that I was able to enjoy. I loved this concert and had a great time listening to it.

Well, that was my J-term experience at the ISO. I could not have hoped for a better internship. I learned many things about the business behind the orchestra on stage. I was also able to meet new people and get to know them better. I am glad that I had this opportunity to spend my two weeks with the ISO!